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Author: Christopher Orchard
Publisher: Taylor & Francis
ISBN: 1000895084
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Printed Drama and Political Instability in Mid-Seventeenth-Century Britain: The Literary Politics of Resistance and Distraction in Plays and Entertainments, 1649–1658 describes the function of printed drama in 1650s Britain. After the regicide of 1649, printed plays could be interpreted by royalist readers as texts of resistance to the republic and protectoral governments respectively. However, there were often discrepancies between the aspirational content of these plays and the realities facing a royalist party who had been defeated in the Civil Wars. Similarly, plays with a classically republican Roman setting failed to offer a successful model for the new republic. Consequently, writers who supported the new republic and, eventually, Cromwell’s protectoral government, proposed entertainments, based around the concept of the sublime, whose purpose was to create political amnesia in the audience, thereby nullifying any political dissatisfaction with a non-monarchical form of government. This volume will appeal to students and scholars of seventeenth-century literature, and of the political history of 1640s and 1650s Britain.
Author: Christopher Orchard
Publisher: Taylor & Francis
ISBN: 1000895084
Category : Literary Criticism
Languages : en
Pages : 305
Get Book Here
Book Description
Printed Drama and Political Instability in Mid-Seventeenth-Century Britain: The Literary Politics of Resistance and Distraction in Plays and Entertainments, 1649–1658 describes the function of printed drama in 1650s Britain. After the regicide of 1649, printed plays could be interpreted by royalist readers as texts of resistance to the republic and protectoral governments respectively. However, there were often discrepancies between the aspirational content of these plays and the realities facing a royalist party who had been defeated in the Civil Wars. Similarly, plays with a classically republican Roman setting failed to offer a successful model for the new republic. Consequently, writers who supported the new republic and, eventually, Cromwell’s protectoral government, proposed entertainments, based around the concept of the sublime, whose purpose was to create political amnesia in the audience, thereby nullifying any political dissatisfaction with a non-monarchical form of government. This volume will appeal to students and scholars of seventeenth-century literature, and of the political history of 1640s and 1650s Britain.
Author: Christopher Orchard
Publisher:
ISBN: 9781032508757
Category : English drama
Languages : en
Pages : 0
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Book Description
"Printed Drama and Political Instability in Mid-Seventeenth Century Britain: The Literary Politics of Resistance and Distraction in Plays and Entertainments from 1649-1658 describes the function of printed drama in 1650s Britain. After the regicide of 1649, printed plays could be interpreted by Royalist readers as texts of resistance to the republic and protectoral governments respectively. However, there were often discrepancies between the aspirational content of these plays and the realities facing a Royalist party who had been defeated in the civil wars. Similarly, plays with a classically republican Roman setting failed to offer a successful model for the new republic. Consequently, writers who supported the new republic and, eventually, Cromwell's protectoral government, proposed entertainments, based around the concept of the sublime, whose purpose was affect: that is, creating political amnesia in the audience, thereby nullifying any political dissatisfaction with a non-monarchical form of government. This volume will appeal to students and scholars of seventeenth century literature, and of the political history of 1640s and 1650s Britain"--
Author: Nick Moschovakis
Publisher: Taylor & Francis
ISBN: 104009709X
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
This volume convenes eight noted scholars with varied positions at the interface of formal and historical literary criticism. The editors’ introduction—a far-reaching account of how both methods have intersected in studies of early modern English texts since the 1990s—is the first such survey in more than 15 years, making it invaluable to scholars entering this area. Three essays address foundational questions about genre, fictionality, and formlessness; five feature close readings of texts or passages ranging from the more canonical (Shakespeare, Herbert, Milton) to the less so (an official record of the 1604 Hampton Court Conference). For scholars and students alike, the book thus models a variety of ways both to conceptualize and to analyze the value of literature at the formal–historical interface. Encompassing drama, lyric, satirical and polemical prose, and metrical as well as rhetorical and logical forms, the collection closes with an afterword by theorist Caroline Levine.
Author: Igor Djordjevic
Publisher: Taylor & Francis
ISBN: 1040259901
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
This book begins by asking about the memorial issues involved in the replaying of an old history play, Shakespeare and Fletcher’s Henry VIII, at the Globe on 29 July 1628, but it is not primarily concerned with the memory of a single individual, George Villiers, 1st Duke of Buckingham who paid for the production, nor even of a single day, when he seemed to try to evoke the memories of a small group of people gathered at the theatre for a singular purpose. In order to resolve the mystery of what a group of people thought about the past in a single moment in time, this book studies Elizabethan, Jacobean, and Caroline textual recollections that inform the moment in 1628. Tracing the ways in which Henry VIII was remembered across these years reveals a dominant approach to reading history in the early modern period, and the varied purposes of memorial activity itself.
Author: Jeffrey B. Griswold
Publisher: Taylor & Francis
ISBN: 1000989976
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
Human Insufficiency argues that early modern writers depict the human political subject as physically vulnerable in order to naturalize slavery. Representations of Man as a weak creature—“poor” and “bare” in King Lear’s words—strategically portrayed English bodies as needing care from people who were imagined to be less fragile. Drawing on Aristotle’s depictions of the natural master and the natural slave in the Politics, English writers distinguished the fully human political subject from the sub-human Slave who would care for his feeble body. This justification of a nascent slaving economy reinvents the violence of enslaving Afro-diasporic peoples as a natural system of care. Human Insufficiency’s most important contribution to early modern critical race studies is expanding the scope of the human as a racialized category by demonstrating how depictions of Man as a vulnerable species were part of a discourse racializing slavery.
Author: William David Green
Publisher: Taylor & Francis
ISBN: 1040010326
Category : Literary Criticism
Languages : en
Pages : 165
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Book Description
This volume celebrates Thomas Middleton’s legacy as a dramatist, marking the 400th anniversary of Middleton’s final and most contentious work for the public theatres, A Game at Chess (1624). The collection is divided into three sections: ‘Critical and Textual Reception’, ‘Afterlives and Legacies’, and ‘Practice and Performance’. This division reflects the book’s holistic approach to Middleton’s canon, and its emphasis on the continuing significance of Middleton’s writing to the study of early modern English drama. Each section offers an assessment of the place of Middleton’s drama in culture, criticism, and education today through a range of critical approaches. Featuring work from a range of voices (from early career, independent, and seasoned academics and practitioners), the collection will be appropriate for both specialists in early modern literature and drama who are interested in both theory and practice, and students or scholars researching Middleton’s historical significance to the study of early theatre.
Author: Michael Slater
Publisher: Taylor & Francis
ISBN: 1040013945
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Tropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.
Author: David A. Harper
Publisher: Taylor & Francis
ISBN: 1003813038
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Paradise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.
Author: Christopher Orchard (College teacher)
Publisher:
ISBN: 9781003400080
Category : LITERARY CRITICISM
Languages : en
Pages : 0
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Book Description
Printed Drama and Political Instability in Mid-Seventeenth-Century Britain: The Literary Politics of Resistance and Distraction in Plays and Entertainments, 1649-1658 describes the function of printed drama in 1650s Britain. After the regicide of 1649, printed plays could be interpreted by royalist readers as texts of resistance to the republic and protectoral governments respectively. However, there were often discrepancies between the aspirational content of these plays and the realities facing a royalist party who had been defeated in the Civil Wars. Similarly, plays with a classically republican Roman setting failed to offer a successful model for the new republic. Consequently, writers who supported the new republic and, eventually, Cromwell's protectoral government, proposed entertainments, based around the concept of the sublime, whose purpose was to create political amnesia in the audience, thereby nullifying any political dissatisfaction with a non-monarchical form of government. This volume will appeal to students and scholars of seventeenth-century literature, and of the political history of 1640s and 1650s Britain.
Author: Mark Bayer
Publisher: Routledge
ISBN: 1000416895
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Shakespeare and Civil Unrest in Britain and the United States extends the growing body of scholarship on Shakespeare’s appropriation by examining how the plays have been invoked during periods of extreme social, political, and racial turmoil. How do the ways that Shakespeare is adapted, studied, and discussed during periods of civil conflict differ from wars between nations? And how have these conflicts, in turn, affected how Shakespeare has been understood in these two countries that, more than any others, continue to be deeply shaped by Shakespeare’s complex, enduring, and multivalent legacy? The essays in this volume collectively disclose a fascinating genealogy of how Shakespeare became a dynamic presence in factional discourse and explore the "war of words" that has accompanied civil wars and other instances of domestic disturbance. Whether as part of violent confrontations, mutinies, rebellions, or within the universal struggle for civil rights, Shakespeare’s repeated appearance during such turbulent moments is more than mere historical coincidence. Rather, its inflections on the contested meanings of citizenship, community, and political legitimacy demonstrate the generative influence of the plays on our understanding of internecine strife in both countries.
