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Author: Museu de Arte Moderna de São Paulo
Publisher:
ISBN:
Category : Photography, Artistic
Languages : pt-BR
Pages : 212
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Book Description
Author: Museu de Arte Moderna de São Paulo
Publisher:
ISBN:
Category : Photography, Artistic
Languages : pt-BR
Pages : 212
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Book Description
Author: Library of Congress. Library of Congress Office, Brazil
Publisher:
ISBN:
Category : Brazil
Languages : pt-BR
Pages : 544
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Book Description
Author: Tadeu Chiarelli
Publisher:
ISBN:
Category : Art, Brazilian
Languages : pt-BR
Pages : 296
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Book Description
The first major retrospective, the exhibition displays about 700 works from the Museum's 4500 piece collection of contemporary art in Brazil. The collection represents the efforts to collect current and emerging art/artists that began a big push in 1995 when the museum had 2000 pieces. against more than the 4,500 congregated today. Great talents had been discovered and promoted for the museum, such as the photographers Caio Reisewitz, Mauro Restiffe e Márcia Xavier. The artists selected were at the time the vanguard, those who did not fall into the established art scene. among those are: Nelson Leirner, Pablo Buennos, Vik Muniz, Oswald Goeldi, Waltrécio Caldas, Miguel Rio Branco and Gustavo Rezende. It occupies four floors of the Oca building each divided into chronological order.
Author: Museu de Arte Moderna de São Paulo
Publisher:
ISBN:
Category : Photography, Artistic
Languages : pt-BR
Pages : 162
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Brazilian
Languages : pt-BR
Pages : 480
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Latin American
Languages : es
Pages : 554
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Book Description
Author: Fundação Bienal de São Paulo
Publisher:
ISBN:
Category : Art
Languages : pt
Pages : 628
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Book Description
Author: Zanna Gilbert
Publisher:
ISBN: 9781606067246
Category : Art, Argentine
Languages : en
Pages :
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Book Description
"Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"--
Author: Tumelo Mosaka
Publisher: Krannert Art Museum, University of Illinois
ISBN: 9781883015466
Category : Art
Languages : en
Pages : 0
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Book Description
Brazil has long been called the "country of the future." This book documents an exhibition that examines Brazil from the perspective of blindness as a critical category, a metaphor for the way in which the obstruction of perception can illuminate alternate modes of knowledge and experience. It features twenty emerging and mid-career artists working in Brazil who offer a critical perspective on processes of transition within contemporary society, be it from the public space of the street to the virtual zone of the computer screen, or the scale of local communities to the structure of large-scale political action. These works speak to the complexity and heterogeneity of an art milieu that is both tied to the local and manifestly global in reach.
Author: Sabeth Buchmann
Publisher: MIT Press
ISBN: 1846380979
Category : Art
Languages : en
Pages : 129
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Book Description
An illustrated study that casts a new light on Oiticica's most important work of “quasi-cinema” on its fortieth anniversary. Hélio Oiticica (1937–1980) occupies a central position in the Latin American avant-garde of the postwar era. Associated with the Rio de Janeiro-based neo-concretist movement at the beginning of his career, Oiticica moved from object production to the creation of chromatically opulent and sensually engulfing large-scale installations or wearable garments. Building on the idea for a film by Brazilian underground filmmaker Neville D'Almeida, Oiticica developed the concept for Block-Experiments in Cosmococa—Program in Progress (1973–1974) as an “open program”: a series of nine proposals for environments, each consisting of slide projections, soundtracks, leisure facilities, drawings (with cocaine used as pigment), and instructions for visitors. It is the epitome of what the artist called his “quasi-cinema” work—his most controversial production, and perhaps his most direct effort to merge art and life. Presented publicly for the first time in 1992, these works have been included in major international exhibitions in Los Angeles, Chicago, London, and New York. Drawing on unpublished primary sources, letters, and writings by Oiticica himself, this illustrated examination of Oiticica's work considers the vast catalog of theoretical references the artist's work relies on, from anticolonial materialism to French phenomenology and postmodern media theory to the work of Jean-Luc Godard, Andy Warhol, and Brazilian avant-garde filmmakers. It discusses Oiticica's work in relation to the diaspora of Brazilian intellectuals during the military dictatorship, the politics of media circulation, the commercialization of New York's queer underground, the explicit use of cocaine as means of production, and possible future reappraisals of Oiticica's work.
