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Author: Pyotr Pavlensky
Publisher: MOTHER
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
'Each precedent is an image. It is an image produced by judicial mechanisms of power, and it has a clear aesthetic value. Can any image produced by prosecutors, investigators or judges be called a precedent? No. What constitutes a precedent is only the aesthetically valuable product of their work that they create in the process of judicially oppressing an artist and their art. To make a precedent happen, however, the artist should turn this oppression against power itself. For that is when the artist effects a turn-around so much needed by art. They turn upside down the perennial disposition between art and power, making power work for art.'
Author: Pyotr Pavlensky
Publisher: MOTHER
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
'Each precedent is an image. It is an image produced by judicial mechanisms of power, and it has a clear aesthetic value. Can any image produced by prosecutors, investigators or judges be called a precedent? No. What constitutes a precedent is only the aesthetically valuable product of their work that they create in the process of judicially oppressing an artist and their art. To make a precedent happen, however, the artist should turn this oppression against power itself. For that is when the artist effects a turn-around so much needed by art. They turn upside down the perennial disposition between art and power, making power work for art.'
Author: Lucy Weir
Publisher: Taylor & Francis
ISBN: 1040118666
Category : Art
Languages : en
Pages : 279
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Book Description
This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present. Inspired by the gendered nature of discussion around self-harm, the book challenges established readings of risk-taking and self-injury in global performance practice. The interdisciplinary methodology draws from art history and sociology to provide a new critical analysis of the relationship between masculinity and self-inflicted injury. Based upon interviews with a range of artists around the world, it offers an innovative understanding of the diverse meanings behind self-injury in performance, and delves into the gendered coding of self-harming bodies. Individual chapters examine the work of Ron Athey, Günter Brus, Wafaa Bilal, Franko B, André Stitt, Pyotr Pavlensky, and Yang Zhichao, offering a new perspective on the forms and functions of self-injury in performance art. The book will be of interest to scholars working in art history, performance studies, gender studies, and cultural studies.
Author: Daniel Neofetou
Publisher: John Hunt Publishing
ISBN: 1780997663
Category : Art
Languages : en
Pages : 103
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Book Description
In his speech following the 2011nationwide riots in Britain, Prime Minister David Cameron spoke out against people “being too unwilling for too long to talk about what is right and what is wrong” and proclaimed “this relativism – it’s not going to cut it anymore”. He was, then, presumably laying the foundation for one-size-fits-all absolutist authoritarianism and, worryingly, the moral outrage induced by the riots means a large proportion of the British public might not oppose such measures. When such a mindset is on the verge of becoming pandemic, where do we turn? This book suggests that the work of another David, born 20 years before and 3,000 miles away from Cameron, might engender a mode of thinking which does not apprehend the world in terms of such easy distinctions. In David Lynch, we find a director whose films – by utilising the tropes of the Hollywood movie, but subverting their accepted meanings - profoundly destablise spectators, and lead them to consider things not in terms of prescribed binaries, but as complex and multi-faceted. ,
Author: Bernhard Dieckmann
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Daniel Neofetou
Publisher: Bloomsbury Publishing USA
ISBN: 1501358391
Category : Art
Languages : en
Pages : 241
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Book Description
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them.
Author: Sam Fullerton
Publisher: Manchester University Press
ISBN: 1526175894
Category : History
Languages : en
Pages : 284
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Book Description
Sexual politics in revolutionary England recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom’s mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.
Author: New South Wales. Parliament
Publisher:
ISBN:
Category :
Languages : en
Pages : 960
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Book Description
Author: Jean-Paul Martinon
Publisher: A&C Black
ISBN: 1472523164
Category : Philosophy
Languages : en
Pages : 281
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Book Description
Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times.
Author:
Publisher:
ISBN:
Category : Computer networks
Languages : en
Pages : 576
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Author:
Publisher:
ISBN:
Category : Australian literature
Languages : en
Pages : 526
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