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Author: Ila N. Sheren
Publisher: University of Texas Press
ISBN: 1477302263
Category : Art
Languages : en
Pages : 212
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Book Description
After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century. Particularly in the world of visual art, borders have come to represent a space of performance rather than a geographical boundary, a cultural terrain meant to be negotiated rather than a physical line. From 1980 forward, Sheren argues, the border became portable through performance and conceptual work. This dematerialization of the physical border after the 1980s worked in two opposite directions—the movement of border thinking to the rest of the world, as well as the importation of ideas to the border itself. Beginning with site-specific conceptual artwork of the 1980s, particularly the performances of the Border Art Workshop/Taller de Arte Fronterizo, Sheren shows how these works reconfigured the border as an active site. Sheren moves on to examine artists such as Guillermo Gómez-Peña, Coco Fusco, and Marcos Ramirez "ERRE." Although Sheren places emphasis on the Chicano movement and its art production, this groundbreaking book suggests possibilities for the expansion of the concept of portability to contemporary art projects beyond the region.
Author: Ila N. Sheren
Publisher: University of Texas Press
ISBN: 1477302263
Category : Art
Languages : en
Pages : 212
Get Book Here
Book Description
After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century. Particularly in the world of visual art, borders have come to represent a space of performance rather than a geographical boundary, a cultural terrain meant to be negotiated rather than a physical line. From 1980 forward, Sheren argues, the border became portable through performance and conceptual work. This dematerialization of the physical border after the 1980s worked in two opposite directions—the movement of border thinking to the rest of the world, as well as the importation of ideas to the border itself. Beginning with site-specific conceptual artwork of the 1980s, particularly the performances of the Border Art Workshop/Taller de Arte Fronterizo, Sheren shows how these works reconfigured the border as an active site. Sheren moves on to examine artists such as Guillermo Gómez-Peña, Coco Fusco, and Marcos Ramirez "ERRE." Although Sheren places emphasis on the Chicano movement and its art production, this groundbreaking book suggests possibilities for the expansion of the concept of portability to contemporary art projects beyond the region.
Author: A. Amilhat-Szary
Publisher: Springer
ISBN: 1137468858
Category : Political Science
Languages : en
Pages : 313
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Book Description
This book explores the emerging forms and functions of contemporary mobile borders. It deals with issues of security, technology, migration and cooperation while addressing the epistemological and political questions that they raise. The 'borderities' approach illuminates the question of how borders can be the site of both power and counter-power.
Author: Daphne Lei
Publisher: University of Michigan Press
ISBN: 0472125230
Category : Performing Arts
Languages : en
Pages : 351
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Book Description
Over many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts, and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today.
Author: Catarina Kinnvall
Publisher: Routledge
ISBN: 1134490658
Category : Political Science
Languages : en
Pages : 179
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Book Description
This book explores and maps the relationship between borders, security and global governance. Theoretically, the book seeks to establish to what degree, and in what ways, traditional notions of borders, security and (global) governance are being eroded, undermined and contested in the context of a globalising world. Borders are increasingly being re-conceptualised to account for connectivity as well as divisions at the same time as focus is shifting from permanence to permeability. The ambivalence ascribed to bordering processes is at heart a security concern; borders are not only entwined with state formation but are also attempts at governing securities, identities and histories. Proceeding from a critical rendering of statist conceptualisations of borders, security and governance, the book not only emphasises the politics of borders, mobility and re-locations, but also provides a shared groundwork for interrogating the spatial conditions for bordering and border work as manifestations of a continuously deferred becoming rather than being. A principal contribution of the volume is its scrutiny of how borders are enacted and perceived in and through the everyday, and of how such production and construal can make sense as acts of resistance to various forms of governing. Such a focus reveals the necessity of investigating how governing from afar affects the possibilities and tendencies to securitise as well as desecuritise, within as well as beyond elite settings. This book will be of much interest to students of border studies, human geography, governmentality, global governance and IR/critical security studies.
Author: Mabel Moraña
Publisher: Routledge
ISBN: 1000361446
Category : Political Science
Languages : en
Pages : 242
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Book Description
Liquid Borders provides a timely and critical analysis of the large-scale migration of people across borders, which has sent shockwaves through the global world order in recent years. In this book, internationally recognized scholars and activists from a variety of fields analyze key issues related to diasporic movements, displacements, exiles, "illegal" migrants, border crossings, deportations, maritime ventures, and the militarization of borders from political, economic, and cultural perspectives. Ambitious in scope, with cases stretching from the Mediterranean to Australia, the US/Mexico border, Venezuela, and deterritorialized sectors in Colombia and Central America, the various contributions are unified around the notion of freedom of movement, and the recognition of the need to think differently about ideas of citizenship and sovereignty around the world. Liquid Borders will be of interest to policy makers, and to researchers across the humanities, sociology, area studies, politics, international relations, geography, and of course migration and border studies.
Author: Ila Nicole Sheren
Publisher: Springer Nature
ISBN: 303125953X
Category : Art
Languages : en
Pages : 232
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Book Description
This book analyzes how contemporary visual art can visualize environmental crisis. It draws on Karen Barad’s method of “agential realism,” which understands disparate factors as working together and “entangled.” Through an analysis of digital eco art, the book shows how the entwining of new materialist and decolonized approaches accounts for the nonhuman factors shaping ecological crises while understanding that a purely object-driven approach misses the histories of human inequality and subjugation encoded in the environment. The resulting synthesis is what the author terms a border ecology, an approach to eco art from its margins, gaps, and liminal zones, deliberately evoking the idea of an ecotone. This book is suitable for scholarly audiences within art history, criticism and practice, but also across disciplines such as the environmental humanities, media studies, border studies and literary eco-criticism.
Author: Katherine G. Morrissey
Publisher: University of Arizona Press
ISBN: 0816537232
Category : Architecture
Languages : en
Pages : 249
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Book Description
Grounded in the borderlands and prompted by art, this book considers the connections between art, land, and people in a fraught binational region--Provided by publisher.
Author: Zalfa Feghali
Publisher: Manchester University Press
ISBN: 1526134470
Category : Political Science
Languages : en
Pages : 204
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Book Description
Can reading make us better citizens? Fusing queer theory, citizenship studies, and border studies in its exploration of seven U.S., Canadian, and Indigenous authors, poets, and performance artists, Crossing borders and queering citizenship theorises how reading can work as a empowering tool in contemporary civic struggles in the North America.
Author: Paul Trauttmansdorff
Publisher: Policy Press
ISBN: 1529235227
Category : Social Science
Languages : en
Pages : 193
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Book Description
This book offers an in-depth investigation into the digitisation processes of Europe’s border regime. It shows how sociotechnical imaginations of future borders drive forward the expansion of databases in the European governance of mobility. With a focus on the European Union Agency eu-LISA, one of the most significant and rapidly advancing actors in the digital border regime, the book serves as a gateway to understanding the key agents, visions, technologies and practices at work. Asking broader questions about exclusion, discrimination, violence and mobility rights, this is an original contribution to our understanding of future borders in Europe.
Author: Gillian Roberts
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773556087
Category : Social Science
Languages : en
Pages : 337
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Book Description
Is Superman Canadian? Who decides, and what is at stake in such a question? How is the Underground Railroad commemorated differently in Canada and the United States, and can those differences be bridged? How can we acknowledge properly the Canadian labour behind Hollywood filmmaking, and what would that do to our sense of national cinema? Reading between the Borderlines grapples with these questions and others surrounding the production and consumption of literary, cinematic, musical, visual, and print culture across the Canada-US border. Discussing a range of popular as well as highbrow cultural forms, this collection investigates patterns of cross-border cultural exchange that become visible within a variety of genres, regardless of their place in any arbitrarily devised cultural hierarchy. The essays also consider the many interests served, compromised, or negated by the operations of the transnational economy, the movement of culture's "raw material" across nation-state borders in literal and conceptual terms, and the configuration of a material citizenship attributed to or negotiated around border-crossing cultural objects. Challenging the oversimplification of cultural products labelled either "Canadian" or "American," Reading between the Borderlines contends with the particularities and complications of North American cultural exchange, both historically and in the present.
