Narratives of Identity in Alban Berg's 'Lulu' PDF Download
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Author: Silvio J. dos Santos
Publisher: Boydell & Brewer
ISBN: 1580464831
Category : History
Languages : en
Pages : 240
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Book Description
This book explores the crossroads between autobiographical narratives and musical composition in Alban Berg's Lulu, unveiling aspects of encoded social customs, gender identity, and personal experiences within musical structures. Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist and Die Büchse der Pandora -- the plays used in the formationof the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in the Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays and incorporatedserial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as an ideal identity to beplayed out in the compositional process. In composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, andothers. Combining analysis of Berg's correspondence, numerous sketches for Lulu, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled at the end of his life with his self-image as an "incorrigible romantic," and explains aspects of his musical language that have been considered strange or anomalous in Berg scholarship. Silvio J. dos Santos isassistant professor of musicology at the University of Florida.
Author: Silvio J. dos Santos
Publisher: Boydell & Brewer
ISBN: 1580464831
Category : History
Languages : en
Pages : 240
Get Book Here
Book Description
This book explores the crossroads between autobiographical narratives and musical composition in Alban Berg's Lulu, unveiling aspects of encoded social customs, gender identity, and personal experiences within musical structures. Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist and Die Büchse der Pandora -- the plays used in the formationof the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in the Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays and incorporatedserial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as an ideal identity to beplayed out in the compositional process. In composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, andothers. Combining analysis of Berg's correspondence, numerous sketches for Lulu, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled at the end of his life with his self-image as an "incorrigible romantic," and explains aspects of his musical language that have been considered strange or anomalous in Berg scholarship. Silvio J. dos Santos isassistant professor of musicology at the University of Florida.
Author: Margaret Notley
Publisher: Oxford University Press
ISBN: 0190069880
Category : Music
Languages : en
Pages : 301
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Book Description
Censorship had an extraordinary impact on Alban Berg's opera Lulu, composed by the Austrian during the politically tumultuous years spanning 1929 to 1935. Based on plays by Frank Wedekind that were repeatedly banned from being published and performed from 1894 until the end of World War I, the libretto was in turn censored by Berg himself when he characterized it as a morality play after submitting it to authorities in Nazi Germany in 1934. After Berg died the next year, the third act was censored by his widow, Helene, and his former teacher, Arnold Schoenberg. In "Taken by the Devil", author Margaret Notley uncovers the unusual and uniquely generative role of censorship throughout the lifecycle of Berg's great opera. Placing the opera and its source material in wider cultural contexts, Notley provides close readings of the opera's libretto and score to reveal techniques employed by the composer and by Wedekind before him in negotiating censorship. She also explores ways in which Berg chose to augment discrepancies between the plays rather than flatten them as in certain performances of the plays during the 1920s, adding further dimensions of interpretation to the work. Elegantly readable, "Taken by the Devil" is one of the most meticulously researched and nuanced studies of Lulu to date, and illuminates the process of politically-driven censorship of theater, music, and the arts during the tumultuous early twentieth century.
Author: Anna McQuinn
Publisher: Charlesbridge
ISBN: 160734551X
Category : Juvenile Fiction
Languages : en
Pages : 28
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Book Description
Lola has a big smile on her face. Why? Because it's Tuesday--and on Tuesdays, Lola and her mommy go to the library. Join Lola in this cozy celebration of books and the people who love them.
Author: Nina Gruener
Publisher: Cameron
ISBN: 9781937359607
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Lulu takes her doll Pip on a camping trip, where they make friends with an old donkey, build a tent, eat dessert over a campfire, and fall asleep underneath the stars.
Author: Bryan R. Simms
Publisher: Routledge
ISBN: 113584674X
Category : Music
Languages : en
Pages : 333
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Book Description
Alban Berg: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer. The second edition will include research published since the publication of the first edition and provide electronic resources.
Author: Corinne Demas
Publisher: Little, Brown Books for Young Readers
ISBN: 0316055824
Category : Juvenile Fiction
Languages : en
Pages : 29
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Book Description
A young girl and her lovable dog, Lulu, are the best of friends and do everything together. As Lulu ages and starts to slow down the girl shows her compassion by making Lulu comfortable in her bed and helping to feed her. When Lulu dies the caring, young girl must comes to terms with her loss and find a way to say goodbye. This lyrical and touching story will tug at the heartstrings of all readers--young and old.
Author: Lulu Delacre
Publisher: Blue Ribbon Book
ISBN: 9780780712324
Category :
Languages : en
Pages : 0
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Book Description
A collection of traditional Latin American songs and rhymes, in Spanish and English, with the music included.
Author: Orit Kamir
Publisher: Duke University Press
ISBN: 9780822336242
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
DIVTheorizes the emerging field at the intersection of law and film through a detailed, feminist analysis of masterpiece films about law from around the world./div
Author: Hilary McKay
Publisher: Albert Whitman & Company
ISBN: 0807548103
Category : Juvenile Fiction
Languages : en
Pages : 83
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Book Description
When Lulu finds a duck egg that has rolled out of its nest, she takes it to class to keep it safe. Lulu isn't allowed to bring pets to school. But she's not really breaking the rules because it's just an egg. Surely nothing bad will happen...
Author: Vivien Schweitzer
Publisher: Basic Books
ISBN: 0465096948
Category : Music
Languages : en
Pages : 224
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Book Description
A lively introduction to opera, from the Renaissance to the twenty-first century There are few art forms as visceral and emotional as opera -- and few that are as daunting for newcomers. A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with Monteverdi's L'Orfeo in 1607, generally considered the first successful opera, through classics like Carmen and La Boheme, and spanning to Brokeback Mountain and The Death of Klinghoffer in recent years. Musician and critic Vivien Schweitzer acquaints readers with the genre's most important composers and some of its most influential performers, recounts its long-standing debates, and explains its essential terminology. Today, opera is everywhere, from the historic houses of major opera companies to movie theaters and public parks to offbeat performance spaces and our earbuds. A Mad Love is an essential book for anyone who wants to appreciate this living, evolving art form in all its richness.
