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Author: Suzanne Fagence Cooper
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 184
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Book Description
The Pre-Raphaelites were revolutionary designers and thinkers as well as painters and poets. Their history is intertwined with the development of the V & A Museum: its Green Dining Room was designed and decorated by Morris, Burne-Jones and Philip Webb, and its collections are full of their works, from painted furniture to textiles and tiles. Suzanne Fagence Cooper explores these collections to present a fresh view of the Pre-Raphaelite Movement. She shows how the decorative arts were just as important as oil paintings in developing the distinctive Pre-Raphaelite style. Rossetti's designs for stained glass, Millais's book illustrations, and Burne-Jones's painted pianos all show the artists moving easily from one medium to the next. Furthermore, these designs could reach a far wider audience than oil paintings and watercolours, which were often accessible only to a handful of private patrons. This book also uncovers links between the Pre-Raphaelite Brotherhood and the avant-garde Aesthetic movement of the 1870s, by focusing on shared themes ranging from the 'fallen woman' to the romance of the Arthurian legends. In doing so, it unravels an alternative history of the Pre-Raphaelites -- one that encourages us to open our eyes to the unexpected enthusiasms of the men and women who challenged the Victorian establishment. Book jacket.
Author: Suzanne Fagence Cooper
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 184
Get Book Here
Book Description
The Pre-Raphaelites were revolutionary designers and thinkers as well as painters and poets. Their history is intertwined with the development of the V & A Museum: its Green Dining Room was designed and decorated by Morris, Burne-Jones and Philip Webb, and its collections are full of their works, from painted furniture to textiles and tiles. Suzanne Fagence Cooper explores these collections to present a fresh view of the Pre-Raphaelite Movement. She shows how the decorative arts were just as important as oil paintings in developing the distinctive Pre-Raphaelite style. Rossetti's designs for stained glass, Millais's book illustrations, and Burne-Jones's painted pianos all show the artists moving easily from one medium to the next. Furthermore, these designs could reach a far wider audience than oil paintings and watercolours, which were often accessible only to a handful of private patrons. This book also uncovers links between the Pre-Raphaelite Brotherhood and the avant-garde Aesthetic movement of the 1870s, by focusing on shared themes ranging from the 'fallen woman' to the romance of the Arthurian legends. In doing so, it unravels an alternative history of the Pre-Raphaelites -- one that encourages us to open our eyes to the unexpected enthusiasms of the men and women who challenged the Victorian establishment. Book jacket.
Author: Martin Ellis
Publisher:
ISBN: 9781885444479
Category :
Languages : en
Pages : 280
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Book Description
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
Author: Melissa E. Buron
Publisher: Prestel
ISBN: 9783791357287
Category : ART
Languages : en
Pages : 0
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Book Description
This catalog was "published by the Fine Arts Museums of San Francisco and DelMonico Books (Prestel) on the occasion of the exhibition of the same name at the Legion of Honor, San Francisco, from June 30 to September 30, 2018."
Author: Anne Anderson
Publisher:
ISBN: 9781911408550
Category : Pre-Raphaelitism
Languages : en
Pages : 0
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Book Description
The term 'Pre-Raphaelite' is widely used but often little understood. This book untangles what Pre-Raphaelitism means. It includes the original Pre-Raphaelite Brothers, William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti, and their immediate followers, Edward Burne-Jones and Evelyn De Morgan. It also looks at the assimilation of Pre-Raphaelites ideals and subjects into the Royal Academy tradition and the resurgence of mural painting and tempera in the early twentieth century. Even in the 1970s, the Brotherhood of the Ruralists attempted to recapture its spirit. Today it lives on in fantasy art and film; Lord of the Rings and Game of Thrones.0Rather than seeing Pre-Raphaelitism as an historic style, this publication argues it is a living tradition. Exhibition: City Art Gallery, Southamtpton, UK (18.10.2019-01.02.2020) / Russell-Cotes Art Gallery & Museum, Bornemouth, UK (21.02.-21.06.2020).
Author: Mark Evans
Publisher: Victoria & Albert Museum
ISBN: 9781851778706
Category : Art
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at the Victoria and Albert Museum, London, 5 March 2016-3 July 2016.
Author: Tim Barringer
Publisher: Yale University Press
ISBN: 9780300077872
Category : Art
Languages : en
Pages : 182
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Book Description
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Author: Fiona MacCarthy
Publisher: Harvard University Press
ISBN: 0674065565
Category : Architecture
Languages : en
Pages : 696
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Book Description
In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
Author: Sophia Andres
Publisher: Ohio State University Press
ISBN: 0814209742
Category : Aesthetics, British
Languages : en
Pages : 236
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Book Description
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.
Author: Inga Bryden
Publisher: Taylor & Francis
ISBN: 9780415187947
Category : Art
Languages : en
Pages : 424
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Book Description
This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.
Author: Stephen Wildman
Publisher: Metropolitan Museum of Art
ISBN: 0870998587
Category : Arts and crafts movement
Languages : en
Pages : 375
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Book Description
This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
