Printing Music in Renaissance Rome PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Printing Music in Renaissance Rome PDF full book. Access full book title Printing Music in Renaissance Rome by Jane A. Bernstein. Download full books in PDF and EPUB format.
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 0197669611
Category : Language Arts & Disciplines
Languages : en
Pages : 297
Get Book
Book Description
Jane A. Bernstein presents the first broad study of the cultures of music and the book in Rome during the Renaissance and Post-Tridentine periods. Emphasizing the exceptionalism of Roman music publishing, she highlights innovative technologies, milestone publications, and the close connection between musical repertories and the materiality of the book. She also analyzes the Church's predominant influence on the industry and, in turn, the impact of the Roman press on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri.
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 0197669611
Category : Language Arts & Disciplines
Languages : en
Pages : 297
Get Book
Book Description
Jane A. Bernstein presents the first broad study of the cultures of music and the book in Rome during the Renaissance and Post-Tridentine periods. Emphasizing the exceptionalism of Roman music publishing, she highlights innovative technologies, milestone publications, and the close connection between musical repertories and the materiality of the book. She also analyzes the Church's predominant influence on the industry and, in turn, the impact of the Roman press on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri.
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 0197669638
Category : Music
Languages : en
Pages : 297
Get Book
Book Description
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 0195349709
Category : Music
Languages : en
Pages : 256
Get Book
Book Description
This volume discusses the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. Music printers occupied a unique niche in the Renaissance printing world because their product appealed to those with sophisticated taste and was not readable by the entire literate public. Bridging the gap between music and other disciplines, Bernstein demonstrates here that the role of a music printer can be discussed as part of the larger cultural and economic question of the success of a commercial enterprise.
Author: Richard Sherr
Publisher: Routledge
ISBN: 0429779453
Category : Music
Languages : en
Pages : 353
Get Book
Book Description
First published in 1999, the essays that follow have been selected from the author’s writings to explore musical institutions in 15th and 16th century Italy with a detailed focus on the papal choir, but with additional comments on Mantua (Mantova), Florence and France. Much of the material which formed the basis of those essays was largely drawn from archives. Richard Sherr explores diverse areas including the Medici coat of arms in a motet for Leo X, performance practice in the papal chapel during the 16th century, the publications of Guglielmo Gonzaga, Lorenzo de’ Medici as a patron of music and homosexuality in late sixteenth-century Italy.
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 0195102312
Category : History
Languages : en
Pages : 1196
Get Book
Book Description
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Author: Richard Sherr
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 339
Get Book
Book Description
Author: Suzanne G. Cusick
Publisher:
ISBN:
Category : Music printing
Languages : en
Pages : 344
Get Book
Book Description
Author: Bonnie J. Blackburn
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 360
Get Book
Book Description
Contains articles previously published in various musicology journals between 1981 and 1998. Articles are in sections on Tinctoris and the art of composition, Petrucci and his sources, and Luigi Zenobi and his letter on the perfect musician. Specific topics include compositional process in the 15th century, Obrecht's Missa Je ne demande and Busnoys' Chanson, Tinctoris' teaching recovered, Johannes Ockeghem, Lorenzo de' Medici, and Petrucci's Venetian editor. Author information is not given. Original pagination has been retained. Annotation copyrighted by Book News Inc., Portland, OR
Author: Tim Carter
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 312
Get Book
Book Description
This collection of reprinted essays starts from the author's doctoral research on Jacopo Peri and the rise of opera and solo song in late sixteenth- and early seventeenth-century Florence. It extends to broader issues concerning music and patronage in the city as they affected individual composers, patrons and institutions, and thence to the commerce of music printing and the book trade. It concludes with an attempt to suggest a broader view of these various issues as they impact upon musical life in the 'provinces' in Tuscany. There is a great deal of new documentary and other information here, but the aim is also to expand methodological horizons so as to prompt new ways of thinking about music in its contexts.
Author: Maureen E. Buja
Publisher:
ISBN:
Category : Music printing
Languages : en
Pages : 598
Get Book
Book Description
