Popular Music Heritage, Cultural Justice and the Deindustrialising City PDF Download
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Author: Sarah Baker
Publisher: Cambridge University Press
ISBN: 1009079883
Category : Music
Languages : en
Pages : 137
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Book Description
The celebration of popular music can be an important mode of cultural expression and a source of pride for urban communities. This Element analyses the capacity for popular music heritage to enact cultural justice in the deindustrialising cities of Wollongong, Australia; Detroit, USA; and Birmingham, UK. The Element develops a critical approach to cultural justice for examining music and the city in a heritage context and outlines how the quest for cultural justice manifests in three key ways: collection, preservation and archiving; curation, storytelling and heritage interpretation; and mobilising communities for collective action.
Author: Sarah Baker
Publisher: Cambridge University Press
ISBN: 1009079883
Category : Music
Languages : en
Pages : 137
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Book Description
The celebration of popular music can be an important mode of cultural expression and a source of pride for urban communities. This Element analyses the capacity for popular music heritage to enact cultural justice in the deindustrialising cities of Wollongong, Australia; Detroit, USA; and Birmingham, UK. The Element develops a critical approach to cultural justice for examining music and the city in a heritage context and outlines how the quest for cultural justice manifests in three key ways: collection, preservation and archiving; curation, storytelling and heritage interpretation; and mobilising communities for collective action.
Author: Liam Maloney
Publisher: Routledge
ISBN: 1000363163
Category : Art
Languages : en
Pages : 260
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Book Description
Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound – thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors.
Author: Heikki Uimonen
Publisher: Cambridge University Press
ISBN: 1009374656
Category : Music
Languages : en
Pages : 156
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Book Description
This Element focuses on how music is experienced, articulated, and reclaimed in urban commercial environments. Special attention is paid to listeners, spaces, and music, co- and re-produced continuously in their triangular relationship affected by social, legal, economic, and technological factors. The study of the historical development of background music industries, construction of contemporary sonic environments, and individual meaning-making is based on extensive data gathered through interviews, surveys, and fieldwork, and supported by archival research. Due to the Finnish context and the ethnomusicological approach, this study is culture-sensitive, providing a fresh 'factory-to-consumer' perspective on a phenomenon generally understood as industry-lead, behavioral, and global. This title is also available as Open Access on Cambridge Core.
Author: Felicity Picken
Publisher: Taylor & Francis
ISBN: 1040253466
Category : History
Languages : en
Pages : 226
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Book Description
This book examines the oceanic presence in life on Earth, and the ways that we engage with the oceanic worlds for play, pleasure, adventure, and the pursuit of leisure and escape through tourism and travel. The oceanic ‘turn’ across the social sciences and humanities has produced a still proliferating opus of work that seeks to discover and emphasize oceanic presence in life on Earth. This literal and figurative ‘unearthing’ of blue spaces has encouraged scholars to gaze beyond the lands that have supported much of our experience and knowledge towards the gathering up of a more holistic appreciation of blue planetary life. This widening of scholarly attention – from ‘land’ to ‘sea’ – is occurring simultaneously across a range of disciplines and fields, including history, archaeology, anthropology, comparative literature, public policy, cultural studies, and geography. With an explicit focus on 'leisure' and 'tourism', this edited collection follows a growing appreciation that it is our seemingly inconsequential encounters – at play, for pleasure, and on holidays – that are increasingly present and influential in our oceanic relations. This volume will be of value to scholars and students interested in social and cultural history and environmental history and humanities.
Author: Sarah Baker
Publisher:
ISBN: 9780648816805
Category :
Languages : en
Pages :
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Book Description
Author: Séverin Guillard
Publisher: Springer Nature
ISBN: 9819720729
Category : Music
Languages : en
Pages : 154
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Book Description
This book is the second installment of a trilogy that explores the spatial dimensions of music. Music has generated substantial interest among geographers, but other academic disciplines have also developed related spatial perspectives on music. This trilogy brings together multiple approaches, each book investigating a bundle of interrelated themes. New Geographies of Music 2: Music in Urban Tourism, Heritage Policies and Place-making starts by exploring contemporary approaches to the study of popular music, as well as the relations existing between music, tourism, heritage and urban geography. The chapters address a range of issues, including how music shapes the "feel" of touristic towns and urban public spaces, how music scenes have an increasing role in heritage and tourism policies, and how this recognition of music has consequences on artistic practices and urban imaginaries. This is a must-read for anyone interested in the relationship between space and music. Séverin Guillard is an Assistant Professor in Geography at the University of Picardie Jules Verne, Amiens, France and a member of the research unit Habiter le Monde (Inhabiting the World). His research focuses on music, cultural policies and events in French, American, and British cities. Joseph Palis is an Associate Professor and Chairperson at the Department of Geography, University of the Philippines-Diliman. He has been a DJ at WXYC-Chapel Hill since 2006. Ola Johansson is a Professor of Geography at the University of Pittsburgh in Johnstown. He holds a Ph.D. from the University of Tennessee. Johansson is the author of the book Songs from Sweden (2020, Palgrave Macmillan), and co-author of Sound, Society, and the Geography of Popular Music and World Regional Geography. .
Author: Liam Maloney
Publisher: Routledge
ISBN: 9780429343049
Category : Art
Languages : en
Pages : 242
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Book Description
Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound - thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors.
Author: Shane Homan
Publisher: Bloomsbury Publishing USA
ISBN: 1501345338
Category : Music
Languages : en
Pages : 425
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Book Description
The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.
Author: Robert M. Marovich
Publisher: University of Illinois Press
ISBN: 0252097084
Category : Music
Languages : en
Pages : 489
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Book Description
In A City Called Heaven, Robert M. Marovich follows gospel music from early hymns and camp meetings through its growth into the sanctified soundtrack of the city's mainline black Protestant churches. Marovich mines print media, ephemera, and hours of interviews with artists, ministers, and historians--as well as relatives and friends of gospel pioneers--to recover forgotten singers, musicians, songwriters, and industry leaders. He also examines the entrepreneurial spirit that fueled gospel music's rise to popularity and granted social mobility to a number of its practitioners. As Marovich shows, the music expressed a yearning for freedom from earthly pains, racial prejudice, and life's hardships. Yet it also helped give voice to a people--and lift a nation. A City Called Heaven celebrates a sound too mighty and too joyous for even church walls to hold.
Author: Michael O'Connor
Publisher: Lexington Books
ISBN: 1498538673
Category : Music
Languages : en
Pages : 251
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Book Description
Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic role of music, as a means of articulating protest against injustice, offering consolation, and embodying a harmonious order; the pastoral role of music: creating and sustaining community, building peace, fostering harmony with the whole of creation; and the priestly role of music: in service of reconciliation and restoration, for individuals and communities, offering prayers of praise and intercession to God. Using music in priestly, prophetic, and pastoral ways, Christians pray for and rehearse the coming of God’s kingdom—whether in formal worship, social protest, concert performance, interfaith sharing, or peacebuilding. Whereas temperance was of prime importance in relation to the ethics of music from antiquity to the early modern period, justice has become central to contemporary debates. This book seeks to contribute to those debates by means of Christian theological reflection on a wide range of musics: including monastic chant, death metal, protest songs, psalms and worship music, punk rock, musical drama, interfaith choral singing, Sting, and Daft Punk.
