A Practical Approach to 18th Century Counterpoint PDF Download
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Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351
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Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351
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Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: H. Owen Reed
Publisher: Alfred Music Publishing
ISBN: 9780757916663
Category : Music
Languages : en
Pages : 212
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Book Description
A revision of the classic 1964 edition exploring counterpoint techniques beyond the stylistic base of the baroque tradition. This practical 194-page book contains a glossary of terms, a bibliography for further study, and a subject index. There is also an index of musical examples, and the included CDs contain recordings of musical examples from the text. Includes perforated exercise pages for students.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 314
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Book Description
Author: Tulane University
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 362
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Book Description
Author: Domenico Scarlatti
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 48
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Book Description
![The Passion of Our Lord (according to S. Matthew) ... The English Translation and Adaptation by Miss H. F. H. Johnston.Edited by W. Sterndale Bennett.[Vocal Score.] PDF](https://books.google.com/books/content/images/frontcover/UTLtZMYK1tgC?fife=w80-h100)
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
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Book Description
Author: John Daverio
Publisher: Oxford University Press
ISBN: 0195350960
Category : Music
Languages : en
Pages : 323
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Book Description
In Crossing Paths, John Daverio explores the connections between art and life in the works of three giants of musical romanticism. Drawing on contemporary critical theory and a wide variety of nineteenth-century sources, he considers topics including Schubert and Schumann's uncanny ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style for Brahms and others in the Schumann circle. The book offers a fresh perspective on the music of these composers, including a comprehensive discussion of the 19th century practice of cryptography, a debunking of the myth that Schumann and Brahms planted codes for "Clara Schumann" throughout their works, and attention to the late works of Schumann not as evidence of the composer's descent into madness but as inspiration for his successors. Daverio portrays the book's three key players as musical storytellers, each in his own way simulating the structure of lived experience in works of art. As an intimate study of three composers that combines cultural history and literary criticism with deep musicological understanding, Crossing Paths is a rich exploration of memory, the re-creation of artistic tradition, and the value of artistic influence.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 682
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Book Description
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 544
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Book Description
