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Author: Sian Echard
Publisher: University of Pennsylvania Press
ISBN: 0812201841
Category : Design
Languages : en
Pages : 334
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Book Description
In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings. Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.
Author: Sian Echard
Publisher: University of Pennsylvania Press
ISBN: 0812201841
Category : Design
Languages : en
Pages : 334
Get Book Here
Book Description
In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings. Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.
Author: Erik Kwakkel
Publisher:
ISBN: 9781942401612
Category : Books
Languages : en
Pages : 0
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Book Description
This beautifully illustrated book provides an accessible introduction to the medieval manuscript and explores how its materiality can act as a vibrant and versatile tool to understand the deep historical roots of human interaction with written information.
Author: Andrew Pettegree
Publisher:
ISBN: 1594204969
Category : Book industries and trade
Languages : en
Pages : 402
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Book Description
A revolutionary look at Martin Luther, the Reformation, and the birth of publishing, on the eve of the Reformation's 500th anniversary When Martin Luther posted his "theses" on the door of the Wittenberg church in 1517, protesting corrupt practices, he was virtually unknown. Within months, his ideas spread across Germany, then all of Europe; within years, their author was not just famous, but infamous, responsible for catalyzing the violent wave of religious reform that would come to be known as the Protestant Reformation and engulfing Europe in decades of bloody war. Luther came of age with the printing press, and the path to glory of neither one was obvious to the casual observer of the time. Printing was, and is, a risky business--the questions were how to know how much to print and how to get there before the competition. Pettegree illustrates Luther's great gifts not simply as a theologian, but as a communicator, indeed, as the world's first mass-media figure, its first brand. He recognized in printing the power of pamphlets, written in the colloquial German of everyday people, to win the battle of ideas. But that wasn't enough--not just words, but the medium itself was the message. Fatefully, Luther had a partner in the form of artist and businessman Lucas Cranach, who together with Wittenberg's printers created the distinctive look of Luther's pamphlets. Together, Luther and Cranach created a product that spread like wildfire--it was both incredibly successful and widely imitated. Soon Germany was overwhelmed by a blizzard of pamphlets, with Wittenberg at its heart; the Reformation itself would blaze on for more than a hundred years. Publishing in advance of the Reformation's 500th anniversary, Brand Luther fuses the history of religion, of printing, and of capitalism--the literal marketplace of ideas--into one enthralling story, revolutionizing our understanding of one of the pivotal figures and eras in human history.
Author: Mariken Teeuwen
Publisher: Brepols Publishers
ISBN: 9782503569482
Category : Annotating, Book
Languages : en
Pages : 0
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Book Description
Annotations in modern books are a phenomenon that often causes disapproval: we are not supposed to draw, doodle, underline, or highlight in our books. In many medieval manuscripts, however, the pages are filled with annotations around the text and in-between the lines. In some cases, a 'white space' around the text is even laid out to contain extra text, pricked and ruled for the purpose. Just as footnotes are an approved and standard part of the modern academic book, so the flyleaves, margins, and interlinear spaces of many medieval manuscripts are an invitation to add extra text. This volume focuses on annotation in the early medieval period. In treating manuscripts as mirrors of the medieval minds who created them - reflecting their interests, their choices, their practices - the essays explore a number of key topics. Are there certain genres in which the making of annotations seems to be more appropriate or common than in others? Are there genres in which annotating is 'not done'? Are there certain monastic centres in which annotating practices flourish, and from which they spread? The volume thus investigates whether early medieval annotators used specific techniques, perhaps identifiable with their scribal communities or schools. It explores what annotators actually sought to accomplish with their annotations, and how the techniques of annotating developed over time and per region.
Author: M. T. Clanchy
Publisher: Brepols Publishers
ISBN: 9782503580838
Category : Criticism, interpretation, etc
Languages : en
Pages : 0
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Book Description
Michael Clanchy's From Memory to Written Record, first published in 1979, has shaped the study of medieval literacy. Apart from continuing to work on 'pragmatic literacy', he has also turned his attention to other forms of making, keeping, and using written texts. This book collates six articles since published, showing new directions in the field of medieval literacy and communication. The first two chapters--'Looking Back from the Invention of Printing' and 'Parchment and Paper: Manuscript Culture, 1100-1500 AD'--provide an overview of further work on medieval manuscript culture. The next four--'Images of Ladies with Prayer Books: What Do They Signify?'; 'An Icon of Literacy: The Depiction at Tuse of Jesus Going to School'; 'The ABC Primer: Was it in Latin or English?'; 'Did Mothers Teach Their Children to Read?'--highlight a new interest in gender that has reviewed earlier ideas on literacy. Featuring 49 colour illustrations, the book also includes an Introduction, Bibliography, and Index.
Author: Alexandra Gillespie
Publisher: OUP Oxford
ISBN: 0199262950
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Print Culture and the Medieval Author is a book about books. Examining hundreds of early printed books and their late medieval analogues, Alexandra Gillespie writes a bibliographical history of the poet Geoffrey Chaucer and his follower John Lydgate in the century after the arrival of printing in England. Her study is an important new contribution to the emerging 'sociology of the text' in English literary and historical studies.At the centre of this study is a familiar question: what is an author? The idea of the vernacular writer was already contested and unstable in medieval England; Gillespie demonstrates that in the late Middle Ages it was also a way for book producers and readers to mediate the risks - commercial, political, religious, and imaginative - involved in the publication of literary texts.Gillespie's discussion focuses on the changes associated with the shift to print, scribal precedents for these changes, and contemporary understanding of them. The treatment of texts associated with Chaucer and Lydgate is an index to the sometimes flexible, sometimes resistant responses of book printers, copyists, decorators, distributors, patrons, censors, owners, and readers to a gradual but profoundly influential bibliographical transition.The research is conducted across somewhat intractable boundaries. Gillespie writes about medieval and modern history; about manuscript and print; about canonical and marginal authors; about literary works and books as objects. In the process, she finds new meanings for some medieval vernacular texts and a new place for some old books in a history of English culture.
Author: George Haven Putnam
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 506
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Book Description
A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century.
Author: David Diringer
Publisher: Courier Corporation
ISBN: 0486142493
Category : Art
Languages : en
Pages : 625
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Book Description
"A remarkable work. . . . For sheer weight of information there is no equal to it." — The Spectator. It is probable that the earliest "books" were written on wood or leaves as early as the fourth millennium B.C. These fragile materials, unfortunately, have not come down to us. In their absence, the earliest surviving books are the clay tablets of Mesopotamia, the oldest attributed to c. 3500 B.C. On these ancient clay shards, dense rows of cuneiform script record the seminal writings of mankind: the Gilgamesh epic, Sumerian literary catalogues, Babylonian astrology, Assyrian accounts of the Creation and the Flood, and the Lipit-Ishtar Law-Code (c. 2000 B.C.), predating Hammurabi and the oldest law code in human history. Probably as ancient as the Mesopotamian writings, or nearly so, are Egyptian hieroglyphics. In a sense, it is the papyrus scrolls of the Egyptians — preserved by that country's hot, dry climate — that represent the true ancestors of the modern book. As the centuries passed, papyrus slowly gave way to parchment (the prepared skins of animals) as writing material. Indeed, the handwritten parchment or vellum codex is "the book" par excellence of the Middle Ages. Western European book production is only part of the story, and the author is at pains to illuminate the bibliographic contributions of numerous peoples and cultures: Greek and Roman book production, books made in central and southern Asia, the books of Africa, pre-Columbian America, and the Far East — material that is often not mentioned in Western histories of the book. Based on years of painstaking research and incorporating a wealth of new material and conclusions, the text is enhanced throughout by abundant illustrations — nearly 200 photographic facsimiles of priceless manuscripts in museums and libraries around the world.
![A History of the Middle Ages, 284-1500. (Second Printing.) [With Plates.]. PDF](https://books.google.com/books/content/images/frontcover/malSwgEACAAJ?fife=w80-h100)
Author: Sidney PAINTER
Publisher:
ISBN:
Category :
Languages : en
Pages : 497
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Book Description
Author: George Haven Putnam
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 606
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Book Description
