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Author: John Holmes
Publisher: Paul Mellon Centre
ISBN: 9780300232066
Category : Art
Languages : en
Pages : 0
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Book Description
This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled on science, in which precise observation could lead to discoveries about nature and humanity. In Oxford and London, Victorian scientists and Pre-Raphaelite artists worked together to design and decorate natural history museums as temples to God's creation. At the same time, journals like Nature and the Fortnightly Review combined natural science with Pre-Raphaelite art theory and poetry to find meaning and coherence within a worldview turned upside down by Darwin's theory of evolution. Offering reinterpretations of well-known works by John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Ford Madox Brown, and William Morris, this major revaluation of the popular Victorian movement also considers less-familiar artists who were no less central to the Pre-Raphaelite project. These include William Michael Rossetti, Walter Deverell, James Collinson, John and Rosa Brett, John Lucas Tupper, and the O'Shea brothers, along with the architects Benjamin Woodward and Alfred Waterhouse. Published in association with the Paul Mellon Centre for Studies in British Art
Author: John Holmes
Publisher: Paul Mellon Centre
ISBN: 9780300232066
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled on science, in which precise observation could lead to discoveries about nature and humanity. In Oxford and London, Victorian scientists and Pre-Raphaelite artists worked together to design and decorate natural history museums as temples to God's creation. At the same time, journals like Nature and the Fortnightly Review combined natural science with Pre-Raphaelite art theory and poetry to find meaning and coherence within a worldview turned upside down by Darwin's theory of evolution. Offering reinterpretations of well-known works by John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Ford Madox Brown, and William Morris, this major revaluation of the popular Victorian movement also considers less-familiar artists who were no less central to the Pre-Raphaelite project. These include William Michael Rossetti, Walter Deverell, James Collinson, John and Rosa Brett, John Lucas Tupper, and the O'Shea brothers, along with the architects Benjamin Woodward and Alfred Waterhouse. Published in association with the Paul Mellon Centre for Studies in British Art
Author: Gay Daly
Publisher:
ISBN: 9781582880273
Category : Painting, British
Languages : en
Pages : 468
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Book Description
Author: Linda S. Ferber
Publisher: Yale University Press
ISBN: 9780300242522
Category : ART
Languages : en
Pages : 0
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Book Description
"The exhibition is organized by the National Gallery of Art, Washington"--Colophon.
Author: Tim Barringer
Publisher: Yale University Press
ISBN: 9780300077872
Category : Art
Languages : en
Pages : 182
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Book Description
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Author: Melissa E. Buron
Publisher: Prestel
ISBN: 9783791357287
Category : ART
Languages : en
Pages : 0
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Book Description
This catalog was "published by the Fine Arts Museums of San Francisco and DelMonico Books (Prestel) on the occasion of the exhibition of the same name at the Legion of Honor, San Francisco, from June 30 to September 30, 2018."
Author: Michael Robinson
Publisher: Flame Tree Illustrated
ISBN: 9781786644800
Category : Art
Languages : en
Pages : 0
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Book Description
The Pre-Raphaelite Brotherhood was a group of English painters, poets and critics, founded in 1848 by John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt. Their art's romanticism, attention to detail and jewel-like colours have ensured their eternal popularity. This beautifully illustrated reference book, now back in print, is packed with examples of work by the key proponent Millais, and his many contemporaries. Beginning with an overview of the movement it goes on to discuss the art in the context of society, place, influences, and styles and techniques. It is an ideal gift for art lovers or those new.
Author: Inga Bryden
Publisher: Taylor & Francis
ISBN: 9780415187947
Category : Art
Languages : en
Pages : 424
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Book Description
This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.
Author: Elizabeth Prettejohn
Publisher: Princeton Univ Department of Art &
ISBN: 9780691070575
Category : Art
Languages : en
Pages : 304
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Book Description
In a richly illustrated re-examination of a seminal period in art history, the author of Rossetti and His Circle asks important questions about the pre-Raphaelite artists, their work, their artistic themes, and their influence on the history of art.
Author: T. J. Barringer
Publisher:
ISBN: 9780300194449
Category : Art, British
Languages : en
Pages : 0
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Book Description
A persuasive new look at the Pre-Raphaelites, who rebelled against the art establishment of their day and strove to ensure that their works changed the society in which they lived
Author: Fiona MacCarthy
Publisher: Harvard University Press
ISBN: 0674065565
Category : Architecture
Languages : en
Pages : 696
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Book Description
In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
