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Author: Dimitri Verhulst
Publisher: Marion Boyars Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 164
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Book Description
A story like a punch to the midriff.
Author: Dimitri Verhulst
Publisher: Marion Boyars Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 164
Get Book Here
Book Description
A story like a punch to the midriff.
Author: María del Mar Azcona
Publisher: Taylor & Francis
ISBN: 1040269559
Category : Social Science
Languages : en
Pages : 200
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Book Description
This book presents cosmopolitanism as a useful methodological approach to understand the transnational synergies present in contemporary cinema. In line with existing literature from the social sciences, the volume aims to contribute to the ‘cosmopolitan turn’ in cinema studies. It considers cosmopolitanism as, among others, a personal and social aspiration of social justice, world citizenship and celebration of difference; a notion to be criticised as elitist, Western, often imperialist, and homogenising; and an actually existing social practice characterised by contradiction, messiness and conflict. The chapters in this volume offer insights into the variety of sometimes contradictory discourses that arise from a cosmopolitan interpretation of a wide variety of film texts. Key topics explored in this book include borders, (im)mobilities, migration, race, class and film aesthetics. This book will be particularly useful to film studies scholars and students looking at transnational, global, world and decolonial cinemas and focusing on topics like borders, migration and multiculturalism in film. This book will also appeal to academic communities studying media, literature, mobilities, geopolitics, sociology and the social sciences in general.
Author: Stefaan Slembrouck
Publisher: Academia Press
ISBN: 9038214960
Category : Linguistics
Languages : en
Pages : 499
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Book Description
Author: Andrew Hammond
Publisher: Springer
ISBN: 1137526270
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders, empire, unification, migration, and marginalization), offering a ground-breaking study of how modern and contemporary writers have participated in the European debate. The sixteen essays view the chosen writers, not as representatives of national literatures, but as participants in transcontinental discussion that has occurred across borders, cultures, and languages. In doing so, the contributors raise questions about the forms of power operating across and radiating from Europe, challenging both the institutionalized divisions of the Cold War and the triumphalist narrative of continental unity currently being written in Brussels.
Author: Temenuga Trifonova
Publisher: Bloomsbury Publishing USA
ISBN: 150136250X
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general
Author: Villa Gillet (Association)
Publisher: Columbia University Press
ISBN: 0231150806
Category : Biography & Autobiography
Languages : en
Pages : 170
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Book Description
At a recent literary conference hosted by Villa Gillet and "Le Monde," organizers asked seventy-seven prominent authors from around the world to choose a word that opens the door to their work. Their crystalline musings, collected here for the first time, offer an extraordinary portrait of writing and reading from the perspective of the artist. Organized alphabetically, the anthology is a pleasurable and instructive book for writers, readers, and anyone seeking an intimate understanding of literature. Through these personal "passwords," authors articulate the function of language, character, plot, and structure, and, in the process, reveal their relationship with the elements of story. Jonathan Lethem discusses the independent life of furniture; A. S. Byatt describes the power of the narrative web; Etgar Keret explains the importance of "balagan," a Hebrew word meaning "total chaos"; Daniel Mendelsohn expounds on the unknowable, or what the author should or should not impart to the reader; Annie Proulx clarifies "terroir," which embodies the complexities of time, place, geography, weather, and climate; and Colum McCann details the benefits of anonymity. Other participants include Rick Moody on adumbrated; Upamanyu Chatterjee on the bildungsroman; Enrique Vila-Matas on discipline; Adam Thirwell on hedonism; Nuruddin Farah on identities; Tariq Ali on laughter; Andre Brink on the heretic; Elif Shafak on the nomad; and PA(c)ter Esterhazy on the power and potential of words, words, words.
Author: Andrew Hammond
Publisher: Springer Nature
ISBN: 3030389731
Category : Literary Criticism
Languages : en
Pages : 826
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Book Description
This book offers a comprehensive guide to global literary engagement with the Cold War. Eschewing the common focus on national cultures, the collection defines Cold War literature as an international current focused on the military and ideological conflicts of the age and characterised by styles and approaches that transcended national borders. Drawing on specialists from across the world, the volume analyses the period’s fiction, poetry, drama and autobiographical writings in three sections: dominant concerns (socialism, decolonisation, nuclearism, propaganda, censorship, espionage), common genres (postmodernism, socialism realism, dystopianism, migrant poetry, science fiction, testimonial writing) and regional cultures (Asia, Africa, Oceania, Europe and the Americas). In doing so, the volume forms a landmark contribution to Cold War literary studies which will appeal to all those working on literature of the 1945-1989 period, including specialists in comparative literature, postcolonial literature, contemporary literature and regional literature.
Author: Dimitri Verhulst
Publisher: Granta Publications
ISBN: 184627463X
Category : Fiction
Languages : en
Pages : 78
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Book Description
“A timeless novel about love, loss and village life” from the award-winning Dutch author of The Misfortunates and Problemski Hotel (Aesthetica). Years ago, Madame Verona and her husband built a home for themselves on a hill in a forest above a small village. There they lived in isolation, practicing their music, and chopping wood to see them through the cold winters. When Mr. Verona died, the locals might have expected that the legendary beauty would return to the village, but Madame Verona had enough wood to keep her warm during the years it would take to make a cello—the instrument her husband loved—and in the meantime she had her dogs for company. And then one cold February morning, when the last log has burned, Madame Verona sets off down the village path, with her cello and her memories, knowing that she will have no strength to climb the hill again. Poignant, precise and perfectly structured, this is a story of one woman’s tender and enduring love—as a wife, and as a widow. “An intimate, unsentimental portrayal of European rural life . . . In Verhulst’s landscape, nature is ruthless, amoral and never benign, and human memory a cruel mirage . . . His best sentences are gorgeously resonant.”—The Herald “Aging, bereavement and death are somber themes, yet this novel’s treatment of them is agreeably entertaining . . . this tale of enduring love is often preposterous, sometimes poignant and, above all, consistently charming.”—The Independent
Author: Jamie Steele
Publisher: Edinburgh University Press
ISBN: 147442077X
Category : Motion picture producers and directors
Languages : en
Pages : 240
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Book Description
Francophone Belgian Cinema offers an original critical analysis of filmmaking in an oft-neglected 'national' and regional cinema. The book draws key distinctions between the local, national, small national, regional and transnational frameworks in both representational and industrial terms. Alongside the Dardenne brothers, this book considers four promising Francophone Belgian filmmakers who have received limited critical attention in academic publications on contemporary European cinema: Joachim Lafosse, Olivier Masset-Depasse, Lucas Belvaux and Bouli Lanners. Exploring these filmmakers' themes of post-industrialism, paternalism, the fractured nuclear family and spatial dynamics, as well as their work in the more commercial road movie and polar genres, Jamie Steele analyses their stylistic continuities and filiation. This is complemented by an analysis of how the industrial aspects of film production, distribution and exhibition contribute to the creation of both a regional and transnational cinema.
Author: Scott Kelby
Publisher: New Riders
ISBN: 0134657918
Category : Computers
Languages : en
Pages : 578
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Book Description
Adobe Photoshop Lightroom is truly an awesome program, and the primary editing tool for so many photographers today. But, at some point, you realize that there are things you need to do to your images that Lightroom just can’t do. It could be anything from pro-level portrait retouching, to blending two or more images together, to incredible special effects, to removing distracting things in your image, to adding beautiful type to your images, and, well...there are just lots of incredible things you could do...if you just knew Photoshop. Adobe Photoshop is...well...it’s Photoshop—this huge, amazing, Swiss Army knife of a program with 70+ tools, and more than a hundred filters. So, compared to Lightroom it seems really complicated, and it could be, but you’ve got a secret weapon: Scott Kelby. He’s the same guy who wrote the world’s #1 best-selling book on Lightroom, he’s Editor and Publisher of Photoshop User magazine and Lightroom Magazine, and he’s here to teach you just the most important, most useful parts of Photoshop—just the stuff that Lightroom can’t already do. Once you learn these techniques (all covered in this short, quick, easy-to-use, plain-English guide), it opens a whole new world of productivity and creativity. Here’s what you’ll learn: Scott tells you flat-out which tools to use, which techniques work best, which ones to avoid, and why. You only really need about 20% of what Photoshop can do, and that 20% is all covered right in this book. The most important layer techniques, and learning layers is like being handed the keys to the candy store—this is where the fun begins, and you’ll be amazed at what you’ll be able to do, so quickly and easily. Scott’s favorite (and most useful) portrait retouching techniques; his favorite special effects for landscape, travel, and people photos; plus which filters are awesome (and which ones waste your time). Also, you’ll learn how to mask hair and create super-realistic composites (you’ll be amazed when you learn how easy this is), plus how to take advantage of all the latest Photoshop technology, how to leverage the latest features (so you’re doing things the easy way), and a bunch of today’s most popular techniques (the same commercial looks you’re seeing in hot demand), so you’ll be using Photoshop like a shark in no time. If you’ve been saying to yourself, “Ya know, I really should learn Photoshop,” you’re holding the absolute best book to get you there, coming from the guy who literally wrote the book on Lightroom. He knows how to help you make the most of using these two powerful tools together to take your images (and your fun) to the next level. You are going to love being a Photoshop shark!
