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Author: Richard Wallaschek
Publisher:
ISBN: 9781698308654
Category :
Languages : en
Pages : 348
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Book Description
This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality.
Author: Richard Wallaschek
Publisher:
ISBN: 9781698308654
Category :
Languages : en
Pages : 348
Get Book
Book Description
This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality.
Author: Bruno Nettl
Publisher:
ISBN: 9780674863392
Category :
Languages : en
Pages : 200
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Book Description
Author: Richard Wallaschek
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 378
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Book Description
Author: Andrew Ford
Publisher: Black Inc.
ISBN: 1925203018
Category : Music
Languages : en
Pages : 229
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Book Description
Minimalism, savagery, the raw and the cooked, the primal and the pre-verbal, Elvis’s hips, The Rite of Spring . . . Earth Dances is an original investigation of how music and primitivism intersect – a dazzling journey through music and culture. With alternating chapters of criticism and interviews, including with Liza Lim and Brian Eno, composer and broadcaster Andrew Ford explores the relationship between primal forms of music and the most refined examples of the art – between passion and control. He looks at the voice, the drum, the drone and the dance, at ‘music that is in touch with something fundamental in our existence, music that seeks and rediscovers the earthy side of our nature, the primitive, the “simple, rude or rough”, and in doing so restores and resets our humanity’. ‘The perfect, knowledgeable, enthusiastic friend . . . I couldn’t put it down!’ —David Robertson ‘Much has been made of the search for the lost chord. But chords are sophisticated structures. Earth Dances documents Andrew Ford’s intrepid quest for the lost thud, and the lost scream . . . Music can’t survive without primitivism. It is the bushfire clearing overgrown and cluttered musical landscapes, paring them to essentials. This results in fresh structures, materials and practices that lead us to the place we belong.’ —Brian Ritchie, Violent Femmes, MONA FOMA ‘Earth Dances is a vivid and rarely less than astute history of the debt modern music simultaneously owes to the inheritances of tradition, and the texture of dissonance.’ —Kill Your Darlings ‘Filled with insightful musical analysis made accessible for a general audience.’ —Sydney Morning Herald
Author: Richard Wallaschek
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 384
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Book Description
Author: Nicola Gess
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110695154
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
This book examines the discourse on ‘primitive thinking’ in early twentieth century Germany. It explores texts from the social sciences, writings on art and language and – most centrally – literary works by Robert Musil, Walter Benjamin, Gottfried Benn and Robert Müller, focusing on three figurations of alterity prominent in European primitivism: indigenous cultures, children, and the mentally ill.
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 966
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Book Description
Author: Richard Wallaschek
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 362
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Book Description
Author: John Plant
Publisher: Clarkson Potter
ISBN: 1984823671
Category : Sports & Recreation
Languages : en
Pages : 194
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Book Description
From the craftsman behind the popular YouTube channel Primitive Technology comes a practical guide to building huts and tools using only natural materials from the wild. John Plant, the man behind the channel, Primitive Technology, is a bonafide YouTube star. With almost 10 million subscribers and an average of 5 million views per video, John's channel is beloved by a wide-ranging fan base, from campers and preppers to hipster woodworkers and craftsmen. Now for the first time, fans will get a detailed, behind-the-scenes look into John's process. Featuring 50 projects with step-by-step instructions on how to make tools, weapons, shelters, pottery, clothing, and more, Primitive Technology is the ultimate guide to the craft. Each project is accompanied by illustrations as well as mini-sidebars with the history behind each item, plus helpful tips for building, material sourcing, and so forth. Whether you're a wilderness aficionado or just eager to spend more time outdoors, Primitive Technology has something for everyone's inner nature lover.
Author: Margaret Henrietta Glyn
Publisher: London : Longmans, Green
ISBN:
Category : Music
Languages : en
Pages : 216
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Book Description
THE writer of this book presents a view of music, which is as novel as it is interesting, and which throws a strong light on the fundamental principles underlying the art. She takes the rhythmic element in music as the formative principle of unity, and works out her conception both from the historical and psychological point of view. Rhythm is defined as "the periodic quality, undulating, circling or putative, of all movement"; and as, according to Herbert Spencer, rhythm is a necessary characteristic of all motion, it is obvious that here we can obtain a unifying principle. A study of history shows us that rhythmic feeling was the common origin of poetry, dancing and music; and that the basis of all folk-music, as far back as we can trace it, was rhythm pure and simple. The general law of musical evolution is laid down, and proved to exist in the actual development of art; and so modern music is shown to have had its origin in folk-song, and not in the Church art of the middle ages. The progress of all art is shown to be from the Strict to the Free (which is equivalent to passage from the homogeneous to the heterogeneous), and thus from the somewhat strict outline of ancient music we pass to the endless variety of modern music. A strict standard is necessary. But when once this standard is grasped, monotony must be avoided by the free utterance. Coming to the psychological part of the work, the authoress shows that what she terms the Rhythmitonal Idea is the result of the synthetic intuitive action of the imagination, and not the analytic reasoned processes of the intellect; it must be intelligible not to the intellect, but to the emotions, of the hearer. In her opinion the emotional element in music has actually assisted to develop a considerable part of musical technique, by creating the movement of absolute free form. She discusses the association of the poetic idea with music, coming to the conclusion that the evolution of music is not advanced by the influence of another art, but proceeds in its own natural and inevitable path of development. The book is one that merits deep and careful consideration. From all points of view it is a notable addition to works on musical aesthetics, and, whatever views may be taken of the questions at issue, it conveys a theory that cannot be overlooked or ignored. -Zeitschrift, Volume 9
