Author: Franz Boas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 446
Book Description
Primitive Art
Author: Franz Boas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 446
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 446
Book Description
Primitive Art in Civilized Places
Author: Sally Price
Publisher: University of Chicago Press
ISBN: 9780226680675
Category : Art
Languages : en
Pages : 178
Book Description
AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.
Publisher: University of Chicago Press
ISBN: 9780226680675
Category : Art
Languages : en
Pages : 178
Book Description
AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.
The Death of Authentic Primitive Art
Author: Shelly Errington
Publisher: Univ of California Press
ISBN: 0520920341
Category : Art
Languages : en
Pages : 338
Book Description
In this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death." Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress—from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia—a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished)—to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development. Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies.
Publisher: Univ of California Press
ISBN: 0520920341
Category : Art
Languages : en
Pages : 338
Book Description
In this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death." Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress—from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia—a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished)—to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development. Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies.
Primitive Art & Society
Author: Wenner-Gren Foundation for Anthropological Research
Publisher: London ; New York : Oxford University Press, for Wenner-Gren Foundation for Anthropological Research
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
Based on a conference held at Burg Wartenstein from 27 June to 5 July 1967.
Publisher: London ; New York : Oxford University Press, for Wenner-Gren Foundation for Anthropological Research
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
Based on a conference held at Burg Wartenstein from 27 June to 5 July 1967.
Primitive Art
Author: Ferdinand Anton
Publisher: New York : H. N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 536
Book Description
Publisher: New York : H. N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 536
Book Description
Primitive Art in Egypt
Author: Jean Capart
Publisher: Palala Press
ISBN: 9781377786117
Category : Art
Languages : en
Pages : 334
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Palala Press
ISBN: 9781377786117
Category : Art
Languages : en
Pages : 334
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Primitivism" in 20th century art : affinity of the tribal and the modern ; [published in conjunction with an exhibition of the same title shown at the following museums: The Museum of Modern Art, New York; Detroit Institute of Arts; Dallas Museum of Art]
Author: William Stanley Rubin
Publisher:
ISBN: 9780870705342
Category :
Languages : en
Pages : 343
Book Description
Published for an exhibition held at the Museum of Modern Art in 1984.
Publisher:
ISBN: 9780870705342
Category :
Languages : en
Pages : 343
Book Description
Published for an exhibition held at the Museum of Modern Art in 1984.
Modern and Primitive Art
Author: Charles Wentinck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
Return to the elemental - Search for the primitive - Abstraction and empathy - Picasso and Negro Art - Matisse or Vlaminck - Problems of form - Exchange of techniques - Exotic attraction of distant lands - Primitive art and German Expressionism - Surrealism and the art of the South Sea Islands.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
Return to the elemental - Search for the primitive - Abstraction and empathy - Picasso and Negro Art - Matisse or Vlaminck - Problems of form - Exchange of techniques - Exotic attraction of distant lands - Primitive art and German Expressionism - Surrealism and the art of the South Sea Islands.
Primitive Erotic Art
Author: Philip Rawson
Publisher: Penguin Adult HC/TR
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
Publisher: Penguin Adult HC/TR
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
The Preference for the Primitive
Author: E.H. Gombrich
Publisher: Phaidon Press
ISBN: 9780714846323
Category : Art
Languages : en
Pages : 0
Book Description
Professor Gombrich's last book and first narrative work in over 20 years.
Publisher: Phaidon Press
ISBN: 9780714846323
Category : Art
Languages : en
Pages : 0
Book Description
Professor Gombrich's last book and first narrative work in over 20 years.