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Author: David Punter
Publisher: Rowman & Littlefield
ISBN: 9780742510869
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This deeply engaging, historically, and culturally informed book provides new perspectives on a wide range of writers, and at the same time provides a radically new development of many of the most pertinent issues in the field of postcolonial writing and theory. It constitutes a major new engagement between the "postcolonial" and a conception of the literary that is richly innovative in its deployment of psychoanalytic, deconstructive, and other approaches to the text. The book begins with some brief background to the issue of decolonization and its contemporary effects. It is informed throughout by a clear sense of literary and political context, within which chosen texts--by well-known writers (Derek Walcott, Chinua Achebe, Edward Kamau Brathwaite) as well as less well-known ones (Joan Riley, Susan Power, Abdulrazak Gurnah) and writers not often seen in a postcolonial context (James Kelman, Seamus Deane, Hanif Kureishi)--can be situated. The chapters that follow are based around themes such as violent geographics; hallucination, dream and the exotic; mourning and melancholy; diaspora and exile; delocalization and the alibi. This profoundly new approach to the complexities of the postcolonial allows the reader to appreciate some of the richness, but at the same time the political and cultural ambivalence, which underlies postcolonial writing. Throughout the book David Punter continually questions, as one would expect from his many previous books, the definition and scope of the "postcolonial." It is seen throughout as a phenomenon not restricted to the ex- or neo-colonies but as a key characterisation of all our lives at the beginning of the twenty-first century. It is an indissoluble part of the development of national imaginings and, at the same time, an alibi for the emergence of a violently assertive "new world order" committed to the management and obliteration of difference. By juxtaposing texts from different cultural traditions and topographies, from Things Fall Apart to The Bone People, from Anot
Author: David Punter
Publisher: Rowman & Littlefield
ISBN: 9780742510869
Category : Literary Criticism
Languages : en
Pages : 254
Get Book Here
Book Description
This deeply engaging, historically, and culturally informed book provides new perspectives on a wide range of writers, and at the same time provides a radically new development of many of the most pertinent issues in the field of postcolonial writing and theory. It constitutes a major new engagement between the "postcolonial" and a conception of the literary that is richly innovative in its deployment of psychoanalytic, deconstructive, and other approaches to the text. The book begins with some brief background to the issue of decolonization and its contemporary effects. It is informed throughout by a clear sense of literary and political context, within which chosen texts--by well-known writers (Derek Walcott, Chinua Achebe, Edward Kamau Brathwaite) as well as less well-known ones (Joan Riley, Susan Power, Abdulrazak Gurnah) and writers not often seen in a postcolonial context (James Kelman, Seamus Deane, Hanif Kureishi)--can be situated. The chapters that follow are based around themes such as violent geographics; hallucination, dream and the exotic; mourning and melancholy; diaspora and exile; delocalization and the alibi. This profoundly new approach to the complexities of the postcolonial allows the reader to appreciate some of the richness, but at the same time the political and cultural ambivalence, which underlies postcolonial writing. Throughout the book David Punter continually questions, as one would expect from his many previous books, the definition and scope of the "postcolonial." It is seen throughout as a phenomenon not restricted to the ex- or neo-colonies but as a key characterisation of all our lives at the beginning of the twenty-first century. It is an indissoluble part of the development of national imaginings and, at the same time, an alibi for the emergence of a violently assertive "new world order" committed to the management and obliteration of difference. By juxtaposing texts from different cultural traditions and topographies, from Things Fall Apart to The Bone People, from Anot
Author: Gina Wisker
Publisher: Bloomsbury Publishing
ISBN: 1350310352
Category : Study Aids
Languages : en
Pages : 240
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Book Description
Key Concepts in Postcolonial Literature provides an overview of the main themes, issues and critical perspectives that have had the greatest effect on postcolonial literatures. Discussing historical, cultural and contextual background, it contains selected work of some of the major writers from this period.
Author: Richard Lane
Publisher: Polity
ISBN: 0745632793
Category : Language Arts & Disciplines
Languages : en
Pages : 155
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Book Description
Richard Lane explores the themes surrounding the postcolonial novel written in English.
Author: T. Khair
Publisher: Springer
ISBN: 1137272627
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Throughout the ages, vampires have transgressed the borders of gender, race, class, propriety and nations. This collection examines the vampire as a postcolonial and transnational phenomenon that maps the fear of the Other, the ravenous hunger of Empires and the transcultural rifts and intercultural common grounds that make up global society today.
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 1135039755
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
This hugely popular A-Z guide provides a comprehensive overview of the issues which characterize post-colonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity. For this third edition over thirty new entries have been added including: Cosmopolitanism Development Fundamentalism Nostalgia Post-colonial cinema Sustainability Trafficking World Englishes. Post-Colonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.
Author: Michael Chapman
Publisher: Cambridge Scholars Publishing
ISBN: 144380925X
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
This collection poses two overarching questions: Is there a role for the literary imagination in postcolonial studies? And where might one locate South Africa or, more generally, South/African perspectives, in a field delineated primarily by northern institutional purposes and practices? While engaging with contemporary debates the essays seek to turn current postcolonial emphases on theoretical formulations and issue-driven interpretation towards the subjective experience of literary texts in specific contexts. The Introduction, “Postcolonialism: A Literary Turn”, suggests a template of ‘late postcolonialism’ beyond empires writing back to the centre. Instead, ongoing challenges include settler identity, past and present; independent or compromised African/diasporic voices; the character of the postcolony in which the pre-modern, modern, and postmodern contest a single though heterogeneous place, or space; and the ‘voicing’ of the silent subaltern alongside the ‘postcolonialising’ of Nobel laureates Nadine Gordimer and J.M. Coetzee. Despite the utopian political pronouncements of many postcolonial projects (the West’s own undoing) this collection wishes to stimulate us—students, academics—to see afresh, and comparatively, across worlds. In this, a literary turn may achieve an ethical dimension.
Author: Dennis Walder
Publisher: Routledge
ISBN: 1136891218
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
This book offers an original and informed critique of a widespread yet often misunderstood condition — nostalgia, a pervasive human emotion connecting people across national and historical as well as personal boundaries. Often seen as merely escapist, nostalgia also offers solace and self-understanding for those displaced by the larger movements of our time. Walder analyses the writings of some of those entangled in the aftermath of empire, tracing the hidden connections underlying their yearnings for a common identity and a homeland, and their struggles to recover their histories. Through a series of comparative reflections upon the representation in literary and related cultural forms of memory, he shows how admitting the past into the present through nostalgia enables former colonial or diasporic subjects to gain a deeper understanding of the networks of power within which they are caught in the modern world — and beyond which it may yet be possible to move. Considering authors as varied as V.S Naipaul, J.G. Ballard, Doris Lessing, W.G. Sebald, and Chimamanda Ngozi Adichie, as well as versions of ‘Bushman’ song, Walder pursues the often wayward, ambiguous paths of nostalgia as it has been represented beyond, but also within, Europe, so as to identify some of those processes of communal and individual experience that constitute the present and, by implication, the future.
Author: Gyan Prakash
Publisher: Bloomsbury Publishing
ISBN: 1350038652
Category : History
Languages : en
Pages : 311
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Book Description
By exploring themes of fragility, mobility and turmoil, anxieties and agency, and pedagogy, this book shows how colonialism shaped postcolonial projects in South and Southeast Asia including India, Pakistan, Burma, and Indonesia. Its chapters unearth the contingency and contention that accompanied the establishment of nation-states and their claim to be decolonized heirs. The book places key postcolonial moments - a struggle for citizenship, anxious constitution making, mass education and land reform - against the aftermath of the Second World War and within a global framework, relating them to the global transformation in political geography from empire to nation. The chapters analyse how futures and ideals envisioned by anticolonial activists were made reality, whilst others were discarded. Drawing on the expertise of eminent contributors, The Postcolonial Moment in South and Southeast Asia represents the most ground-breaking research on the region.
Author: Bibhash Choudhury
Publisher: Routledge
ISBN: 1317295714
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This book is an essential introduction to significant texts in postcolonial theory. It looks at seminal works in the ‘moments of their making’ and delineates the different threads that bind postcolonial studies. Each chapter presents a comprehensive discussion of a major text and contextualises it in the wake of contemporary themes and debates. The volume: Studies major texts by foremost scholars — Edward W. Said, Chinua Achebe, Albert Memmi, Gayatri Chakravorty Spivak, Paul Carter, Homi Bhabha, Frantz Fanon, Ashis Nandy, Robert J. C. Young, Ngugi wa Thiongo, and Sara Suleri Shifts focus from colonial experience to underlying principles of critical engagement Uses accessible, jargon-free language Focused, engaging and critically insightful, this book will be indispensable to students and scholars of literary and cultural studies, comparative literature, and postcolonial studies.
Author:
Publisher: BRILL
ISBN: 9401200076
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
This collection has one central theoretical focus, viz. stock-taking essays on the present and future status of postcolonialism, transculturalism, nationalism, and globalization. These are complemented by ‘special’ angles of entry (e.g. ‘dharmic ethics’) and by considerations of the global impress of technology (African literary studies and the Internet). Further essays have a focus on literary-cultural studies in Australia (the South Asian experience) and New Zealand (ecopoetics; a Central European émigrée perspective on the nation; the unravelling of literary nationalism; transplantation and the trope of translation). The thematic umbrella, finally, covers studies of such topics as translation and interculturalism (the transcendental in Australian and Indian fiction; African Shakespeares; Canadian narrative and First-Nations story templates); anglophone / francophone relations (the writing and rewriting of crime fiction in Africa and the USA; utopian fiction in Quebec); and syncretism in post-apartheid South African theatre. Some of the authors treated in detail are: Janet Frame; Kapka Kassabova; Elizabeth Knox; Annamarie Jagose; Denys Trussell; David Malouf; Patrick White; Yasmine Gooneratne; Raja Rao; Robert Kroetsch; Thomas King; Chester Himes; Julius Nyerere; Ayi Kwei Armah; Léopold Sédar Senghor; Simon Njami; Abourahman Waberi; Lueen Conning; Nuruddin Farah; Athol Fugard; Frantz Fanon; Julia Kristeva; Shakespeare. The collection is rounded off by creative writing (prose, poetry, and drama) by Bernard Cohen, Jan Kemp, Vincent O’Sullivan, Andrew Sant, and Sujay Sood.
