Primitivism and Picasso's Early Cubism PDF Download
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Author: Ruben Charles Cordova
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
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Book Description
Author: Ruben Charles Cordova
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
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Book Description
Author: Charles Harrison
Publisher: Yale University Press
ISBN: 9780300055160
Category : Art
Languages : en
Pages : 280
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Book Description
On art in the early 20th century
Author: William Rubin
Publisher: ABRAMS
ISBN: 9780810960671
Category :
Languages : en
Pages : 706
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Book Description
Author: Jeffrey S. Weiss
Publisher: Princeton University Press
ISBN: 9780691117416
Category : Architecture
Languages : en
Pages : 228
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Book Description
Between spring and winter 1909, Picasso executed more than sixty portraits of his companion, Fernande Olivier. These works--produced in a variety of formats and mediums--exhibit a range of artistic approaches dedicated to a single subject that stands out in the history of portraiture. Even more significant, this series of works coincided with the invention of Cubism. Published to accompany a major exhibition originating at the National Gallery of Art, Washington, this richly illustrated volume illuminates Picasso's radical reformulation of human physiognomy. Containing eighty-two color illustrations and sixty-eight duotones, the catalogue explores the Fernande portraits and related works as a single oeuvre culminating in the magnificent Head of a Woman (Fernande)--one of Picasso's rare pre-1912 excursions into sculpture. By so doing, it allows us to examine Picasso's process in an unprecedented fashion. What emerges is a new picture of the artist pursuing his subject with obsessive repetition and struggling to resolve artistic problems during a time of crisis in his work. Also included are previously unpublished studio photographs that offer further insight into the conceptual nature of the artist's process. The text narrates the internal development of the Fernande portrait series, situates it within the broader history of representation, and considers the powerful impact of Cézanne on Picasso's work during this period. Seizing a single extended moment in the early history of Cubism, this catalogue reveals Cubism's great achievement--its startling invention, its remarkable expressive power, and its profound formal and psychological implications for modern art. EXHIBITION SCHEDULE: National Gallery of Art, Washington October 1, 2003 - January 18, 2004 Nasher Sculpture Garden, Dallas February 15 - May 9, 2004
Author: Pablo Picasso
Publisher:
ISBN: 9780810930759
Category :
Languages : en
Pages : 24
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Book Description
Author: Douglas Cooper
Publisher: Metropolitan Museum of Art
ISBN: 0714814482
Category : Art, Modern
Languages : en
Pages : 322
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Book Description
Cubism has been one of the most important and influential movements in twentieth-century art. In the eight years between 1906 and 1914, Cubism, and in particular Pablo Picasso and Georges Braque, were to change the technique and form of painting radically and for ever. Originating in Paris, the movement became a truly international force, and one with a profound impact on human visual experience. This book, illustrated with over 300 photographs, presents a vivid evocation of Cubism as a historic and aesthetic force. Copyright © Libri GmbH. All rights reserved.
Author: Ukachukwu Chinweoba Titus
Publisher:
ISBN:
Category : Cubism
Languages : en
Pages : 60
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Book Description
Author: Miles J. Unger
Publisher: Simon & Schuster
ISBN: 1476794227
Category : Biography & Autobiography
Languages : en
Pages : 480
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Book Description
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
Author: Robert Goldwater
Publisher: Harvard University Press
ISBN: 9780674704909
Category : Art
Languages : en
Pages : 374
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Book Description
This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition.
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0143134590
Category : Art
Languages : en
Pages : 289
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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
