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Author: Andrew Milner
Publisher: SAGE Publications Limited
ISBN:
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
The is an unparalleled, comprehensive guide to postwar British thought on culture and society. It provides readers with a unique resource which distils the key debates and crucial contributions and points to how these initiatives have been taken up elsewhere. The volumes are organized into four main sections: (1) Old Right and New Left; (2) New Theories; (3) New Politics; and (4) New Times. The first deals with the 'culturalist' critiques of postwar Britain developed by the Old Right and New Left. It also explores some of the sociological commentary on postwar British affluence and the power hierarchy. The second section traces the impact of new forms of 'continental' theorizing, especially structuralism and post-structuralism, during the 1960s and 70s. The third traces the growing concern with 'new' issues of gender, sexuality, postcolonialism, race and ethnicity. The final section deals with postmodernism and globalization, especially as reflected through the distinctively British thematics of 'exterminism', 'New Times' and the 'Third Way'. Andrew Milner is Professor in the Centre for Comparative Literature and Cultural Studies at Monash University in Melbourne, Australia
Author: Andrew Milner
Publisher: SAGE Publications Limited
ISBN:
Category : Literary Criticism
Languages : en
Pages : 392
Get Book Here
Book Description
The is an unparalleled, comprehensive guide to postwar British thought on culture and society. It provides readers with a unique resource which distils the key debates and crucial contributions and points to how these initiatives have been taken up elsewhere. The volumes are organized into four main sections: (1) Old Right and New Left; (2) New Theories; (3) New Politics; and (4) New Times. The first deals with the 'culturalist' critiques of postwar Britain developed by the Old Right and New Left. It also explores some of the sociological commentary on postwar British affluence and the power hierarchy. The second section traces the impact of new forms of 'continental' theorizing, especially structuralism and post-structuralism, during the 1960s and 70s. The third traces the growing concern with 'new' issues of gender, sexuality, postcolonialism, race and ethnicity. The final section deals with postmodernism and globalization, especially as reflected through the distinctively British thematics of 'exterminism', 'New Times' and the 'Third Way'. Andrew Milner is Professor in the Centre for Comparative Literature and Cultural Studies at Monash University in Melbourne, Australia
Author: Dennis L. Dworkin
Publisher: Duke University Press
ISBN: 9780822319146
Category : History
Languages : en
Pages : 340
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Book Description
A history of British cultural Marxism. This book traces its development from beginnings in postwar Britain, through transformations in the 1960s and 1970s, to the emergence of British cultural studies at Birmingham, up to the advent of Thatcherism, to reflect a tradition, that represents an effort to resolve the crisis of the postwar British Left.
Author: Katharine Cockin
Publisher: A&C Black
ISBN: 082649501X
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
A comprehensive, accessible and lucid coverage of major issues and key figures in modern and contemporary British literature.
Author: Natalie Ferris
Publisher: Oxford University Press
ISBN: 0192594125
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
In a catalogue note for the 1965 exhibition 'Between Poetry and Painting' at the Institute of Contemporary Arts, the poet Edwin Morgan probed the relationship between abstraction and literature: 'Abstract painting can often satisfy, but "abstract poetry" can only exist in inverted commas'. Language may be fragmented, rearranged, or distorted, abstract in so far as it is withdrawn from a particular system of knowledge, but Morgan was of the mind that to be wholly 'disruptive' was to deprive a poem of its 'point' as an 'object of contemplation'. Whilst abstract art may have come to fulfil or or fortify an impression of post-war taste, abstraction in literature continued to be treated with suspicion. But how does this speak to the extent to which Britain's literary culture was responsive to progress compared to its artistic culture? Abstraction in Post-War British Literature 1945-1980 traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certain aesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. At a time in which Britain became conscious of its evolving identity within an increasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke- Rose, as well as by groups of practitioners. It brings a wide range of previously unexplored archival material into the public domain and offers a comprehensive account of the evolving status of abstraction across cultural, institutional, and literary contexts.
Author: Phil Tinline
Publisher: Hurst Publishers
ISBN: 1787388840
Category : Political Science
Languages : en
Pages : 556
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Book Description
Over Britain’s first century of mass democracy, politics has lurched from crisis to crisis. How does this history of political agony illuminate our current age of upheaval? To find out, journalist Phil Tinline takes us back to two past eras when the ruling consensus broke down, and the future filled with ominous possibilities – until, finally, a new settlement was born. How did the Great Depression’s spectres of fascism, bombing and mass unemployment force politicians to think the unthinkable, and pave the way to post-war Britain? How was Thatcher’s road to victory made possible by a decade of nightmares: of hyperinflation, military coups and communist dictatorship? And why, since the Crash in 2008, have new political threats and divisions forced us to change course once again? Tinline brings to life those times, past and present, when the great compromise holding democracy together has come apart; when the political class has been forced to make a choice of nightmares. This lively, original account of panic and chaos reveals how apparent catastrophes can clear the path to a new era. The Death of Consensus will make you see British democracy differently.
Author: Katrina Forrester
Publisher: Princeton University Press
ISBN: 0691216754
Category : Philosophy
Languages : en
Pages : 427
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Book Description
"In the Shadow of Justice tells the story of how liberal political philosophy was transformed in the second half of the twentieth century under the influence of John Rawls. In this first-ever history of contemporary liberal theory, Katrina Forrester shows how liberal egalitarianism--a set of ideas about justice, equality, obligation, and the state--became dominant, and traces its emergence from the political and ideological context of the postwar United States and Britain. In the aftermath of the civil rights movement and the Vietnam War, Rawls's A Theory of Justice made a particular kind of liberalism essential to political philosophy. Using archival sources, Forrester explores the ascent and legacy of this form of liberalism by examining its origins in midcentury debates among American antistatists and British egalitarians. She traces the roots of contemporary theories of justice and inequality, civil disobedience, just war, global and intergenerational justice, and population ethics in the 1960s and '70s and beyond. In these years, political philosophers extended, developed, and reshaped this liberalism as they responded to challenges and alternatives on the left and right--from the New International Economic Order to the rise of the New Right. These thinkers remade political philosophy in ways that influenced not only their own trajectory but also that of their critics. Recasting the history of late twentieth-century political thought and providing novel interpretations and fresh perspectives on major political philosophers, In the Shadow of Justice offers a rigorous look at liberalism's ambitions and limits."--
Author: M. Boyce
Publisher: Palgrave Macmillan
ISBN: 9780230116894
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Many of the most celebrated British films of the immediate post-war period (1945-55) seem to be occupied with "getting on" with life and offering distraction for postwar audiences. It is the time of the celebrated Ealing comedies, Hue and Cry (1946) and Kind Hearts and Coronets (1949), Dickens adaptations, and the most ambitious projects of the Archers. While the war itself is rarely mentioned in these films, the war and the conditions of postwar society lie at the heart of understanding them. While various studies have focused on lesser known realist films, few consider how deeply and completely the war affected British film. Michael W. Boyce considers the preoccupation of these films with profound anxieties and uncertainties about what life was going to be like for postwar Britain, what roles men and women would play, how children would grow up, even what it meant - and what it still means today - to be British.
Author: David Owen
Publisher: Cambridge Scholars Publishing
ISBN: 1527565033
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors’ own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.
Author: David Roberts
Publisher: Bloomsbury Publishing
ISBN: 1350350753
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Establishing science fiction as its own distinct and increasingly important narrative form, this book explores how the genre challenges pervasive perceptions of society as they appear in the conventional modern novel. Inspired by, and building upon, Georg Lukács's criticism of the orthodox novel for its depiction of life as alienating and disjointed, Milner, Murphy and Roberts demonstrate that science fiction steps beyond this contemporary form to be a more constructive form of literature, one able to conceive of society as complete, integrated and well-rounded. Taking stock of three kinds of science fiction which lie outside the scope of the modern novel – theological/ ontological science fiction, the science fiction of future history and epic science fiction – this book demonstrates the genre's unique capacity to encapsulate the whole world, persons and events, things and objects in a glance, and address the motive behind the longing for meaningful totality. With reference to a vast array of works by authors such as Michel Houellebecq, Elias Canetti, Isaac Asimov, Jules Verne, H. G. Wells, Aldous Huxley, Marge Piercy, Iain M. Banks, Margaret Atwood, Ursula K. Le Guin, William Gibson, Dirk C. Fleck, Philip K. Dick, George Orwell and Kazuo Ishiguro, this book offers a compelling argument for rethinking the position and potential of the science fiction novel and to challenge the way we perceive our culture.
Author: Robert Vinten
Publisher: Anthem Press
ISBN: 1785273124
Category : Philosophy
Languages : en
Pages : 238
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Book Description
In Wittgenstein and the Social Sciences, Robert Vinten takes a fresh look at the relationship between Wittgenstein’s philosophy and the social sciences. He argues that although social sciences are quite different to the natural sciences, they are nonetheless properly called ‘sciences’. The book looks in detail at whether Wittgenstein can be claimed by conservatives, liberals, or socialists as their own. Wittgenstein’s philosophical remarks and remarks about politics and culture are taken into account in deciding where to locate Wittgenstein in relation to various ideologies. In the final part of the book, Vinten considers how Wittgenstein’s philosophy can be of use in resolving or dissolving problems in the social sciences. Along the way, he critically assesses work from Perry Anderson, Terry Eagleton, Richard Rorty, and Chantal Mouffe in the light of Wittgenstein’s philosophical oeuvre. The book makes a compelling examination of how Wittgenstein’s work remains as relevant as ever to thinking about our cultural and political situation.
