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Author: Hugh Redwald Trevor-Roper
Publisher: HarperCollins Publishers
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
"The relationship between artists and their patrons has always been a complex and fascinating one. In the case of the Habsburg rules of the sixteenth and seventh centuries, this is especially true, not only because those rulers are themselves of intrinsic interest, but because the artists whom they encouraged or employed - Durer, Titian, El Grego, Rubens - were among the greatest of all times. In Princes and Artists Professor Trevor-Roper explores the relationship between art and patronage through the careers of the Emperor Charles V (1500-58), his son Philip II of Spain (1527-98), the Emperor Rudolf II (1552-1612) and 'the arch-dukes" - Albert and Isabella - who ruled the southern Netherlands from 1598 to 1633. In the context of their personal lives, their several courts, their political activities, and the ideological conflicts of the era, art played an immensely important role - partly as propaganda, partly for the sheer aesthetic pleasure it gave. The author argues that the distinctive characteristics of patronage in this period, which spanned the transition from the High Renaissance to the Baroque in art, from the Reformation to the Counter-Reformation in ideology, are to be explained by the 'world picture' of the age: "Art symbolised a whole view of life, of which politics were a part, and which the court had a duty to advertise and sustain." -- Book jacket.
Author: Hugh Redwald Trevor-Roper
Publisher: HarperCollins Publishers
ISBN:
Category : Art
Languages : en
Pages : 184
Get Book Here
Book Description
"The relationship between artists and their patrons has always been a complex and fascinating one. In the case of the Habsburg rules of the sixteenth and seventh centuries, this is especially true, not only because those rulers are themselves of intrinsic interest, but because the artists whom they encouraged or employed - Durer, Titian, El Grego, Rubens - were among the greatest of all times. In Princes and Artists Professor Trevor-Roper explores the relationship between art and patronage through the careers of the Emperor Charles V (1500-58), his son Philip II of Spain (1527-98), the Emperor Rudolf II (1552-1612) and 'the arch-dukes" - Albert and Isabella - who ruled the southern Netherlands from 1598 to 1633. In the context of their personal lives, their several courts, their political activities, and the ideological conflicts of the era, art played an immensely important role - partly as propaganda, partly for the sheer aesthetic pleasure it gave. The author argues that the distinctive characteristics of patronage in this period, which spanned the transition from the High Renaissance to the Baroque in art, from the Reformation to the Counter-Reformation in ideology, are to be explained by the 'world picture' of the age: "Art symbolised a whole view of life, of which politics were a part, and which the court had a duty to advertise and sustain." -- Book jacket.
Author: Jeff Kurtti
Publisher: Chronicle Books
ISBN: 1452147582
Category : Performing Arts
Languages : en
Pages : 169
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Book Description
This Fall, The Walt Disney Animation Studios returns to its timeless art form of hand-drawn animation. From the creative minds of directors John Musker and Ron Clements (The Little Mermaid and Aladdin) comes an American fairy tale and musical set in the heart of New Orleans during the Jazz Age. This unforgettable tale of love, enchantment, and discovery features Tiana, a young girl with big dreams who is working hard to achieve them amid theelegance and grandeur of the fabled French Quarter. The Art of The Princess and the Frog showcases the lush concept art of this sure-to-be-classic movie, including sketches, character designs, lighting studies and storyboards, alongside inspiring quotes from the directors, producers, artists and designers, including veteran hand drawn animators that brought you many of Disney's most classic and unforgettable characters.
Author: Disney Book Group
Publisher: Disney Editions
ISBN: 9781423123712
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Every little girl has a favorite Disney Princess--and for that matter, every grown-up girl, too! In The Art of the Disney Princess, Disney artists, designers, illustrators, and animators from around the world have re-imagined their favorite princesses and portrayed them in a variety of mediums. Ariel, Aurora, Belle, Jasmine, Snow White, and Cinderella are newly incarnated in water color, pastel, oil paint, colored pencil, mixed media, and computer graphics pieces that range from the traditional to the unconventional. This artwork has been created especially for this museum-quality book, which is sure to delight art lovers, Disney collectors, and any prince or princess who ever believed that fairytales do come true.
Author: Charles Solomon
Publisher:
ISBN: 9781452159119
Category : Animated films
Languages : en
Pages : 0
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Book Description
For every classic Disney fairytale, the Disney princess has always been the beating heart and soul, the magic ingredient that ties the masterpiece together. Now, with the release of never-before-seen concept art from the legendary Disney archive, nostalgic fans and collectors finally have the chance to get a closer look at how each of these princesses came to be. With over 200 colourful images, this spectacular eye-catching package serves as the definitive celebration and history of the Disney princess from 1937 to 2019.
Author:
Publisher: Tokuma Shoten/Tsai Fong Books
ISBN:
Category : Performing Arts
Languages : ja
Pages : 236
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Book Description
Author: Mary Hollingsworth
Publisher: Simon and Schuster
ISBN: 1643135473
Category : History
Languages : en
Pages : 412
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Book Description
A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.
Author: FRANÇOIS DE CALLIÈRES
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 99
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Book Description
DIPLOMACY is one of the highest of the political arts. In a well-ordered commonwealth it would be held in the esteem due to a great public service in whose hands the safety of the people largely lies; and it would thus attract to its ranks its full share of national ability and energy which for the most part to-day passes into other professions. But the diplomatic service, at all times, and in almost all countries, has suffered from lack of public appreciation: though perhaps at no time has it had so many detractors as to-day. Its almost unparalleled unpopularity is due to a variety of causes, some of which are temporary and removable, while others must be permanent in human affairs, for they were found to operate in the days when the author of this little book shone in French diplomacy. The major cause is public neglect; but it is also due, in no small measure, to the prevalent confusion between[Pg vi] policy, which is the substance, and diplomacy proper, which is the process by which it is carried out. This confusion exists not only in the popular mind, but even in the writings of historians who might be expected to practise a better discernment. Policy is the concern of governments. Responsibility therefore belongs to the Secretary of State who directs policy and appoints the agents of it. But the constitutional doctrine of ministerial responsibility is not an unvarying reality. No one will maintain that Lord Cromer’s success in Egypt was due to the wisdom of Whitehall, or to anything but his own sterling qualities. Nor can a just judgment of our recent Balkan diplomacy fail to assign a heavy share of the blame to the incompetence of more than one ‘man on the spot.’ The truth is, that the whole system, of which, in their different measure, Downing Street and the embassies abroad are both responsible parts, is not abreast of the needs of the time, and will not be until Callières’s excellent maxims become the common practice of the service. These maxims are to be found in the little book of which a free translation is here presented. François de Callières treats diplomacy as the art[Pg vii] practised by the négotiateur—a most apt name for the diplomatist—in carrying out the instructions of statesmen and princes. The very choice of the word manière in his title shows that he conceives of diplomacy as the servant, not the author, of policy; and indeed his argument is not many pages old before he is heard insisting that it is ‘the agent of high policy.’ Observance of this distinction is the first condition of fruitful criticism. It is therefore worth while, at the outset, to clear away the obscurity and confusion which surround the subject, and thus, in some measure, to relieve both diplomacy in general and the individual diplomatist in particular from the burden of irrelevant and unjust criticism..
Author: Dena Marie Woodall
Publisher: Museum Fine Arts Houston
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
The full spectrum of society springs to life in the detailed etchings of Jacques Callot (1592-1635). This acclaimed French printmaker trained in Italy and later worked as a court artist for Cosimo II de' Medici in Florence. Callot revolutionized printmaking by developing the process of hard-ground etching, and he applied his technical skills to depicting the world around him. The extraordinary etchings featured in this book testify to Callot's mastery of sacred and profane imagery. The authors delve into Callot's techniques and subjects, ranging from humorous scenes inspired by commedia dell'arte to noble feasts, biblical events, and even the horrors of war. They also explore how the artist used characters from opposite ends of society to expose the complexities and injustices of his time. With his keen sense of observation, Callot held a mirror to European culture of the early 1600s, revealing both its tragic and humorous aspects.
Author: Lisa Monnas
Publisher:
ISBN: 9780300111170
Category : Art
Languages : en
Pages : 408
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Book Description
Silk was one of the great social signifiers of the later Middle Ages, and it is represented in a profusion of paintings from the period, demonstrating the opulence of the patron's own dress. This large book, illustrated throughout with such paintings and with surviving silks, takes a multifaceted look at medieval silk, its production and trade, the various grades of textile, the garments, church vestments drapes and coverings which were made from it, and their decoration, as well as the social context of silk as a high status item, the pageantry of official occasions, and the sumptuary legislation designed to control silk production. A beautiful book, every bit as opulent as its subject.
Author: Marie Ferranti
Publisher: Hesperus Press
ISBN:
Category : Fiction
Languages : en
Pages : 128
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Book Description
Based on a series of letters between Barbara and her cousin Maria, in which she recounts her daily life, dramas and jokes, The Princess of Mantua is an example of docufiction at its most exquisite.
