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Author: Diane Kelder
Publisher: National Geographic Books
ISBN: 0789206889
Category : Art
Languages : en
Pages : 0
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Book Description
The return of the revised edition of the most popular volume on French Impressionism, offers inspired, authoritative text and hundreds of exquisite illustrations. The Great Book of French Impressionism celebrates the richness and exuberance of the Impressionists's world—a world of light and color, of sunlit fields and shimmering waterscapes, of bustling city views and intimate domestic scenes. The 400 illustrations in this handsomely designed volume faithfully capture the subtle nuances of light and keen perception that make French Impressionist paintings unique. This edition features recent scholarship, more complete backmatter, and an expanded index. In her thoughtful and cogent text, art historian Diane Kelder traces the development of Impressionism from its roots in landscape and realist painting through its focus on modern urban life to its ultimate goal: to fix on canvas the fleeting moods and effects of nature in an ever-changing world. The author weaves into her narrative fascinating anecdotes and excerpts form contemporary essays and letters, examines in detail the lives and works of all the major Impressionists and Post-Impressionists, including Manet, Monet, Renoir, Degas, Toulouse-Lautrec, Seurat, and Cezanne, and shows how their work influenced others, ultimately giving rise to the new art of the twentieth century.
Author: Diane Kelder
Publisher: National Geographic Books
ISBN: 0789206889
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
The return of the revised edition of the most popular volume on French Impressionism, offers inspired, authoritative text and hundreds of exquisite illustrations. The Great Book of French Impressionism celebrates the richness and exuberance of the Impressionists's world—a world of light and color, of sunlit fields and shimmering waterscapes, of bustling city views and intimate domestic scenes. The 400 illustrations in this handsomely designed volume faithfully capture the subtle nuances of light and keen perception that make French Impressionist paintings unique. This edition features recent scholarship, more complete backmatter, and an expanded index. In her thoughtful and cogent text, art historian Diane Kelder traces the development of Impressionism from its roots in landscape and realist painting through its focus on modern urban life to its ultimate goal: to fix on canvas the fleeting moods and effects of nature in an ever-changing world. The author weaves into her narrative fascinating anecdotes and excerpts form contemporary essays and letters, examines in detail the lives and works of all the major Impressionists and Post-Impressionists, including Manet, Monet, Renoir, Degas, Toulouse-Lautrec, Seurat, and Cezanne, and shows how their work influenced others, ultimately giving rise to the new art of the twentieth century.
Author: Nathalia Brodskaïa
Publisher: Parkstone International
ISBN: 1783103892
Category : Art
Languages : en
Pages : 200
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Book Description
Whilst Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist’s theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, whilst Cézanne renounced perspective. Rich in its variety and in the singularity of its artists, Post-Impressionism was a passage taken by all the well-known figures of 20th century painting - it is here presented, for the great pleasure of the reader, by Nathalia Brodskaïa.
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 0520250222
Category : Art
Languages : en
Pages : 368
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Book Description
The essays in this wide-ranging text capture the theoretical range and scholarly rigor of criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art.
Author: Philadelphia Museum of Art
Publisher: Highlights from the Philadelph
ISBN: 9780876332894
Category : Art
Languages : en
Pages : 0
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Book Description
"Published on the occasion of the exhibition The impressionist's eye, Philadelphia Museum of Art, April 16-August 18, 2019"--Colophon.
Author: John Rewald
Publisher: ABRAMS
ISBN: 9780810916173
Category : Art
Languages : en
Pages : 232
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Book Description
Essays discuss the work and family life of Renoir, Degas, and Cezanne, the impressionist style of painting, and the role of Paul Durand-Ruel, an influential art dealer
Author: David Britt
Publisher:
ISBN: 9780500238417
Category : Art
Languages : en
Pages : 416
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Book Description
With over 400 color illustrations, this authoritative introduction covers every major development in the visual arts, from Impressionism to Post-Modernism.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393410
Category : Art
Languages : en
Pages : 354
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Book Description
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Author: Christine Guth
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
"Japan and Paris demonstrates the deep cross-cultural nature of art in Japan from about 1880 to 1930. Illustrated with masterpieces from Japanese collections by Matisse, Renoir, Toulouse-Lautrec, Corot, Cezanne, and Monet, it explores the history of collecting Western art in Japan and its influence on Japanese modern art. In particular, it addresses the development of Western-style modernist impulses as Japan's early interest in the Barbizon School extended to include modes of expression such as Impressionism, Postimpressionism, Symbolism, Cubism, and Fauvism. In addition to showcasing works by some of the best-known French and European painters, works by Japanese artists who were instrumental in the introduction of Western modes of expression to Japan are included, such as Kojima Zenzaburo, Kume Keiichiro, Maeda Kanji, Mitsutani Kunishiro, and Fujita Tsuguharu."
Author: Florence E. Coman
Publisher:
ISBN: 9781558595613
Category : Art
Languages : en
Pages : 318
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Book Description
This delightful compendium presents the National Gallery's superb collection of much-loved Impressionist and Post-Impressionist paintings, sculpture, prints, and drawings. 300 full-color illus.
Author: Martha Kapos
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 382
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Book Description
In 1910 the critic Roger Fry organized an exhibition at the Grafton Galleries, London, of avant-garde painting which included works by Cezanne, Van Gogh, Gauguin and Matisse. This exhibition became as important a landmark in the official histories of modern art as the subsequent Armory Show in America. These artists did not belong to a single unified movement defined or recognized at the time, and Fry, in a quandary as to what to call the exhibition, and losing patience at the last minute, said, "Oh, let's just call them Post-Impressionists; at any rate, they came after the Impressionists". In this way one of the important critical categories, one of the "isms" of modern art, was born. But "Post-Impressionism" was not a name which Van Gogh, Gauguin, Seurat or Cezanne or any artists of the period would have applied to themselves. The documents in this book, many of which appear in English for the first time, show how artists and critics in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. This was a period of reconsideration, of moving on from aspects of Impressionism, and of coming to grips with the isolation that avant-garde art had imposed on the individual artist. It was a period in which the emphasis within Impressionism on the construction of painting purely by means of color had left artists with the question of how the power of this basic form related to their own feelings and to nature. New ideas were coming from poetry as well as painting that laid the basis for modernism. These issues and the personal struggles of the artists themselves are revealed in their letters, and inthe writings of friends and critics, many of whom, such as Mallarme, Laforgue, Huysmans, and Proust were novelists and poets. This book also includes commentaries from Rainer Maria Rilke, Virginia Woolf, and W. H. Auden as well as modern critics, artists, philosophers and art historians: Georges Bataille, Paul Klee, and Meyer Schapiro on Van Gogh; John Berger on Bonnard; Maurice Merleau-Ponty, Clement Greenberg, Adrian Stokes and Lawrence Gowing on Cezanne. The text is illustrated with 119 colorplates and 125 black and white reproductions of contemporary photographs, cartoons, documents, prints and drawings.
