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Author: Maurice de Sausmarez
Publisher:
ISBN:
Category :
Languages : en
Pages :
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![Poussin's Orpheus and Euridice [the Louvre, Paris] PDF](https://books.google.com/books/content/images/frontcover/Hs_yygAACAAJ?fife=w80-h100)
Author: Maurice de Sausmarez
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Maurice De Sausmarez
Publisher: Weidenfeld & Nicolson
ISBN:
Category : Art
Languages : en
Pages : 48
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Author: Christopher Wright
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Nicholas Poussin was the founder and the greatest practitioner of 17th century French classical painting and is widely regarded as one of the most important artists of all time
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392430
Category : Classicism in art
Languages : en
Pages : 434
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"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 0810861550
Category : Architecture, Baroque
Languages : en
Pages : 642
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Beginning in the 1580s and ending as late as 1750 in some Northern European regions, the Baroque artistic era began as an artistic recoil to the stylizations of Mannerist art and as a means of implementation of the demands of the Counter-Reformation Church that sought to restore its religious preeminence in the Western world in the face of the Protestant threat. As a result, Rome, the seat of the papacy, became the cradle of Baroque art, and masters from other parts of the Italian peninsula flocked to the region in the hopes of obtaining artistic commissions. The Historical Dictionary of Baroque Art and Architecture relates the history of the Baroque Era through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on such icons as Gian Lorenzo Bernini, Caravaggio, Annibale Carracci, Diego Velázquez, Peter Paul Rubens, Rembrandt van Rijn, and Johannes Vermeer, as well as sculptors, architects, patrons, other historical figures, and events.
Author: Anthony Blunt
Publisher: Princeton University Press
ISBN: 0691253501
Category : Art
Languages : en
Pages : 776
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A landmark account of the work, thought, and life of the seventeenth-century French painter In this book, Anthony Blunt presents a rich account of the paintings, life, and development of the great seventeenth-century French classicist Nicolas Poussin (1594–1665), addressing the artist’s entire oeuvre alongside his theory of art. Blunt shows why Poussin holds a central place in the great French humanist line that produced Racine, Molière, Voltaire, the Parnassians, and Mallarmé. At the same time, he examines how Poussin looks back to Raphael and ancient Rome, while pointing forward to Ingres, Cézanne, the Cubists, and Picasso.
Author: Musée du Louvre
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Author: David Carrier
Publisher: Penn State Press
ISBN: 9780271041674
Category :
Languages : en
Pages : 304
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Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.
Author: Louis Hourticq
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 510
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Author: Grant Allen
Publisher:
ISBN:
Category : Paris (France)
Languages : en
Pages : 318
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