Author: William Wordsworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
The Prelude
Author: William Wordsworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
Piano Solos
Author:
Publisher: Alfred Music Publishing
ISBN:
Category : Music
Languages : en
Pages : 72
Book Description
Op. 1 - Piano Sonata No. 1 in F minor * Op. 14 - Piano Sonata No. 2 in D minor * Op. 28 - Piano Sonata No. 3 in A minor
Publisher: Alfred Music Publishing
ISBN:
Category : Music
Languages : en
Pages : 72
Book Description
Op. 1 - Piano Sonata No. 1 in F minor * Op. 14 - Piano Sonata No. 2 in D minor * Op. 28 - Piano Sonata No. 3 in A minor
Memories and Music
Author: Sir Dan Godfrey
Publisher:
ISBN:
Category : Conducting
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Conducting
Languages : en
Pages : 368
Book Description
The Performing Style of Alexander Scriabin
Author: Anatole Leikin
Publisher: Routledge
ISBN: 1317021614
Category : Music
Languages : en
Pages : 307
Book Description
When Alexander Nikolayevich Scriabin's music was performed during his lifetime, it always elicited ecstatic responses from the listeners. Wilhelm Gericke, conductor of the Vienna opera, rushed backstage after one of Scriabin's concerts and fell on his knees crying, 'It's genius, it's genius...'. After the composer’s death in 1915, however, his music steadily lost the captivating appeal it once held. The main reason for this drastic change in the listeners’ attitude is an enormous gap existing between the printed scores of Scriabin’s music and the way the composer himself played his works. Apparently, what Scriabin's audiences heard at the time was significantly different from, and vastly superior to, modern performances that are based primarily on published scores. Scriabin recorded nineteen of his compositions on the Hupfeld and Welte-Mignon reproducing pianos in 1908 and 1910, respectively. Full score transcriptions of the piano rolls, which are included in the book, provide many substantial features of Scriabin's performance: exact pitches and their timing against each other, rhythms, tempo fluctuations, articulation, dynamics and essential pedal application. Using these transcriptions and other historical documents as the groundwork for his research, Anatole Leikin explores Scriabin's performing style within the broader context of Romantic performance practice.
Publisher: Routledge
ISBN: 1317021614
Category : Music
Languages : en
Pages : 307
Book Description
When Alexander Nikolayevich Scriabin's music was performed during his lifetime, it always elicited ecstatic responses from the listeners. Wilhelm Gericke, conductor of the Vienna opera, rushed backstage after one of Scriabin's concerts and fell on his knees crying, 'It's genius, it's genius...'. After the composer’s death in 1915, however, his music steadily lost the captivating appeal it once held. The main reason for this drastic change in the listeners’ attitude is an enormous gap existing between the printed scores of Scriabin’s music and the way the composer himself played his works. Apparently, what Scriabin's audiences heard at the time was significantly different from, and vastly superior to, modern performances that are based primarily on published scores. Scriabin recorded nineteen of his compositions on the Hupfeld and Welte-Mignon reproducing pianos in 1908 and 1910, respectively. Full score transcriptions of the piano rolls, which are included in the book, provide many substantial features of Scriabin's performance: exact pitches and their timing against each other, rhythms, tempo fluctuations, articulation, dynamics and essential pedal application. Using these transcriptions and other historical documents as the groundwork for his research, Anatole Leikin explores Scriabin's performing style within the broader context of Romantic performance practice.
Report of the Trustees to the General Assembly
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 732
Book Description
The Compleat Brahms
Author: Leon Botstein
Publisher: W. W. Norton & Company
ISBN: 9780393047080
Category : Music
Languages : en
Pages : 456
Book Description
The 1997 centennial of Brahms's death has intensified interest among concertgoers and music lovers in the composer's prodigious body of work.
Publisher: W. W. Norton & Company
ISBN: 9780393047080
Category : Music
Languages : en
Pages : 456
Book Description
The 1997 centennial of Brahms's death has intensified interest among concertgoers and music lovers in the composer's prodigious body of work.
Nikolay Andreevich Rimsky-Korsakov
Author: Gerald Seaman
Publisher: Routledge
ISBN: 1317646185
Category : Music
Languages : en
Pages : 408
Book Description
Nikolay Andreevich Rimsky-Korsakov: A Research and Information Guide, Second Edition is an annotated bibliography of all substantial, relevant published resources relating to the Russian composer. First published in 1988, this revised and expanded volume incorporates new information about the composer appearing over the last two decades, including literary publications, articles and reviews. Other sections provide a brief biographical sketch, selective discography, chronology and list of Rimsky-Korsakov’s works.
Publisher: Routledge
ISBN: 1317646185
Category : Music
Languages : en
Pages : 408
Book Description
Nikolay Andreevich Rimsky-Korsakov: A Research and Information Guide, Second Edition is an annotated bibliography of all substantial, relevant published resources relating to the Russian composer. First published in 1988, this revised and expanded volume incorporates new information about the composer appearing over the last two decades, including literary publications, articles and reviews. Other sections provide a brief biographical sketch, selective discography, chronology and list of Rimsky-Korsakov’s works.
A Descriptive Catalogue of the Music of Charles Ives
Author: James B. Sinclair
Publisher: Yale University Press
ISBN: 9780300076011
Category : Music
Languages : en
Pages : 792
Book Description
This catalogue of the music of Charles Ives contains 728 entries covering all of the prolific composer's works. James Sinclair's book presents information produced by recent Ives scholarship and generous commentary on each of Ives's compositions. It completes the work begun by musicologist John Kirkpatrick in 1955, when Ives's music manuscripts were deposited in the Yale Music Library. Ives's works are arranged alphabetically by title within genres. Whenever possible, each entry includes the main title and any other titles the composer may have used; the forces required; the duration; headings of movements; publication history; citation of the first known performance and first recording; the derivation of the work, listing music on which it may be modeled or from which it may borrow material; the principal literature treating the piece; and commentary on these and other matters. The catalogue also provides musical incipits for all Ives's extant works, seven appendixes (covering his work lists, 'Quality Photo' lists, his songbooks, a chronology of his life, recordings made by Ives, and his private publications and commercial publishers), three concordances, and four extensive indexes (addresses, names, titles, and musical borrowings).
Publisher: Yale University Press
ISBN: 9780300076011
Category : Music
Languages : en
Pages : 792
Book Description
This catalogue of the music of Charles Ives contains 728 entries covering all of the prolific composer's works. James Sinclair's book presents information produced by recent Ives scholarship and generous commentary on each of Ives's compositions. It completes the work begun by musicologist John Kirkpatrick in 1955, when Ives's music manuscripts were deposited in the Yale Music Library. Ives's works are arranged alphabetically by title within genres. Whenever possible, each entry includes the main title and any other titles the composer may have used; the forces required; the duration; headings of movements; publication history; citation of the first known performance and first recording; the derivation of the work, listing music on which it may be modeled or from which it may borrow material; the principal literature treating the piece; and commentary on these and other matters. The catalogue also provides musical incipits for all Ives's extant works, seven appendixes (covering his work lists, 'Quality Photo' lists, his songbooks, a chronology of his life, recordings made by Ives, and his private publications and commercial publishers), three concordances, and four extensive indexes (addresses, names, titles, and musical borrowings).
The Reception of Bach's Organ Works from Mendelssohn to Brahms
Author: Russell Stinson
Publisher: Oxford University Press, USA
ISBN: 0199747032
Category : Language Arts & Disciplines
Languages : en
Pages : 242
Book Description
In this penetrating study, Russell Stinson considers how four of the greatest composers of the nineteenth century-Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the model of Bach's organ music. His book represents a major step forward in the literature on the so-called Bach revival.
Publisher: Oxford University Press, USA
ISBN: 0199747032
Category : Language Arts & Disciplines
Languages : en
Pages : 242
Book Description
In this penetrating study, Russell Stinson considers how four of the greatest composers of the nineteenth century-Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the model of Bach's organ music. His book represents a major step forward in the literature on the so-called Bach revival.
The General Stud Book Containing Pedigrees of English Race Horses, &c. &c. from the Earliest Accounts to the Year 1831, Inclusive
Author:
Publisher:
ISBN:
Category : Horses
Languages : en
Pages : 1138
Book Description
Publisher:
ISBN:
Category : Horses
Languages : en
Pages : 1138
Book Description