Author: New York Graphic Society
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 572

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Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 9780670018314
Category : Art
Languages : en
Pages : 364

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SALTZMAN/OLD MASTERS; NEW WORLD

Author: Elizabeth Prettejohn
Publisher: Association of Human Rights Institutes series
ISBN: 9780300222753
Category : Art
Languages : en
Pages : 0

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Book Description
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."

Author: Sylvia Heudecker
Publisher: Cambridge Scholars Publishing
ISBN: 1527526542
Category : Art
Languages : en
Pages : 441

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Book Description
Cabinets of prints and drawings are found in the earliest art collections of Early Modern Europe. From the sixteenth century onwards, some of them acquired such fame that the necessity for an ordered and scientific display meant that a dedicated keeper was occasionally employed to ensure that fellow enthusiasts, as well as visiting diplomats, courtiers and artists, might have access to the print room. Often collected and displayed together with drawings, the prints formed a substantial part of princely collections which sometimes achieved astounding longevity as a specialised group of collectibles, such as the Florentine Gabinetto Disegni e Stampe at the Uffizi (GDSU). Prints and drawings, both bought and commissioned, were collected by princes and by private amateurs. Like the rest of their collections, the prints and drawings were usually preserved and displayed as part of, or near, the owner’s library in close proximity to scientific instruments, cut gems or small sculptural works of art. Both prints and drawings not only documented an encyclopaedic approach to the knowledge available at the time, but also depicted parts of the collections in the form of a paper museum. Prints and drawings also served as a guide to the collections. They spread their fame, and the renown of their owners, across Europe and into new worlds of collecting, both East and West. This volume explores issues such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections of prints and drawings for the self-representation of a prince or connoisseur among specialists and social peers? Is the presentation of a picture hanging in a gallery, for example by Charles Eisen for the Royal Galleries at Dresden, to be treated as documentary evidence? Are there notable differences in the approach to collecting, presentation and preservation of prints and drawings in diverse parts of the world? What was the afterlife of such collections up to the present day?

Author: Simon Critchley
Publisher: Routledge
ISBN: 1135199035
Category : Art
Languages : en
Pages : 145

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Book Description
This is a fascinating and beautifully written book on what philosophy can tell us about humour and about what it is to be human. It will fascinate and intrigue anyone with a sense of humour.

Author: Jon Thompson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408

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Book Description
Modern art, filled with complex themes and subtle characteristics, is a wonder to view, but can be intimidating for the casual observer to comprehend. In this accessible, practical guide, author and instructor Jon Thompson explores more than 200 works, helping readers to unlock each painting's meaning. Beginning with the Barbizon school and the Realist movement of the mid-19th century and continuing through the 1980s avant-garde, artists including Bonnard, Basquiat, Van Gogh, Picasso, Degas, Warhol, and Whistler are featured. Thompson describes each artist's use of media and symbolism and provides insightful biographical information. A natural companion to Abrams' "How to Read a Painting," this book is a vibrant, informative trip through one of art history's most compelling periods.

Author: Robert Beverly Hale
Publisher: Watson-Guptill Publications
ISBN: 9780823030149
Category : Art
Languages : en
Pages : 144

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Book Description
Explains how to make realistic drawings of the arms, legs, feet, hands, and other parts of the human body

Author: James Spero
Publisher: Courier Corporation
ISBN: 9780486269474
Category : Art
Languages : en
Pages : 52

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Book Description
Masterly works, in a variety of media, by Dürer, Rembrandt, Titian, Rubens, Lorrain, van Ruisdael, Watteau, Gainsborough, Fragonard, Turner, Constable, Corot and many more. High-quality, inexpensive edition.

Author: Sotheby, Wilkinson & Hodge
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 234

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Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 860

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