Author: Publisher:
ISBN:
Category : Radio
Languages : en
Pages : 744
Book Description
Popular Radio
Author: Redeeming the Dial
Author: Tona J. HangenPublisher: Univ of North Carolina Press
ISBN: 0807863025
Category : Performing Arts
Languages : en
Pages : 224
Book Description
Blending cultural, religious, and media history, Tona Hangen offers a richly detailed look into the world of religious radio. She uses recordings, sermons, fan mail, and other sources to tell the stories of the determined broadcasters and devoted listeners who, together, transformed American radio evangelism from an on-air novelty in the 1920s into a profitable and wide-reaching industry by the 1950s. Hangen traces the careers of three of the most successful Protestant radio evangelists--Paul Rader, Aimee Semple McPherson, and Charles Fuller--and examines the strategies they used to bring their messages to listeners across the nation. Initially shut out of network radio and free airtime, both of which were available only to mainstream Protestant and Catholic groups, evangelical broadcasters gained access to the airwaves with paid-time programming. By the mid-twentieth century millions of Americans regularly tuned in to evangelical programming, making it one of the medium's most distinctive and durable genres. The voluntary contributions of these listeners in turn helped bankroll religious radio's remarkable growth. Revealing the entwined development of evangelical religion and modern mass media, Hangen demonstrates that the history of one is incomplete without the history of the other; both are essential to understanding American culture in the twentieth century.
Popular Radio and Television
Author: "W.O. Mitchell's Jake & the Kid: the Popular Radio Play as Art & Social Comment."
Author: Alan J. YatesPublisher: Trafford Publishing
ISBN: 1426933630
Category : Drama
Languages : en
Pages : 328
Book Description
W.O. Mitchell's "Jake & The Kid" captivated radio audiences in the days before television and enjoyed ratings that rivalled those for the radio broadcasts of the CBC's "Hockey Night in Canada." These homespun tales about the hired hand, Jake Trumper and his sidekick, The Kid, explored very human stories about life on the often cruel Prairies of Saskatchewan in a humorous vein that made a household name for the series across the breadth of Canada. Although he wrote many novels, most notably " Who Has Seen the Wind," featured during the ceremonies at the 2010 Vancouver Olympics, Mitchell was as well known for these folksy plays. They enabled him to hone his writing craft in a mass medium, when few other outlets were available; to tackle social issues of the day with a light hand, and to develop many of the themes he would explore in his later novels. This study analyzes these popular radio plays, their Prairie and literary roots, the production process and their contribution and critical reception.
American Hit Radio
Author: Thomas RyanPublisher: Olmstead Press
ISBN: 9781587540141
Category :
Languages : en
Pages : 0
Book Description
Used across the nation as a reference book for radio stations and media personnel, American Hit Radio is regarded as a reliable and entertaining source of information about the popular music industry. Starting in 1955, America began tracking its favorite songs on the Top 40 charts. More than a record of our collective music tastes, the charts became snapshots that reveal who we are. Now Thomas Ryan, a music reviewer, percussionist, and obsessive vintage vinyl collector, takes us through all forty years, providing a wealth of insight based on exhaustive research. Arranged chronologically, American Hit Radio puts 1,250 of the Top 40 songs in perspective, spotlighting 500 with carefully crafted essays describing the artists backgrounds and inspirations, the cultural context of the songs, and how the song styles and statements relate to the music scene before and since. From Fats Domino to Nirvana, popular music reflects the radical changes we have experienced as a country and a culture. American Hit Radio explores where our music has taken us in the last half-century --- what we have left behind, what persists, and why. Whether the song is Maybelline or Billie Jean, popular music is something we all share. American Hit Radio is more than an enjoyable popular music survey, its a vivid cultural history of the American psyche.
Radio's Legacy in Popular Culture
Author: Martin CooperPublisher: Bloomsbury Publishing USA
ISBN: 1501360434
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Examining work by novelists, filmmakers, TV producers and songwriters, this book uncovers the manner in which the radio – and the act of listening – has been written about for the past 100 years. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain and offer an opinion about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Evelyn Waugh, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's 'Rock & Roll' said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning, Vietnam exploded from the cinema screen with a raw energy all of its own. Queen thought that all the audience heard was 'ga ga', even as The Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented 'The Last DJ'. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, filmmakers, and musicians.
Radio Nation
Author: Joy Elizabeth HayesPublisher: University of Arizona Press
ISBN: 0816541779
Category : History
Languages : en
Pages : 177
Book Description
The role of mass communication in nation building has often been underestimated, particularly in the case of Mexico. Following the Revolution, the Mexican government used the new medium of radio to promote national identity and build support for the new regime. Joy Hayes now tells how an emerging country became a radio nation. This groundbreaking book investigates the intersection of radio broadcasting and nation building. Hayes tells how both government-controlled and private radio stations produced programs of distinctly Mexican folk and popular music as a means of drawing the country's regions together and countering the influence of U.S. broadcasts. Hayes describes how, both during and after the period of cultural revolution, Mexican radio broadcasting was shaped by the clash and collaboration of different social forces--including U.S. interests, Mexican media entrepreneurs, state institutions, and radio audiences. She traces the evolution of Mexican radio in case studies that focus on such subjects as early government broadcasting activities, the role of Mexico City media elites, the "paternal voice" of presidential addresses, and U.S. propaganda during World War II. More than narrative history, Hayes's study provides an analytical framework for understanding the role of radio in building Mexican nationalism at a critical time in that nation's history. Radio Nation expands our appreciation of an overlooked medium that changed the course of an entire country.
Radio Critics and Popular Culture
Author: Paul RixonPublisher: Springer
ISBN: 1137553871
Category : Language Arts & Disciplines
Languages : en
Pages : 212
Book Description
Radio still remains an important form of media, with millions listening to it daily. It has been reborn for the digital era, and is an area where there is great interest in its development, role and form. Attempting to fill the gap in research on British radio criticism, this volume explores the development and role of radio criticism in the discourse around radio in Britain from its birth in the 1920s up to present day. Using a historical approach to explore how, as radio emerged, the press provided coverage which helped shape and reflect radio’s position in popular culture, Paul Rixon delivers an interesting and engaging exploration that provides a cultural perspective on radio, with a specific focus on newspaper criticism. Radio Critics and Popular Culture is an innovative and original addition to existing research and will be invaluable for those interested in the way that British radio has evolved.
The Birth of Top 40 Radio
Author: Richard W. FatherleyPublisher: McFarland
ISBN: 0786476303
Category : Performing Arts
Languages : en
Pages : 217
Book Description
"Top 40" was the preeminent American radio format of the 1950s and 1960s. Although several radio station group owners offered their own versions of the format, the AM stations owned by Todd Storz and his father were acknowledged as the principal developers of Top 40 radio, and the prime movers in making it a nationwide ratings and revenue success. The Storz Stations in St. Louis, Omaha, New Orleans, Minneapolis-St. Paul, Kansas City, Oklahoma City and Miami are profiled in this book, as are various Storz air personalities and executives. A detailed chapter examines the unique "Storz Station sound," revealing the complexity of what detractors portrayed as a simplistic format. Another covers Storz advertising in radio trade magazines, which cemented the company's image as the format's most successful station group and Top 40 as the dominant programming of the day. There are extensive quotations from the memoirs of several of the founders of the format.
The Birth of Top 40 Radio
Author: Richard W. FatherleyPublisher: McFarland
ISBN: 1476605750
Category : Performing Arts
Languages : en
Pages : 217
Book Description
"Top 40" was the preeminent American radio format of the 1950s and 1960s. Although several radio station group owners offered their own versions of the format, the AM stations owned by Todd Storz and his father were acknowledged as the principal developers of Top 40 radio, and the prime movers in making it a nationwide ratings and revenue success. The Storz Stations in St. Louis, Omaha, New Orleans, Minneapolis-St. Paul, Kansas City, Oklahoma City and Miami are profiled in this book, as are various Storz air personalities and executives. A detailed chapter examines the unique "Storz Station sound," revealing the complexity of what detractors portrayed as a simplistic format. Another covers Storz advertising in radio trade magazines, which cemented the company's image as the format's most successful station group and Top 40 as the dominant programming of the day. There are extensive quotations from the memoirs of several of the founders of the format.
