Prelude & Fugue in D Minor, Op 109 PDF Download
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Author: Camille Saint-Saëns
Publisher:
ISBN:
Category : Canons, fugues, etc
Languages : en
Pages :
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Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category : Canons, fugues, etc
Languages : en
Pages :
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Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 42
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Book Description
Author: Rollin Smith
Publisher: Pendragon Press
ISBN: 9780945193142
Category : Biography & Autobiography
Languages : en
Pages : 374
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Book Description
Hailed by Franz Liszt as the world's greatest organist, Camille Saint-Saëns was revered by his contemporaries for his ingenious improvisations, his mastery of the art of registration, his virtuosity, and his eclectic organ compositions. Saint-Saëns's technique and style developed out of what remained of the French classic tradition that survived into 19th century use, bridged the entire career of Aristide Cavaillé-Coll, and continued well into the 20th century. Rollin Smith, author of The Organ Works of César Franck, provides an insightful biographical view of Saint-Saëns as organist and composer, including detailed chapters on the construction and settings of instruments he played (the harmonium, the Aeolian organ, and the Cavaillé-Coll organs, among others). Within the eleven appendices are essays by and about Saint-Saëns; recordings of his performances; specifications of selected organs that he played; and a thematic catalogue of his works for harmonium and organ.
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
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Book Description
Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category : Concerts
Languages : en
Pages : 1690
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Book Description
Author: Kenneth Birkin
Publisher: Cambridge University Press
ISBN: 1107005868
Category : Biography & Autobiography
Languages : en
Pages : 735
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Book Description
A detailed study of the life of one of the most important and influential musical figures of the nineteenth century.
Author: Heinrich Schenker
Publisher: Pendragon Press
ISBN: 9781576470756
Category : Juvenile Nonfiction
Languages : en
Pages : 132
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Book Description
The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Schenker's third volume Free Composition: Vol. III of New Musical Theories and Fantasies Part 2: Musical Examples (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint of Schenker's musical examples available once again, with a new preface by Carl Schacter.
Author: Alberto Bachmann
Publisher: Courier Corporation
ISBN: 0486318249
Category : Music
Languages : en
Pages : 498
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Book Description
First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.
Author: John Sullivan Dwight
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 426
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Book Description
Author: Mark A. Radice
Publisher: University of Michigan Press
ISBN: 0472028111
Category : Music
Languages : en
Pages : 384
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Book Description
Intended for the music student, the professional musician, and the music lover, Chamber Music: An Essential History covers repertoire from the Renaissance to the present, crossing genres to include string quartets, piano trios, clarinet quintets, and other groupings. Mark A. Radice gives a thorough overview and history of this long-established and beloved genre, typically performed by groups of a size to fit into spaces such as homes or churches and tending originally toward the string and wind instruments rather than percussion. Radice begins with chamber music's earliest expressions in the seventeenth century, discusses its most common elements in terms of instruments and compositional style, and then investigates how those elements play out across several centuries of composers- among them Mozart, Bach, Haydn, and Brahms- and national interpretations of chamber music. While Chamber Music: An Essential History is intended largely as a textbook, it will also find an audience as a companion volume for musicologists and fans of classical music, who may be interested in the background to a familiar and important genre.
