Author:
Publisher:
ISBN:
Category : Missions
Languages : en
Pages : 1020
Book Description
The Missionary Review of the World
Author:
Publisher:
ISBN:
Category : Missions
Languages : en
Pages : 1020
Book Description
Publisher:
ISBN:
Category : Missions
Languages : en
Pages : 1020
Book Description
Booklist
Author:
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 526
Book Description
The Missionary Review
Author:
Publisher:
ISBN:
Category : Missions
Languages : en
Pages : 1072
Book Description
Publisher:
ISBN:
Category : Missions
Languages : en
Pages : 1072
Book Description
The Open Shelf
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Poster Design
Author: Charles Matlack Price
Publisher:
ISBN:
Category : Posters
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Posters
Languages : en
Pages : 392
Book Description
Catalog of Copyright Entries. New Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : American literature
Languages : en
Pages : 2754
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : American literature
Languages : en
Pages : 2754
Book Description
Popular Educator
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 468
Book Description
The Poster
Author: Ruth E. Iskin
Publisher: Dartmouth College Press
ISBN: 1611686172
Category : Art
Languages : en
Pages : 431
Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
Publisher: Dartmouth College Press
ISBN: 1611686172
Category : Art
Languages : en
Pages : 431
Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
The Essentials of Poster Design
Author: Burton Harrington
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 148
Book Description
School Arts
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 972
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 972
Book Description