Author: Charles Altieri
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
Altieri begins with an essay defining five basic contradictions in postmodern theory and outlining specific artistic strategies for dwelling with and within those contradictions. Part Two then sets the historical stage with two essays--one focusing on the efforts to overthrow late modernism by Jasper Johns and John Ashbery, the other tracing the emergence of a logic of contingency in the poetics of Robert Creeley, Frank O'Hara, and Sylvia Plath. With Part Three the focus shifts to essays proposing different value frameworks for postmodern poets, frameworks that range from moral philosophy to the resources of the tradition of love poetry. Part Four turns to visual artists first engaging the efforts to politicize the postmodern in the 1980s, then showing how Frank Stella's work can be put in dialogue with that of Jacques Derrida. Finally, the book swallows its own tail by proposing an argument that the only version of the sublime that today does not collapse into self-congratulation is the sublime of self-disgust.
Postmodernisms Now
Author: Charles Altieri
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
Altieri begins with an essay defining five basic contradictions in postmodern theory and outlining specific artistic strategies for dwelling with and within those contradictions. Part Two then sets the historical stage with two essays--one focusing on the efforts to overthrow late modernism by Jasper Johns and John Ashbery, the other tracing the emergence of a logic of contingency in the poetics of Robert Creeley, Frank O'Hara, and Sylvia Plath. With Part Three the focus shifts to essays proposing different value frameworks for postmodern poets, frameworks that range from moral philosophy to the resources of the tradition of love poetry. Part Four turns to visual artists first engaging the efforts to politicize the postmodern in the 1980s, then showing how Frank Stella's work can be put in dialogue with that of Jacques Derrida. Finally, the book swallows its own tail by proposing an argument that the only version of the sublime that today does not collapse into self-congratulation is the sublime of self-disgust.
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
Altieri begins with an essay defining five basic contradictions in postmodern theory and outlining specific artistic strategies for dwelling with and within those contradictions. Part Two then sets the historical stage with two essays--one focusing on the efforts to overthrow late modernism by Jasper Johns and John Ashbery, the other tracing the emergence of a logic of contingency in the poetics of Robert Creeley, Frank O'Hara, and Sylvia Plath. With Part Three the focus shifts to essays proposing different value frameworks for postmodern poets, frameworks that range from moral philosophy to the resources of the tradition of love poetry. Part Four turns to visual artists first engaging the efforts to politicize the postmodern in the 1980s, then showing how Frank Stella's work can be put in dialogue with that of Jacques Derrida. Finally, the book swallows its own tail by proposing an argument that the only version of the sublime that today does not collapse into self-congratulation is the sublime of self-disgust.
Explaining Postmodernism
Author: Stephen R. C. Hicks
Publisher: Scholargy Publishing, Inc.
ISBN: 9781592476428
Category : Philosophy
Languages : en
Pages : 250
Book Description
Publisher: Scholargy Publishing, Inc.
ISBN: 9781592476428
Category : Philosophy
Languages : en
Pages : 250
Book Description
Post-Postmodernism
Author: Jeffrey Nealon
Publisher: Stanford University Press
ISBN: 0804783217
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
Post-Postmodernism begins with a simple premise: we no longer live in the world of "postmodernism," famously dubbed "the cultural logic of late capitalism" by Fredric Jameson in 1984. Far from charting any simple move "beyond" postmodernism since the 1980s, though, this book argues that we've experienced an intensification of postmodern capitalism over the past decades, an increasing saturation of the economic sphere into formerly independent segments of everyday cultural life. If "fragmentation" was the preferred watchword of postmodern America, "intensification" is the dominant cultural logic of our contemporary era. Post-Postmodernism surveys a wide variety of cultural texts in pursuing its analyses—everything from the classic rock of Black Sabbath to the post-Marxism of Antonio Negri, from considerations of the corporate university to the fare at the cineplex, from reading experimental literature to gambling in Las Vegas, from Badiou to the undergraduate classroom. Insofar as cultural realms of all kinds have increasingly been overcoded by the languages and practices of economics, Nealon aims to construct a genealogy of the American present, and to build a vocabulary for understanding the relations between economic production and cultural production today—when American-style capitalism, despite its recent battering, seems nowhere near the point of obsolescence. Post-postmodern capitalism is seldom late but always just in time. As such, it requires an updated conceptual vocabulary for diagnosing and responding to our changed situation.
Publisher: Stanford University Press
ISBN: 0804783217
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
Post-Postmodernism begins with a simple premise: we no longer live in the world of "postmodernism," famously dubbed "the cultural logic of late capitalism" by Fredric Jameson in 1984. Far from charting any simple move "beyond" postmodernism since the 1980s, though, this book argues that we've experienced an intensification of postmodern capitalism over the past decades, an increasing saturation of the economic sphere into formerly independent segments of everyday cultural life. If "fragmentation" was the preferred watchword of postmodern America, "intensification" is the dominant cultural logic of our contemporary era. Post-Postmodernism surveys a wide variety of cultural texts in pursuing its analyses—everything from the classic rock of Black Sabbath to the post-Marxism of Antonio Negri, from considerations of the corporate university to the fare at the cineplex, from reading experimental literature to gambling in Las Vegas, from Badiou to the undergraduate classroom. Insofar as cultural realms of all kinds have increasingly been overcoded by the languages and practices of economics, Nealon aims to construct a genealogy of the American present, and to build a vocabulary for understanding the relations between economic production and cultural production today—when American-style capitalism, despite its recent battering, seems nowhere near the point of obsolescence. Post-postmodern capitalism is seldom late but always just in time. As such, it requires an updated conceptual vocabulary for diagnosing and responding to our changed situation.
Postmodernism is Not What You Think
Author: Charles C. Lemert
Publisher: Routledge
ISBN: 131725368X
Category : Social Science
Languages : en
Pages : 212
Book Description
'Charles Lemert is one of the most thoughtful and interesting of sociology's postmodernists. He recurrently finds new angles of vision and is especially helpful for overcoming the pernicious opposition of 'micro' and 'macro' perspectives.' -Craig Calhoun, New York University (on the first edition) Highly readable, the second edition of Postmodernism Is Not What You Think responds to the widespread claim that postmodernism is over. It explains the historical connections between the postmodern and globalization. Those who wish to kill the term postmodernism still must face the facts that the former nationalistic world-system has collapsed and is slowly being replaced by a more global set of structures. The book is completely revised and updated with an entirely new section on globalization. The media and popular culture, identity politics, the science wars, politics and cultural studies, structuralism and poststructuralism, and the new sociologies are also put in perspective as signs of the new social formations dawning at the end of the modern age. Lemert shows that the postmodern is less a theory than a condition of social life brought about by the trouble modernity has gotten itself into.
Publisher: Routledge
ISBN: 131725368X
Category : Social Science
Languages : en
Pages : 212
Book Description
'Charles Lemert is one of the most thoughtful and interesting of sociology's postmodernists. He recurrently finds new angles of vision and is especially helpful for overcoming the pernicious opposition of 'micro' and 'macro' perspectives.' -Craig Calhoun, New York University (on the first edition) Highly readable, the second edition of Postmodernism Is Not What You Think responds to the widespread claim that postmodernism is over. It explains the historical connections between the postmodern and globalization. Those who wish to kill the term postmodernism still must face the facts that the former nationalistic world-system has collapsed and is slowly being replaced by a more global set of structures. The book is completely revised and updated with an entirely new section on globalization. The media and popular culture, identity politics, the science wars, politics and cultural studies, structuralism and poststructuralism, and the new sociologies are also put in perspective as signs of the new social formations dawning at the end of the modern age. Lemert shows that the postmodern is less a theory than a condition of social life brought about by the trouble modernity has gotten itself into.
Post-Punk Then and Now
Author: Sue Clayton
Publisher: Watkins Media Limited
ISBN: 191092427X
Category : Music
Languages : en
Pages : 340
Book Description
What were the conditions of possibility for art and music-making before the era of neoliberal capitalism? What role did punk play in turning artists to experiment with popular music in the late 1970s and early 1980s? And why does the art and music of these times seem so newly pertinent to our political present, despite the seeming remoteness of its historical moment? Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period of cultural activity, and probes the lessons that might be learnt from history for artists and musicians working under 21st century conditions of austerity. Contemporary reflections by those who shaped avant-garde and contestatory culture in the UK, US, Brazil and Poland in the 1970s and 1980s. Alongside these are contributions by contemporary artists, curators and scholars that provide critical perspectives on post-punk then, and its generative relation to the aesthetics and politics of cultural production today.
Publisher: Watkins Media Limited
ISBN: 191092427X
Category : Music
Languages : en
Pages : 340
Book Description
What were the conditions of possibility for art and music-making before the era of neoliberal capitalism? What role did punk play in turning artists to experiment with popular music in the late 1970s and early 1980s? And why does the art and music of these times seem so newly pertinent to our political present, despite the seeming remoteness of its historical moment? Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period of cultural activity, and probes the lessons that might be learnt from history for artists and musicians working under 21st century conditions of austerity. Contemporary reflections by those who shaped avant-garde and contestatory culture in the UK, US, Brazil and Poland in the 1970s and 1980s. Alongside these are contributions by contemporary artists, curators and scholars that provide critical perspectives on post-punk then, and its generative relation to the aesthetics and politics of cultural production today.
Postmodernism. What moment?
Author: Pelagia Goulimari
Publisher: Manchester University Press
ISBN: 1526183757
Category : Philosophy
Languages : en
Pages : 228
Book Description
This collection assembles many of the major theorists of postmodernism, across the humanities and the social sciences, to reconsider the nature and significance of the postmodern moment, as historical phase and as theoretical field. The authors look back on their own contributions to the postmodernism debate of the 1980s and 1990s and address the ways in which the contemporary world and their own concerns have developed, and the continuing validity or otherwise of ‘postmodern’ as a master designator of the contemporary. Following a substantial introductory survey, the 15 compact articles include contributions from: Linda Hutcheon, Robert Venturi, Zygmunt Bauman, Douglas Kellner, Arthur and Marilouise Kroker, Lawrence Grossberg, Gianni Vattimo and Ernesto Laclau. The collection provides an important testimonial source for researchers interested in contemporary theoretical developments, whether in the arts and humanities or the social sciences. It will be a useful text for teachers leading classes with a focus on postwar intellectual history and cultural theory.
Publisher: Manchester University Press
ISBN: 1526183757
Category : Philosophy
Languages : en
Pages : 228
Book Description
This collection assembles many of the major theorists of postmodernism, across the humanities and the social sciences, to reconsider the nature and significance of the postmodern moment, as historical phase and as theoretical field. The authors look back on their own contributions to the postmodernism debate of the 1980s and 1990s and address the ways in which the contemporary world and their own concerns have developed, and the continuing validity or otherwise of ‘postmodern’ as a master designator of the contemporary. Following a substantial introductory survey, the 15 compact articles include contributions from: Linda Hutcheon, Robert Venturi, Zygmunt Bauman, Douglas Kellner, Arthur and Marilouise Kroker, Lawrence Grossberg, Gianni Vattimo and Ernesto Laclau. The collection provides an important testimonial source for researchers interested in contemporary theoretical developments, whether in the arts and humanities or the social sciences. It will be a useful text for teachers leading classes with a focus on postwar intellectual history and cultural theory.
Pivotal Players Book
Author: Bishop Robert Barron
Publisher: Word on Fire
ISBN: 9781943243679
Category : Religion
Languages : en
Pages : 0
Book Description
"The Catholic Church has produced countless influential saints, artists, mystics, and intellectuals over the past 2,000 years. Among them are men and women who not only influenced the life of the Church-- but who also impacted the course of history. This inspiring book by Bishop Robert Barron is based on the multi-part film series 'Catholicism: The Pivotal Players'. Bishop Barron draws readers into the life and work of twelve Pivotal Players from great saints including St. Augustine and St. Thomas Aquinas, to literary masters such as G.K. Chesterton and Flannery O' Connor"--Amazon.com
Publisher: Word on Fire
ISBN: 9781943243679
Category : Religion
Languages : en
Pages : 0
Book Description
"The Catholic Church has produced countless influential saints, artists, mystics, and intellectuals over the past 2,000 years. Among them are men and women who not only influenced the life of the Church-- but who also impacted the course of history. This inspiring book by Bishop Robert Barron is based on the multi-part film series 'Catholicism: The Pivotal Players'. Bishop Barron draws readers into the life and work of twelve Pivotal Players from great saints including St. Augustine and St. Thomas Aquinas, to literary masters such as G.K. Chesterton and Flannery O' Connor"--Amazon.com
Postmodernism
Author: Eleanor Heartney
Publisher: Cambridge University Press
ISBN: 9780521004381
Category : Art
Languages : en
Pages : 96
Book Description
This volume is an introduction to the intellectual movement known as Postmodernism and its impact on the visual arts. In clear, jargon-free language, Eleanor Heartney situates Postmodernism historically, showing how it developed both in reaction to and as a result of some of the fundamental beliefs underlying Modernism, especially its positivist, universalizing aspects. She then analyzes paradigmatic Postmodern works of art by artists such as Cindy Sherman, Sherrie Levine, Jeff Koons and Robert Mapplethorpe. Postmodernism provides a concise and articulate overview of the Postmodern phenomenon. Eleanor Heartney is a contributing editor for Art in America, New Art Examiner, and Art Press. In 1991, she was the recipient of the Frank Jewett Mather Award for Distinction in Art Criticism. Heartney is a board member of the American section of the AICA. She is also the author of Critical Condition: American Culture at the Crossroads (Cambridge, 1997). She lives in New York.
Publisher: Cambridge University Press
ISBN: 9780521004381
Category : Art
Languages : en
Pages : 96
Book Description
This volume is an introduction to the intellectual movement known as Postmodernism and its impact on the visual arts. In clear, jargon-free language, Eleanor Heartney situates Postmodernism historically, showing how it developed both in reaction to and as a result of some of the fundamental beliefs underlying Modernism, especially its positivist, universalizing aspects. She then analyzes paradigmatic Postmodern works of art by artists such as Cindy Sherman, Sherrie Levine, Jeff Koons and Robert Mapplethorpe. Postmodernism provides a concise and articulate overview of the Postmodern phenomenon. Eleanor Heartney is a contributing editor for Art in America, New Art Examiner, and Art Press. In 1991, she was the recipient of the Frank Jewett Mather Award for Distinction in Art Criticism. Heartney is a board member of the American section of the AICA. She is also the author of Critical Condition: American Culture at the Crossroads (Cambridge, 1997). She lives in New York.
Frank O’Hara Now
Author: Robert Hampson
Publisher: Liverpool University Press
ISBN: 1802079378
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Frank O’Hara’s writing is central to any consideration of 20th century American poetry. This collection of essays, the first to be dedicated to O’Hara in nearly two decades, asks why O’Hara remains so important to 21st century readers and writers of poetry. The book is transatlantic in tone, combining American scholarship with a wide sampling of British writers. For many, O’Hara’s distinctive appeal depends on his witty depictions of urban experience, his relationship to the painters of Abstract Expressionism and the exhilarating immediacy of his poetic voice. Yet these chatty and approachable qualities coexist with a testing engagement with currents in European and American modernism. Frank O’Hara Now offers a comprehensive picture of the poet, presenting the conversational insouciance of the writing alongside its more intransigent features.
Publisher: Liverpool University Press
ISBN: 1802079378
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Frank O’Hara’s writing is central to any consideration of 20th century American poetry. This collection of essays, the first to be dedicated to O’Hara in nearly two decades, asks why O’Hara remains so important to 21st century readers and writers of poetry. The book is transatlantic in tone, combining American scholarship with a wide sampling of British writers. For many, O’Hara’s distinctive appeal depends on his witty depictions of urban experience, his relationship to the painters of Abstract Expressionism and the exhilarating immediacy of his poetic voice. Yet these chatty and approachable qualities coexist with a testing engagement with currents in European and American modernism. Frank O’Hara Now offers a comprehensive picture of the poet, presenting the conversational insouciance of the writing alongside its more intransigent features.
Supplanting the Postmodern
Author: David Rudrum
Publisher: Bloomsbury Publishing USA
ISBN: 150130688X
Category : Literary Criticism
Languages : en
Pages : 401
Book Description
For more than a decade now a steadily growing chorus of voices has announced that the 'postmodern' literature, art, thought and culture of the late 20th century have come to an end. At the same time as this, the early years of the 21st century have seen a stream of critical formulations proclaiming a successor to postmodernism. Intriguing and exciting new terms such as 'remodernism', 'performatism', 'hypermodernism', 'automodernism”, 'renewalism', 'altermodernism', 'digimodernism' and 'metamodernism' have been coined, proposed and debated as terms for what comes after the postmodern. Supplanting the Postmodern is the first anthology to collect the key writings in these debates in one place. The book is divided into two parts: the first, 'The Sense of an Ending', presents a range of positions in the debate around the demise of the postmodern; the second, 'Coming to Terms with the New', presents representative writings from the new '–isms' mentioned above. Each of the entries is prefaced by a brief introduction by the editors, in which they outline its central ideas, point out the similarities and/or differences from other positions found in the anthology, and suggest possible strengths and limitations to the insights presented in each piece.
Publisher: Bloomsbury Publishing USA
ISBN: 150130688X
Category : Literary Criticism
Languages : en
Pages : 401
Book Description
For more than a decade now a steadily growing chorus of voices has announced that the 'postmodern' literature, art, thought and culture of the late 20th century have come to an end. At the same time as this, the early years of the 21st century have seen a stream of critical formulations proclaiming a successor to postmodernism. Intriguing and exciting new terms such as 'remodernism', 'performatism', 'hypermodernism', 'automodernism”, 'renewalism', 'altermodernism', 'digimodernism' and 'metamodernism' have been coined, proposed and debated as terms for what comes after the postmodern. Supplanting the Postmodern is the first anthology to collect the key writings in these debates in one place. The book is divided into two parts: the first, 'The Sense of an Ending', presents a range of positions in the debate around the demise of the postmodern; the second, 'Coming to Terms with the New', presents representative writings from the new '–isms' mentioned above. Each of the entries is prefaced by a brief introduction by the editors, in which they outline its central ideas, point out the similarities and/or differences from other positions found in the anthology, and suggest possible strengths and limitations to the insights presented in each piece.