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Author: Musée Condé
Publisher:
ISBN: 9782850568824
Category : Porcelain
Languages : fr
Pages : 192
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Book Description
Cet ouvrage est le premier catalogue raisonné des collections de céramique conservées à Chantilly et concerne essentiellement des pièces de Sèvres et de Paris. Les porcelaines de Paris sont des commandes des derniers princes de Condé, datant du début du XIXe siècle : sous la Restauration, le duc de Bourbon commanda le décor de nombreuses pièces à Jean-Pierre Feuillet, fournisseur attitré des Condés, comme le service de table blanc et or au chiffre de sa famille ou le service à dessert bleu et or à décors de paysages. Les porcelaines de Sèvres ont été réunies par l'héritier des princes de Condé, Henri d'Orléans, duc d'Aumale (1822-1897), fils du roi Louis-Philippe. Il fit décorer en 1844 ses petits appartements de Chantilly par le peintre romantique Eugène Lami, amateur du style rocaille, à un moment où celui-ci commençait à peine à revenir à l'honneur. Le duc d'Aumale joua donc un rôle pionnier en réunissant les pièces de Sèvres du XVIIIe siècle conservées à Chantilly, avant que ce type de collection ne devienne autant à la mode en France qu'il l'avait toujours été en Angleterre, pays d'exil des Orléans. Celles du XIXe siècle sont en grande partie des commandes passées à la manufacture royale par le roi Louis-Philippe pour son fils après le mariage de ce dernier en 1844, comme le grand Surtout des chasses et les nombreux vases d'ornement. De beaux exemples de porcelaines dures étrangères (Naples, Vienne, Meissen) complètent cet ensemble.
Author: Musée Condé
Publisher:
ISBN: 9782850568824
Category : Porcelain
Languages : fr
Pages : 192
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Book Description
Cet ouvrage est le premier catalogue raisonné des collections de céramique conservées à Chantilly et concerne essentiellement des pièces de Sèvres et de Paris. Les porcelaines de Paris sont des commandes des derniers princes de Condé, datant du début du XIXe siècle : sous la Restauration, le duc de Bourbon commanda le décor de nombreuses pièces à Jean-Pierre Feuillet, fournisseur attitré des Condés, comme le service de table blanc et or au chiffre de sa famille ou le service à dessert bleu et or à décors de paysages. Les porcelaines de Sèvres ont été réunies par l'héritier des princes de Condé, Henri d'Orléans, duc d'Aumale (1822-1897), fils du roi Louis-Philippe. Il fit décorer en 1844 ses petits appartements de Chantilly par le peintre romantique Eugène Lami, amateur du style rocaille, à un moment où celui-ci commençait à peine à revenir à l'honneur. Le duc d'Aumale joua donc un rôle pionnier en réunissant les pièces de Sèvres du XVIIIe siècle conservées à Chantilly, avant que ce type de collection ne devienne autant à la mode en France qu'il l'avait toujours été en Angleterre, pays d'exil des Orléans. Celles du XIXe siècle sont en grande partie des commandes passées à la manufacture royale par le roi Louis-Philippe pour son fils après le mariage de ce dernier en 1844, comme le grand Surtout des chasses et les nombreux vases d'ornement. De beaux exemples de porcelaines dures étrangères (Naples, Vienne, Meissen) complètent cet ensemble.
Author: Jeffrey Munger
Publisher: Metropolitan Museum of Art
ISBN: 1588396436
Category : Antiques & Collectibles
Languages : en
Pages : 315
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Book Description
Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated volume showcases ninety works that span the late sixteenth to the mid-nineteenth century and reflect the major currents of European porcelain production. Each work is illustrated with glorious new photography, accompanied by analysis and interpretation by one of the leading experts in European decorative arts. Among the wide range of porcelains selected are rare blue-and-white wares and figures from Italy, superb examples from the Meissen factory in Germany and the Sèvres factory in France, and ceramics produced by leading British eighteenth-century artisans. Taken together, they reveal why the Metropolitan Museum’s holdings in this field are among the finest in the world. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Aileen Dawson
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 492
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Book Description
The British Museum collection of French porcelain numbers almost 300 pieces. This fully illustrated catalogue includes descriptions and discussions of many pieces which have never before been published.
Author: Harriet Wynter
Publisher:
ISBN: 9780690448511
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Linda Horvitz Roth
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 424
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Book Description
The definitive catalog of this important collection
Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
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Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Author: Monica Preti
Publisher: Routledge
ISBN: 1351569929
Category : Art
Languages : en
Pages : 211
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Book Description
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.
Author: Art Institute of Chicago. Ryerson Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 898
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Book Description
Author: Heather Eleanor MacDonald
Publisher: Yale University Press
ISBN: 0300220170
Category : Art
Languages : en
Pages : 193
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Book Description
"Since 2004, the Dallas Museum of Art has been the repository of the renowned collection of eighteenth-century French art assembled by the late Michael Rosenberg. The long-term loan of these masterpieces greatly enhances the collection of European art at the Museum, and the series of scholarly lectures funded by the Foundation, the Michael L. Rosenberg Lecture Series, gives a powerful boost to its European art program. Those lectures, presented by top scholars in the field of European art history, are re-presented in this volume"--
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Book Description
