Author: Jean-Pierre Vernant
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
Tragedy and Myth in Ancient Greece
Author: Jean-Pierre Vernant
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
The Examiner
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 846
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 846
Book Description
Taming Ares: War, Interstate Law, and Humanitarian Discourse in Classical Greece
Author: Emiliano J. Buis
Publisher: BRILL
ISBN: 9004363823
Category : Law
Languages : en
Pages : 329
Book Description
In Taming Ares Emiliano J. Buis examines the sources of classical Greece to challenge both the state-centeredness of mainstream international legal history and the omnipresence of war and excessive violence in ancient times. Making ample use of epigraphic as well as literary, rhetorical, and historiographical sources, the book offers the first widespread account of the narrative foundations of the (il)legality of warfare in the classical Hellenic world. In a clear yet sophisticated manner, Buis convincingly proves that the traditionally neglected study of the performance of ancient Greek poleis can contribute to a better historical understanding of those principles of international law underlying the practices and applicable rules on the use of force and the conduct of hostilities.
Publisher: BRILL
ISBN: 9004363823
Category : Law
Languages : en
Pages : 329
Book Description
In Taming Ares Emiliano J. Buis examines the sources of classical Greece to challenge both the state-centeredness of mainstream international legal history and the omnipresence of war and excessive violence in ancient times. Making ample use of epigraphic as well as literary, rhetorical, and historiographical sources, the book offers the first widespread account of the narrative foundations of the (il)legality of warfare in the classical Hellenic world. In a clear yet sophisticated manner, Buis convincingly proves that the traditionally neglected study of the performance of ancient Greek poleis can contribute to a better historical understanding of those principles of international law underlying the practices and applicable rules on the use of force and the conduct of hostilities.
Preface to Plato
Author: Eric A. HAVELOCK
Publisher: Harvard University Press
ISBN: 0674038436
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Eric Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction-Mr. Havelock shows how the Iliad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science.
Publisher: Harvard University Press
ISBN: 0674038436
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Eric Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction-Mr. Havelock shows how the Iliad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science.
The Cambridge Companion to World Literature
Author: Ben Etherington
Publisher: Cambridge University Press
ISBN: 1108471374
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
This Companion presents lucid and exemplary critical essays, introducing readers to the major ideas and practices of world literary studies.
Publisher: Cambridge University Press
ISBN: 1108471374
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
This Companion presents lucid and exemplary critical essays, introducing readers to the major ideas and practices of world literary studies.
Theatre and Metatheatre
Author: Elodie Paillard
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110716550
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110716550
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.
Menander, New Comedy and the Visual
Author: Antonis K. Petrides
Publisher: Cambridge University Press
ISBN: 1107068436
Category : History
Languages : en
Pages : 335
Book Description
This book shows how both verbal and visual allusion position the plays of New Comedy within the context of contemporary polis culture.
Publisher: Cambridge University Press
ISBN: 1107068436
Category : History
Languages : en
Pages : 335
Book Description
This book shows how both verbal and visual allusion position the plays of New Comedy within the context of contemporary polis culture.
Metaphrasis:A Byzantine Concept of Rewriting and Its Hagiographical Products
Author:
Publisher: BRILL
ISBN: 9004438459
Category : History
Languages : en
Pages : 407
Book Description
This volume represents the first discussion of rewriting in Byzantium. It brings together a rich variety of articles treating hagiographical rewriting from various angles. The contributors discuss and comment on different kinds of texts from late antiquity to late Byzantium.
Publisher: BRILL
ISBN: 9004438459
Category : History
Languages : en
Pages : 407
Book Description
This volume represents the first discussion of rewriting in Byzantium. It brings together a rich variety of articles treating hagiographical rewriting from various angles. The contributors discuss and comment on different kinds of texts from late antiquity to late Byzantium.
Brill's Companion to Euripides (2 vols)
Author: Andreas Markantonatos
Publisher: BRILL
ISBN: 9004435352
Category : History
Languages : en
Pages : 1227
Book Description
Brill’s Companion to Euripides, as well as presenting a comprehensive and authoritative guide to understanding Euripides and his masterworks, provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Euripidean studies.
Publisher: BRILL
ISBN: 9004435352
Category : History
Languages : en
Pages : 1227
Book Description
Brill’s Companion to Euripides, as well as presenting a comprehensive and authoritative guide to understanding Euripides and his masterworks, provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Euripidean studies.
The Death of Empedocles
Author: Friedrich Holderlin
Publisher: State University of New York Press
ISBN: 0791477339
Category : Drama
Languages : en
Pages : 331
Book Description
The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.
Publisher: State University of New York Press
ISBN: 0791477339
Category : Drama
Languages : en
Pages : 331
Book Description
The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.