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Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
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Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
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Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author: Jean-Auguste-Dominique Ingres
Publisher: Courier Corporation
ISBN: 9780486276212
Category : Art
Languages : en
Pages : 54
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Book Description
Ingres’ portrait drawings rank among the art’s supreme achievements, exhibiting the artist’s brilliant draftsmanship and rare ability to capture character and personal style. This splendid volume presents Ingres portraits of many affluent and distinguished men and women of his age, among them the celebrated French composer Charles Gounod. Sources include the Louvre Museum, the Metropolitan Museum of Art and the Pierpont Morgan Library.
Author: Sarah E. Betzer
Publisher: University of Pennsylvania Press
ISBN: 9780271048758
Category : Art
Languages : en
Pages : 332
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Book Description
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Author: Susan L. Siegfried
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres's paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist's very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative - in his classical literary, historical, and religious subjects - was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history.
Author: Jean-Auguste-Dominique Ingres
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 52
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Book Description
Author: Jean-Auguste-Dominique Ingres
Publisher: Delphi Classics
ISBN: 1913487326
Category : Art
Languages : en
Pages : 763
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Book Description
The chief exponent of French Neoclassical painting in the mid-nineteenth century, Jean-Auguste-Dominique Ingres is noted for his cool, meticulously drawn works, representing the stylistic antithesis of the contemporary Romantic school. As a monumental history painter, Ingres sought to perpetuate the classical tradition of Raphael and Poussin, though today it is his portraits that are recognised as his greatest legacy. The extraordinary clarity of expression and microscopic detail of his work, rendered at a consistently, almost unbelievable quality won him many admirers. His expressive distortions of form and space made him an important precursor of modern art, influencing Degas, Picasso and Matisse. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Ingres’ complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Jean-Auguste-Dominique Ingres – over 300 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare and lost works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Ingres’ celebrated works in detail, as featured in traditional art books * Over 600 images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Includes a wide selection of Ingres’ drawings * Features two bonus biographies – discover Ingres’ incredible life Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights The Envoys of Agamemnon (1801) Self Portrait (1804) Portrait of Mademoiselle Caroline Rivière (1805) Napoleon I on His Imperial Throne (1806) The Grande Baigneuse (1808) Oedipus and the Sphinx (1808) La Grande Odalisque (1814) Roger Freeing Angelica (1819) The Vow of Louis XIII (1824) The Apotheosis of Homer (1827) Portrait of Monsieur Bertin (1832) The Martyrdom of Saint Symphorian (1834) Odalisque with Slave (1839) The Illness of Antiochus (1840) Portrait of Comtesse d’Haussonville (1845) Portrait of the Princesse de Broglie (1853) The Source (1856) The Turkish Bath (1863) The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings Selected Drawings The Biographies Jean Auguste Dominique Ingres by Emilia Francis Strong Dilke Ingres by A. J. Finberg Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
![Ingres, 1780-1867 [par] Francis Jourdain PDF](https://books.google.com/books/content/images/frontcover/QgOCvAEACAAJ?fife=w80-h100)
Author: Jean-Auguste-Dominique Ingres
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
Author: Robert Rosenblum
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
An illustrated study of famed French painter Jean-Auguste Ingres.
Author: Tamar Garb
Publisher: Yale University Press
ISBN: 0300111185
Category : Art
Languages : en
Pages : 44
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Book Description
The meaning of a painted portrait and even its subject may be far more complex than expected, Tamar Garb reveals in this book. She charts for the first time the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century, showing how these paintings illuminate evolving social attitudes and aesthetic concerns in France over the course of the century. The author builds the discussion around six canonic works by Ingres, Manet, Cassatt, Cézanne, Picasso, and Matisse, beginning with Ingres’s idealized portrait of Mme de Sennones and ending with Matisse’s elegiac last portrait of his wife. During the hundred years that separate these works, the female portrait went from being the ideal genre for the expression of painting’s capacity to describe and embellish “nature,” to the prime locus of its refusal to do so. Picasso’s Cubism, and specifically Ma Jolie, provides the fulcrum of this shift.
Author: Omar Calabrese
Publisher: National Geographic Books
ISBN: 0789208946
Category : Art
Languages : en
Pages : 0
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Book Description
In his fascinating survey, art historian Omar Calabrese reveals that self-portraits through the ages are both a reflection of the artist and of the period in which the artist lived. Organized thematically, the author first presents a basic definition of the genre of the self-portrait, interpreting the picture to be a manifestation of self identity, and including examples from an Egyptian tomb painting and pictures on stained glass during the Middle Ages and continuing to modern times. The next chapter focuses on the turning point for the establishment of the genre during the Renaissance when the status of the painter or sculptor was raised from artisan to artist and, as a result, portraits of the artist were considered worthwhile pictures. At first a self-portrait was hidden in a narrative painting: an artist would paint his image as part of a crowd scene, for example, or as a mythological figure. On the other extreme, once the genre was accepted, it was practiced by some artists—Rembrandt, van Gogh, Munch, and Dali, for instance—as almost an obsession. In contemporary art the self-portrait can become a deconstructed genre with the artist hiding or satirizing himself until he nearly disappears on the canvas. Among the 300 pictures featured here are examples by such artists as Albrecht Dürer, Velazquez, Elisabeth Vigée-Lebrun, Ingres, Degas, Toulouse-Lautrec, Gainsborough, Matisse, James Ensor, Egon Schiele, Frida Kahlo, Man Ray, Henry Moore, Robert Rauschenberg, Norman Rockwell, and Roy Lichtenstein. This intriguing book is a fresh way to appreciate the history of art and to understand that a self-portrait is far more complex and meaningful than merely a portrait of the artist.
