Author: Anonymous
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PORTRAIT d'homme. Toile, cadre doré. M. 0.43 X 0.33
Author: Anonymous
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PORTRAIT d'homme. Toile, cadre doré. M. 0.70 x 0.60
Author: Spanish school
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PORTRAIT d'homme. Toile, cadre doré. M. 0.73 X 0.58
Author: Anonymous
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PORTRAIT d'homme. Toile, cadre doré. M. 0.74 x 0.57
Author: Florentine school
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PORTRAIT d'homme. Toile, cadre doré. M. 0.58 X 0.55
Author: Baldassare Franceschini
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PORTRAIT d'homme. Cadre doré. Toile. M. 0.82 X 0.67
Author: Justus Sustermans
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Dictionary of Modern Colloquial French
Author: Edwin A. Lovatt
Publisher: Routledge
ISBN: 1134930623
Category : Foreign Language Study
Languages : en
Pages : 574
Book Description
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1134930623
Category : Foreign Language Study
Languages : en
Pages : 574
Book Description
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
The Visible Word
Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 0226165027
Category : Art
Languages : en
Pages : 306
Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Publisher: University of Chicago Press
ISBN: 0226165027
Category : Art
Languages : en
Pages : 306
Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Musk Hashish and Blood
Author: Hector France
Publisher:
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Languages : en
Pages : 584
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Languages : en
Pages : 584
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Instigations
Author: Ezra Pound
Publisher: CreateSpace
ISBN: 9781505374469
Category :
Languages : en
Pages : 210
Book Description
Ezra Pound (1885 - 1972) was an American poet and harsh critic following World War I. Pound was also a key contributor to the Modernist movement. One of Pound's most famous works is Instigations which is a series of essays critiquing a variety of writers and books.
Publisher: CreateSpace
ISBN: 9781505374469
Category :
Languages : en
Pages : 210
Book Description
Ezra Pound (1885 - 1972) was an American poet and harsh critic following World War I. Pound was also a key contributor to the Modernist movement. One of Pound's most famous works is Instigations which is a series of essays critiquing a variety of writers and books.