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Author: Cyndia Susan Clegg
Publisher: Cambridge University Press
ISBN: 1139430068
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
This 2001 book examines the ways in which books were produced, read and received during the reign of King James I. It challenges prevailing attitudes that press censorship in Jacobean England differed little from either the 'whole machinery of control' enacted by the Court of Star Chamber under Elizabeth or the draconian campaign implemented by Archbishop Laud, during the reign of Charles I. Cyndia Clegg, building on her earlier study Press Censorship in Elizabethan England, contends that although the principal mechanisms for controlling the press altered little between 1558 and 1603, the actual practice of censorship under King James I varied significantly from Elizabethan practice. The book combines historical analysis of documents with literary reading of censored texts and exposes the kinds of tensions that really mattered in Jacobean culture. It will be an invaluable resource for literary scholars and historians alike.
Author: Cyndia Susan Clegg
Publisher: Cambridge University Press
ISBN: 1139430068
Category : Literary Criticism
Languages : en
Pages : 302
Get Book Here
Book Description
This 2001 book examines the ways in which books were produced, read and received during the reign of King James I. It challenges prevailing attitudes that press censorship in Jacobean England differed little from either the 'whole machinery of control' enacted by the Court of Star Chamber under Elizabeth or the draconian campaign implemented by Archbishop Laud, during the reign of Charles I. Cyndia Clegg, building on her earlier study Press Censorship in Elizabethan England, contends that although the principal mechanisms for controlling the press altered little between 1558 and 1603, the actual practice of censorship under King James I varied significantly from Elizabethan practice. The book combines historical analysis of documents with literary reading of censored texts and exposes the kinds of tensions that really mattered in Jacobean culture. It will be an invaluable resource for literary scholars and historians alike.
Author: Geoff Kemp
Publisher: Taylor & Francis
ISBN: 104025120X
Category : History
Languages : en
Pages : 450
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Book Description
Helps scholars to examine historical press censorship in England. This title draws together around 500 texts, reaching across 140 years from the rigours of the Elizabethan Star Chamber Decree to the publication of "Cato's Letters", which famously advanced principles of free speech.
Author: Jason McElligott
Publisher: Boydell Press
ISBN: 9781843833239
Category : History
Languages : en
Pages : 300
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Book Description
A study of the content and methods of royalist propaganda via newsbooks in the crucial period following the end of the first civil war. This is a study of a remarkable set of royalist newsbooks produced in conditions of strict secrecy in London during the late 1640s. It uses these flimsy, ephemeral sheets of paper to rethink the nature of both royalism and Civil War allegiance. Royalism, Print and Censorship in Revolutionary England moves beyond the simple and simplistic dichotomies of 'absolutism' versus 'constitutionalism'. In doing so, it offers a nuanced, innovative and exciting visionof a strangely neglected aspect of the Civil Wars. Print has always been seen as a radical, destabilizing force: an agent of social change and revolution. Royalism, Print and Censorship in Revolutionary England demonstrates, bycontrast, how lively, vibrant and exciting the use of print as an agent of conservatism could be. It seeks to rescue the history of polemic in 1640s and 1650s England from an undue preoccupation with the factional squabbles of leading politicians. In doing so, it offers a fundamental reappraisal of the theory and practice of censorship in early-modern England, and of the way in which we should approach the history of books and print-culture. JASON McELLIGOTT is the J.P.R. Lyell Research Fellow in the History of the Early Modern Printed Book at Merton College, Oxford.
Author: Janet Clare
Publisher: Manchester University Press
ISBN: 9780719056956
Category : Drama
Languages : en
Pages : 260
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Book Description
In this work, Janet Clare maintains that to understand dramatic and theatrical censorship in the Renaissance we need to map its terrain, not its serial changes and examine the language through which it was articulated. In tracing the development of dramatic censorship from its origins in the suppression of the medieval religious drama to the end of the Jacobean period, she shows how the system of censorship which operated under Elizabeth I and James I was dynamic, unstable and unpredictable. The author questions notions which regard censorship as either consistently repressive or as irregular and negotiable, arguing that it was governed by the contingencies of the historical moment.
Author: Debora Shuger
Publisher: University of Pennsylvania Press
ISBN: 0812203348
Category : History
Languages : en
Pages : 341
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Book Description
In this study of the reciprocities binding religion, politics, law, and literature, Debora Shuger offers a profoundly new history of early modern English censorship, one that bears centrally on issues still current: the rhetoric of ideological extremism, the use of defamation to ruin political opponents, the grounding of law in theological ethics, and the terrible fragility of public spheres. Starting from the question of why no one prior to the mid-1640s argued for free speech or a free press per se, Censorship and Cultural Sensibility surveys the texts against which Tudor-Stuart censorship aimed its biggest guns, which turned out not to be principled dissent but libels, conspiracy fantasies, and hate speech. The book explores the laws that attempted to suppress such material, the cultural values that underwrote this regulation, and, finally, the very different framework of assumptions whose gradual adoption rendered censorship illegitimate. Virtually all substantive law on language concerned defamation, regulating what one could say about other people. Hence Tudor-Stuart laws extended protection only to the person hurt by another's words, never to their speaker. In treating transgressive language as akin to battery, English law differed fundamentally from papal censorship, which construed its target as heresy. There were thus two models of censorship operative in the early modern period, both premised on religious norms, but one concerned primarily with false accusation and libel, the other with false belief and immorality. Shuger investigates the first of these models—the dominant English one—tracing its complex origins in the Roman law of iniuria through medieval theological ethics and Continental jurisprudence to its continuities and discontinuities with current U.S. law. In so doing, she enables her reader to grasp how in certain contexts censorship could be understood as safeguarding both charitable community and personal dignitary rights.
Author: David Coast
Publisher: Manchester University Press
ISBN: 1526111586
Category : History
Languages : en
Pages : 393
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Book Description
This study examines how political news was concealed, manipulated and distorted during the tumultuous later years of James I’s reign. It investigates how the flow of information was managed and suppressed at the centre, as well as how James I attempted to mislead a variety of audiences about his policies and intentions. It also examines the reception and unintended consequences of his behaviour, and explores the political significance of the mis- and dis-information that circulated in court and country. It thereby contributes to a wider range of historical debates that reach across the politics and political culture of the reign and beyond, advancing new arguments about censorship, counsel and the formation of policy; propaganda and royal image-making; political rumours and the relationship between elite and popular politics, as well as shedding new light on the nature and success of James I’s style of rule.
Author: Pete Langman
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754666332
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
By examining the spaces where authors, printers and readers interact, Negotiating the Jacobean Printed Book pulls into focus the importance of the book to Jacobean culture. Contributors to the collection look beyond the traditional literary canon, interrogating not only the texts but their physical nature, before moving onto the habits, proclamations, letters and problems encountered by authors, printers and readers.
Author: Dympna Callaghan
Publisher: John Wiley & Sons
ISBN: 0470658460
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
A new study of Shakespeare’s life and times, which illuminates our understanding and appreciation of his works. Combines an accessible fully historicised treatment of both the life and the plays, suited to both undergraduate and popular audiences Looks at 24 of the most significant plays and the sonnets through the lens of various aspects of Shakespeare’s life and historical environment Addresses four of the most significant issues that shaped Shakespeare’s career: education, religion, social status, and theatre Examines theatre as an institution and the literary environment of early modern London Explains and dispatches conspiracy theories about authorship
Author: Annabel M. Patterson
Publisher: Univ of Wisconsin Press
ISBN: 9780299099541
Category : Antiques & Collectibles
Languages : en
Pages : 308
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Book Description
Annabel Patterson explores the effects of censorship on both writing and reading in early modern England, drawing analogies and connections with France during the same period.
Author: Emma Smith
Publisher: Routledge
ISBN: 1317034457
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.
