Portraits, Personas, and Representations of the Self

Portraits, Personas, and Representations of the Self PDF Author: Lynn D. Bailey
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 126

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Book Description
The purpose of this study is to better understand how students see themselves reflected in their education, and what impact a culturally relevant lesson, involving making art and discussing social issues, has on making connections to the world around them. I am a white, female art teacher in an urban public high school in Chicago, where I have worked for eight years. My mixed gender classes consist of an average of 31 students each, 99.4% of whom are African-American and range in age from 15-18; all of these students are involved in this study. This main question guides the research: What occurs in an urban high school classroom when students discuss, question and otherwise grapple with the complexity of self-defining cultural relevance? In this project I introduce to my students a group of eight contemporary black artists, ranging from community members to artists from England and South Africa, through the theme of, "Portraits, Personas, and Representations of the Self." I was curious about how learning about these artists would be meaningful to the students in my classes. Will the students locate shared experiences and histories with the artists and with each other? In what ways will this project connect art curriculum to student interests and definitions of culture? Will it result in any change to their understanding and appreciation of art? I used an action research methodology to conduct the inquiry in my own classroom. I collected data via pre-surveys, written reflections and assessments, observations, and conversations with students. I provided students with handouts to record information and ideas about the artists we discussed. They also completed a painting using elements from the artists introduced in the unit. Data from these written sources helped guide the discussions we had about the artists in the classroom and assisted students in developing a sketch of their own portrait. My findings indicate that students drew connections between themselves, their communities, and related characteristics of the artists' work, as they explained in their self-assessments and as it was reflected in their paintings. My research contributes to the field of art education in the development of curriculum that reflects the students they teach, not only through race or ethnicity, but also takes into consideration their interests and self-determined understandings of culture. Through this research I further understand the importance of providing students with meaningful art education that is grounded in their lives

Portraits, Personas, and Representations of the Self

Portraits, Personas, and Representations of the Self PDF Author: Lynn D. Bailey
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 126

Get Book Here

Book Description
The purpose of this study is to better understand how students see themselves reflected in their education, and what impact a culturally relevant lesson, involving making art and discussing social issues, has on making connections to the world around them. I am a white, female art teacher in an urban public high school in Chicago, where I have worked for eight years. My mixed gender classes consist of an average of 31 students each, 99.4% of whom are African-American and range in age from 15-18; all of these students are involved in this study. This main question guides the research: What occurs in an urban high school classroom when students discuss, question and otherwise grapple with the complexity of self-defining cultural relevance? In this project I introduce to my students a group of eight contemporary black artists, ranging from community members to artists from England and South Africa, through the theme of, "Portraits, Personas, and Representations of the Self." I was curious about how learning about these artists would be meaningful to the students in my classes. Will the students locate shared experiences and histories with the artists and with each other? In what ways will this project connect art curriculum to student interests and definitions of culture? Will it result in any change to their understanding and appreciation of art? I used an action research methodology to conduct the inquiry in my own classroom. I collected data via pre-surveys, written reflections and assessments, observations, and conversations with students. I provided students with handouts to record information and ideas about the artists we discussed. They also completed a painting using elements from the artists introduced in the unit. Data from these written sources helped guide the discussions we had about the artists in the classroom and assisted students in developing a sketch of their own portrait. My findings indicate that students drew connections between themselves, their communities, and related characteristics of the artists' work, as they explained in their self-assessments and as it was reflected in their paintings. My research contributes to the field of art education in the development of curriculum that reflects the students they teach, not only through race or ethnicity, but also takes into consideration their interests and self-determined understandings of culture. Through this research I further understand the importance of providing students with meaningful art education that is grounded in their lives

Self-representation in an Expanded Field

Self-representation in an Expanded Field PDF Author: Ace Lehner
Publisher:
ISBN: 9783038975656
Category : Electronic books
Languages : en
Pages : 212

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Book Description
"Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging, becoming a ubiquitous part of globally networked contemporary life. Beyond this, selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or conceptually rigorous or avant-garde. But--as this project aims to ... address via a variety of interdisciplinary approaches--selfies have irreversibly impacted visual culture, contemporary art, and portraiture in particular. Selfies propose new modes of self-imaging, [move] forward emerging aesthetics and challenge established methods; they prove that as scholars and image-makers it is necessary to adapt and innovate in order to contend with the most current form of self-representation to date"--From publisher's description, viewed July 19, 2021.

Eye to I

Eye to I PDF Author: National Portrait Gallery (Smithsonian Institution)
Publisher:
ISBN: 9783777432236
Category : Self-portraits
Languages : en
Pages : 0

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Book Description
This richly illustrated book features an introduction by the National Portrait Gallery's chief curator and nearly 150 insightful entries on key self-portraits in the museum's collection. "Eye to I" provides readers with an overview of self-portraiture while revealing the intersections that exist between art, life, and self-representation. Drawing primarily from the museum's collection, "Eye to I" explores how American artists have portrayed themselves since 1900. The book shows that while each individual's approach to self-portraiture arises under unique circumstances, all of their representations raise important questions about self-perception and self-reflection. Sometimes artists choose to reveal intimate details of their inner lives. Other times they use the genre to obfuscate their true selves or invent alter egos. Today, with the proliferation of selfies and the contemporary focus on identity, it is time to reassess the significance of the self-portrait. Exhibition: National Portrait Gallery, Washington D.C., USA (02.11.2018-18.28.2019).

Technologies of the Self-Portrait

Technologies of the Self-Portrait PDF Author: Gabriella Giannachi
Publisher: Taylor & Francis
ISBN: 0429887825
Category : Art
Languages : en
Pages : 197

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Book Description
This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production. Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their ‘self’. This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.

Matisse Portraits

Matisse Portraits PDF Author: John Klein
Publisher: Yale University Press
ISBN: 0300081006
Category : Art
Languages : en
Pages : 312

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Book Description
An account of Henri Matisse's activity as a maker of portraits and self-portraits. The author considers the transaction that produces a portrait - a transaction between the artist and the sitter that is social as much as artistic - and investigates the social contexts of Matisse's sitters.

Self-Representation in an Expanded Field

Self-Representation in an Expanded Field PDF Author: Ace Lehner
Publisher: MDPI
ISBN: 3038975648
Category : Art
Languages : en
Pages : 229

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Book Description
Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or conceptually rigorous or avant-guard. But, –as this project aims to do address via a variety of interdisciplinary approaches– selfies have irreversibly impacted visual culture, contemporary art, and portraiture in particular. Selfies propose new modes of self-imaging, forward emerging aesthetics and challenge established methods, they prove that as scholars and image-makers it is necessary to adapt and innovate in order to contend with the most current form of self-representation to date. The essays gathered herein will reveal that in our current moment it is necessary and advantageous to consider the merits and interventions of selfies and self-portraiture in an expanded field of self-representations. We invite authors to take interdisciplinary global perspectives, to investigate various sub-genres, aesthetic practices, and lineages in which selfies intervene to enrich the discourse on self-representation in the expanded field today.

The Modern Portrait Poem

The Modern Portrait Poem PDF Author: Frances Dickey
Publisher: University of Virginia Press
ISBN: 0813932696
Category : Literary Criticism
Languages : en
Pages : 367

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Book Description
In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J. M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T. S. Eliot, William Carlos Williams, Amy Lowell, E. E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet’s realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts.

Photography and Ontology

Photography and Ontology PDF Author: Donna West Brett
Publisher: Routledge
ISBN: 1351187732
Category : Photography
Languages : en
Pages : 294

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Book Description
This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form. What makes photographic images unsettling and how do the re-uses and interpretations of photographic images unsettle the self-evident reality of the visual field? Taking up these themes, this book examines the role of photography as a revelatory medium underscored by its complex association with history, memory, experience and identity.

The Performance of Self

The Performance of Self PDF Author: Susan Crane
Publisher: University of Pennsylvania Press
ISBN: 0812201701
Category : Literary Criticism
Languages : en
Pages : 285

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Book Description
Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period. Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.

The Self as Object in Modernist Fiction

The Self as Object in Modernist Fiction PDF Author: Timo Müller
Publisher: Königshausen & Neumann
ISBN: 3826043529
Category : Modernism (Literature)
Languages : en
Pages : 303

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Book Description