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Author: Christina Neilson
Publisher: Cambridge University Press
ISBN: 1107172853
Category : Art
Languages : en
Pages : 367
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Book Description
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
Author: Christina Neilson
Publisher: Cambridge University Press
ISBN: 1107172853
Category : Art
Languages : en
Pages : 367
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Book Description
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
Author: Carmen Bambach
Publisher:
ISBN: 9780521402187
Category : Art
Languages : en
Pages : 548
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Book Description
In Drawing and Painting in the Italian Renaissance Workshop, Carmen Bambach reassesses the role of artists and their assistants in the creation of monumental painting. Analyzing representative wall paintings and the many drawings related to the various stages of their production, Bambach convincingly reconstructs the development of workshop practice and design theory in the early modern period. Her exhaustive analysis of archaeological and textual evidence provides a timely and much-needed reassessment of the working methods of artists in one of the most vital periods in the history of art.
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Author: Beverly Louise Brown
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John K. Delaney
Publisher: Princeton University Press
ISBN: 069123308X
Category : Art
Languages : en
Pages : 385
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Book Description
A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC
Author: Leah R. Clark
Publisher:
ISBN: 1108427723
Category : Antiques & Collectibles
Languages : en
Pages : 351
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Book Description
This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.
Author: Angela Cerasuolo
Publisher: BRILL
ISBN: 900433534X
Category : History
Languages : en
Pages : 498
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Book Description
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Author:
Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304
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Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Author: Jennie Jee-Hyun Kim
Publisher:
ISBN: 9781303762680
Category :
Languages : en
Pages : 462
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Book Description
Throughout Pietro Perugino's career, pupils, assistants, and collaborators associated with his shops in Perugia and Florence were critical to his highly productive enterprise. The drawings of Perugino and his Florentine and Umbrian associates are a unique source of linear genealogy documenting the role of the master, the contributions and participation of the workshop, and the artistic exchange that occurred in the process. This dissertation examines the workshop practices of Perugino and his pupils as independent artists, using evidence furnished by workshop drawings. The drawings, byproducts of the daily operations of these workshops, reveal both continuity in practice over generations and the ways in which each generation adapted to changes in the artistic climate. The reconstructions, in addition, have the potential to shed additional light upon the intersection between tradition, theory, and practice, as well as socio-economic conditions, such as training, collaboration, and organization in the Renaissance workshop. The market for copies, variations, and replicas is considered in the context of the notion of imitazione and meaning and cultural value of copies unique to Perugino's time. And the different grades of workshop production are illuminated by Perugino's methods of production and design. Using evidence furnished by workshop drawings, this dissertation also examines the formative influence of the practices of Perugino on artists trained in his workshop. Among artists that came under his tutelage, two dominant tendencies emerge: a derivative style in Perugia among local artists under the shadow of Perugino's monopoly and an independent style, found outside of Perugia, reflecting the influence of Perugino's workshop instruction. The careers of two significant pupils, Berto di Giovanni in Perugia and Raphael in Florence and Rome demonstrate the transmission of the experience of Perugino's workshop through two very different career trajectories, and will be used as case studies. Characteristics of their practice that reflect the heritage of Perugino such as the systematic use of drawings, employment of tools and techniques of replication and the master's exemplum, and principles of organization will be evaluated to trace continuity and innovation in workshop practice.
Author: British Academy Wolfson Research Professor Department of the History of Art Martin Kemp
Publisher: Yale University Press
ISBN: 9780300071955
Category : Art
Languages : en
Pages : 336
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Book Description
Considers the business of picture-making in the Renaissance. In particular, the text discusses the role of the artist and the functions of works of art in relation to their various kinds of audience.
Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
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Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
