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Author: Jay Rogoff
Publisher: LSU Press
ISBN: 0807180955
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Winner of the Lewis P. Simpson Award In Becoming Poetry, Jay Rogoff closely inspects the work of two dozen poets, his forebears and his contemporaries, to reveal how their poetry achieves its impact upon readers. His essays, drawn from more than twenty years of literary criticism, explore how the staying power of a poet’s work and the likelihood of its enjoying a lasting identification with its creator depend on the skilled manipulation of poetic technique. Considering how poetry can manifest a vividly conceived world of feeling and sensation, Rogoff maintains that we understand and evaluate poets by the sum of their most persuasive inventive strategies, including their attention to form. The poet, finally, constructs a uniquely imagined universe and thus, in the minds of readers, becomes the poetry. A model of practical criticism, intended for enthusiasts at all levels, Becoming Poetry demystifies how poetry operates on its audience to create a virtual, affective experience of lasting power and value.
Author: Jay Rogoff
Publisher: LSU Press
ISBN: 0807180955
Category : Literary Criticism
Languages : en
Pages : 205
Get Book Here
Book Description
Winner of the Lewis P. Simpson Award In Becoming Poetry, Jay Rogoff closely inspects the work of two dozen poets, his forebears and his contemporaries, to reveal how their poetry achieves its impact upon readers. His essays, drawn from more than twenty years of literary criticism, explore how the staying power of a poet’s work and the likelihood of its enjoying a lasting identification with its creator depend on the skilled manipulation of poetic technique. Considering how poetry can manifest a vividly conceived world of feeling and sensation, Rogoff maintains that we understand and evaluate poets by the sum of their most persuasive inventive strategies, including their attention to form. The poet, finally, constructs a uniquely imagined universe and thus, in the minds of readers, becomes the poetry. A model of practical criticism, intended for enthusiasts at all levels, Becoming Poetry demystifies how poetry operates on its audience to create a virtual, affective experience of lasting power and value.
Author: Thomas N. Corns
Publisher: Cambridge University Press
ISBN: 9780521423090
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
English poetry in the first half of the seventeenth century is an outstandingly rich and varied body of verse, which can be understood and appreciated more fully when set in its cultural and ideological context. This student Companion, consisting of fourteen new introductory essays by scholars of international standing, informs and illuminates the poetry by providing close reading of texts and an exploration of their background. There are individual studies of Donne, Jonson, Herrick, Herbert, Carew, Suckling, Lovelace, Milton, Crashaw, Vaughan and Marvell. More general essays describe the political and religious context of the poetry, explore its gender politics, explain the material circumstances of its production and circulation, trace its larger role in the development of genre and tradition, and relate it to contemporary rhetorical expectation. Overall the Companion provides an indispensable guide to the texts and contexts of early-seventeenth-century English poetry.
Author: Erin A. McCarthy
Publisher: Oxford University Press
ISBN: 019257356X
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
When poetry was printed, poets and their publishers could no longer take for granted that readers would have the necessary knowledge and skill to read it well. By making poems available to anyone who either had the means to a buy a book or knew someone who did, print publication radically expanded the early modern reading public. These new readers, publishers feared, might not buy or like the books. Worse, their misreadings could put the authors, the publishers, or the readers themselves at risk. Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England focuses on early modern publishers' efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by—and itself shaped—strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers' strategies changed over time. Ultimately, Doubtful Readers argues that although—or perhaps because—publishers' interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.
Author: Irwin Jack Nissman
Publisher:
ISBN: 9781478713289
Category : Education
Languages : en
Pages : 174
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Book Description
"PREPOSTHUMOUS POETRY" Inspired by Nature, a gifted poet takes his readers on a journey through unimagined realms of thought, exploring topics hitherto unvisited by his predecessors, identifying wonders, limitations, complications and barriers, revealing connections, insights and possibilities that are a revelation, and that can leave a lasting impression on readers of these thoughtful, tightly-constructed, rhyming poems. These poems, many resulting from deep thought, others from heartfelt (and patriotic) feelings, provide fascinating ideas, skillful word wizardry, little-known historical accounts, entertainment, inspiration, enlightenment, personal observations, musings and reflections, vital messages and suggestions, inferences and deductions, remarkable conclusions, "incredible" facts, commentaries on life, amusing jabs at some human foibles, pop song writing errors, unintended consequences, thoughts regarding loving relationships and age-old human problems, an award-winning riddle, and possibly, the best short love poem ever conceived! Readers will be amazed by the range of topics covered, from the sublime to the commonplace, from a rap summary of American history, to why children ask "Why" questions, from what we're made of (stardust!), to what household dust's made of, even to what "is" is (we don't know!), and to why plastics are a problem! Although alphabetically presented and categorized, some poems defy any classification! Inspiration for these poems has come from many sources, in and out of this world! This poet's intact pre-TV imagination and poetic muse haven't set any boundaries to what topics could be explored and delineated, in poetic verse. This has led him to some intriguingly possible explanations for events and circumstances that have affected humans throughout history. Through poetic imagery, readers will learn new things they've never thought about! They'll discover a world of ideas that may never have crossed their mind, things they've not been told before, told in interesting ways that inform, without being boring, of how Nature's workshops continually perform miracles, how survival's aided by "programmed death," how and why differing "worldviews" can wreak havoc! They'll be enthralled by a poem about the timeless enrichment of Art, "What we have, other species have not!," told of the value of "true value creators," of capitalism's "greatest good," and of the disaster wrought by stock market analysts' predictions about stocks' future dividends, of possible causes of "gender confusion," of how Earth's fury can "transport" souls, and how Nature may "recycle" them! This book's a sojourn into the many levels of a thoughtful man's unique mind, guiding readers through a "museum of his intellect." Poetry lovers will enjoy and respond favorably to this poet's "magnum opus," a book of poems written during his last career (teaching, age 66-75), after spending much of his life attending colleges, learning how to continue to be useful to our country, before and after the Cold War. He brings a new, concise writing style to his poetry, with hopefulness and an inspirational poetic vision of how we might shape our future for a better world. Visualization can lead to realization, as in "Visualizations, Past And Future," wherein it states that this poet-teacher-engineer had invented the encrypted PIN "keys," thus enabling the ATMs that have made the world's banks accessible, even when closed!
Author: Harriet Monroe
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 406
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Book Description
Author: Massimo Cacciari
Publisher: Stanford University Press
ISBN: 9780804727105
Category : History
Languages : en
Pages : 258
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Book Description
Cacciari discusses Vienna at a crucial turning point in Western thinking, as the 19th century ended, treating this extraordinarily rich concentration of people and events as the hub upon which wheeled into the 20th century.
Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 558
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Book Description
Author: Clement Wood
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 418
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 414
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Book Description
Author: Arthur F. Marotti
Publisher: Cornell University Press
ISBN: 1501728504
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
The last of the literary genres to be incorporated into print culture, verse in the English Renaissance not only was published in anthologies, pamphlets, and folio editions, it was also circulated in manuscript. In this ground-breaking historical and cultural study of sixteenth- and early seventeenth-century lyric poetry, Marotti examines the interrelationship between the two systems of literary transmission and shows how in England manuscript and print publication together shaped the emerging institution of literature. Surveying a wide range of manuscript and print poetry of the period, Marotti outlines the different social and institutional contexts in which poems were collected and transmitted. He focuses on the two kinds of verse that were circulated more commonly in manuscript than in print—the obscene and the political—and he considers the contributions of scribes and compilers, particularly in composing "answer poetry" and other verse. Analyzing the process through which print gradually replaced manuscript as the standard medium for lyric verse, he identifies four crucial events in the history of publication in England: the appearances of Tottel's Miscellany ( (1557), Sir Philip Sidney's works in the 1590s, Ben Jonson's folio Workes (1616), and the posthumous editions of the poems of Donne and of Herbert (both 1633). Marotti also considers how certain material features of the book determined the reception of poetry, and he explores how poets attempted to establish their authority in print in relation to publishers, patrons, and readers.
