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Author: Hans Maes
Publisher: Routledge
ISBN: 0429581254
Category : Art
Languages : en
Pages : 314
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Book Description
Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts.
Author: Lucian Freud
Publisher:
ISBN: 9781855144415
Category : Portrait painting
Languages : en
Pages : 0
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Book Description
"'Everything is autobiographical and everything is a portrait, even if it's only a chair.' Portraits were central to the work of Lucian Freud. Working only from life, the artist claimed 'I could never put anything into a picture that wasn't actually there in front of me.' Lucian Freud Portraits surveys his portraits and figure paintings from across his long career. Drawing together the finest portraits from public and private collections around the world, the book explores Freud's stylistic development and technical virtuosity. A series of previously unpublished interviews conducted by Michael Auping between May 2009 and January 2011 reveal the artist's thoughts on the complex relationship between artist and sitter, the particular challenges of painting nudes and self-portraits, and his views on other painters he admired. Freud's psychological portraits are often imbued with a mood of alienation. A private man, the artist's close relationship with his sitters was played out behind the closed door of the studio. Frequently there is the sense of an emotionally charged drama unfolding, but his subjects remain elusive. Sitters represented in the book include family members, particularly his mother, Lucie, and artists such as Frank Auerbach, Francis Bacon and David Hockney. In the early 1990s Freud produced a series of monumental paintings of the performance artist Leigh Bowery and Bowery's friend Sue Tilley, the 'benefits supervisor', examples of which are reproduced in this book."--Publisher description.
Author: Peter Pagnamenta
Publisher: Third Millennium Information
ISBN: 9781903942659
Category : Universities and colleges
Languages : en
Pages : 0
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Book Description
"Cambridge is one of the world's great universities, providing education, scholarship and research at the very highest level. Home to more Nobel laureates than any other institution, it attracts students and academics from across the globe and is internationally regarded as one of the major intellectual powerhouses extending the frontiers of knowledge." "To celebrate its 800th anniversary year, Third Millennium was honoured to have been chosen by the University of Cambridge to produce this special commemorative book." "Edited by Peter Pagnamenta, one of Britain's most distinguished documentary producers, this lavishly illustrated, beautifully designed and produced hardback volume traces the University's growth and development from its small beginnings to today's eminence and tomorrow's aspirations." "The book features expert, informative and entertaining contributions from leading Cambridge figures of every generation and offers a vibrant panorama of the past, present and future of a living community." "Themes and topics in the book: Foundation of the University, Growth of the Colleges, Philosophy and Classics, Humanities, Mathematics, Science and new disciplines, New directions in research, Opportunity and admissions, Architecture old and new, Libraries and museums, Drama and performance, Music and arts, Sporting achievements, Spiritual Cambridge, Remarkable personalities, University government and finance, and Future plans and revision."--BOOK JACKET.
Author: Hans Maes
Publisher: Routledge
ISBN: 0429581254
Category : Art
Languages : en
Pages : 314
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Book Description
Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts.
Author: Roy Strong
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 420
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Book Description
Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
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Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1046
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Book Description
Author: Stephan Wolohojian
Publisher: Metropolitan Museum of Art
ISBN: 1588396282
Category : Art
Languages : en
Pages : 51
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Book Description
Few things are more exciting than the rediscovery of a lost but storied work of art. This Bulletin examines Charles Le Brun’s spectacular Everhard Jabach (1618–1695) and His Family, a landmark of Western portraiture that was long thought destroyed—known only from photographs taken before World War II—when it was found hanging in an English country house, where it had languished for more than a century prior to its acquisition by The Met. The authors tease out the many secrets bound up in Le Brun’s canvas and its extraordinary sitter, who was one of the greatest art collectors of seventeenth-century Europe.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 428
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Book Description
Author: Oxford Historical Society (Oxford, England)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 396
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Book Description
