Author:
Publisher: BRILL
ISBN: 9004500685
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Popular Music and the Poetics of Self in Fiction explores the various links between the self and popular music in contemporary fiction. In the novels discussed in this volume, musical references go far beyond creating a tapestry of sound, they make literary characters come alive by giving an account of the physiological and psychological effects of their musical experiences and of their ways of life in different (sub)cultural and social groups. With plots revolving around songs and albums, musicians and bands, and fans and scenes, the thematic focus on the self encompasses the relation of musical taste and identity construction, popular music’s function as a medium of individual and collective memory, and its uses in everyday life across decades, spaces, and genres.
Popular Music and the Poetics of Self in Fiction
Author:
Publisher: BRILL
ISBN: 9004500685
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Popular Music and the Poetics of Self in Fiction explores the various links between the self and popular music in contemporary fiction. In the novels discussed in this volume, musical references go far beyond creating a tapestry of sound, they make literary characters come alive by giving an account of the physiological and psychological effects of their musical experiences and of their ways of life in different (sub)cultural and social groups. With plots revolving around songs and albums, musicians and bands, and fans and scenes, the thematic focus on the self encompasses the relation of musical taste and identity construction, popular music’s function as a medium of individual and collective memory, and its uses in everyday life across decades, spaces, and genres.
Publisher: BRILL
ISBN: 9004500685
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Popular Music and the Poetics of Self in Fiction explores the various links between the self and popular music in contemporary fiction. In the novels discussed in this volume, musical references go far beyond creating a tapestry of sound, they make literary characters come alive by giving an account of the physiological and psychological effects of their musical experiences and of their ways of life in different (sub)cultural and social groups. With plots revolving around songs and albums, musicians and bands, and fans and scenes, the thematic focus on the self encompasses the relation of musical taste and identity construction, popular music’s function as a medium of individual and collective memory, and its uses in everyday life across decades, spaces, and genres.
Confronting / Defining the Self
Author: John A. McCarthy
Publisher: BRILL
ISBN: 9004700188
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
Early 20th-century literary critics Joseph Collins, Hermann Hesse, and Percy Lubbock concluded that the pages of a book present a succession of moments that the reader visualizes and reinterprets. They feared that few would actually commit themselves to memory, and that most were likely to soon disappear. As you turn these pages, you will (re)discover the value of the literary canon through the Self. My objective is to examine how the Self is formed, lost, and regained through creative strategies that confront and define its shapes and distortions on nearly every page of a canonical work. You can consider Confronting / Defining the Self: Formation and Dissolution of the ‘I’ from La Fayette to Grass as offering an apology for the study of literature and the humanities in an era when technology and commerce dominate our consciousness, drive our daily expectations, and shape our career goals.
Publisher: BRILL
ISBN: 9004700188
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
Early 20th-century literary critics Joseph Collins, Hermann Hesse, and Percy Lubbock concluded that the pages of a book present a succession of moments that the reader visualizes and reinterprets. They feared that few would actually commit themselves to memory, and that most were likely to soon disappear. As you turn these pages, you will (re)discover the value of the literary canon through the Self. My objective is to examine how the Self is formed, lost, and regained through creative strategies that confront and define its shapes and distortions on nearly every page of a canonical work. You can consider Confronting / Defining the Self: Formation and Dissolution of the ‘I’ from La Fayette to Grass as offering an apology for the study of literature and the humanities in an era when technology and commerce dominate our consciousness, drive our daily expectations, and shape our career goals.
Words, Music, and the Popular
Author: Thomas Gurke
Publisher: Springer Nature
ISBN: 3030855430
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or ‘the’ popular and what role(s) does music play in it? What is the function of the popular, and is ‘pop’ a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the ‘popular’? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?
Publisher: Springer Nature
ISBN: 3030855430
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or ‘the’ popular and what role(s) does music play in it? What is the function of the popular, and is ‘pop’ a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the ‘popular’? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?
German Literature As a Transnational Field of Production, 1848-1919
Author: Lynne Tatlock
Publisher: Boydell & Brewer
ISBN: 1640141006
Category :
Languages : en
Pages : 345
Book Description
A collection of new essays bringing into view the push and pull of the national and the international in the German-language cultural field of the period. The cultural formations of the so-called Age of Nationalism (1848-1919) have shaped German-language literary studies to the present day, for better or worse. Literary histories, German self-representations, the view from abroad - all of these perspectives offer images of a culture ever more concerned with formulating a coherent, nationally focused idea of its origins, history, and cultural community. But even in this historical moment the German-speaking territories were not culturally self-contained; international forces always played a significant role in the constitution of the so-called "German" literary and cultural field. This volume rethinks the historical period with fourteen case studies that bring into view the push and pull of the national and international in Germany, Austria, and Switzerland, undertaking a reframing of literary-cultural history that recognizes the interrelatedness of literatures and cultures across political and linguistic boundaries. Viewing even overtly national literary and cultural projects as belonging to an international system, these case studies examine the interrelations, organization, and positioning of the agents, forces, enterprises, and processes that constituted the German-language literary-cultural field, locating these ostensibly national developments within an inter- or even anti-national context.
Publisher: Boydell & Brewer
ISBN: 1640141006
Category :
Languages : en
Pages : 345
Book Description
A collection of new essays bringing into view the push and pull of the national and the international in the German-language cultural field of the period. The cultural formations of the so-called Age of Nationalism (1848-1919) have shaped German-language literary studies to the present day, for better or worse. Literary histories, German self-representations, the view from abroad - all of these perspectives offer images of a culture ever more concerned with formulating a coherent, nationally focused idea of its origins, history, and cultural community. But even in this historical moment the German-speaking territories were not culturally self-contained; international forces always played a significant role in the constitution of the so-called "German" literary and cultural field. This volume rethinks the historical period with fourteen case studies that bring into view the push and pull of the national and international in Germany, Austria, and Switzerland, undertaking a reframing of literary-cultural history that recognizes the interrelatedness of literatures and cultures across political and linguistic boundaries. Viewing even overtly national literary and cultural projects as belonging to an international system, these case studies examine the interrelations, organization, and positioning of the agents, forces, enterprises, and processes that constituted the German-language literary-cultural field, locating these ostensibly national developments within an inter- or even anti-national context.
The Routledge International Handbook of Valuation and Society
Author: Anne Krüger
Publisher: Taylor & Francis
ISBN: 1040109721
Category : Social Science
Languages : en
Pages : 388
Book Description
The Routledge International Handbook of Valuation and Society builds on the growing research interest in practices of valuation throughout contemporary society, providing an up-to-date overview of the different facets of research in the sociology of valuation. The handbook is divided into five major sections with attention to the treatment of valuation in major areas of sociological theory, as well as its key concepts, discourses, and approaches: Part I: Theoretical perspectives Part II: Central valuation practices in societal spheres Part III: Cross-cutting valuation practices Part IV: Valuation and societal change Part V: Reflections Together, the chapters in this book characterize distinctive practices of valuation across different societal spheres, such as education and science, arts and culture, economic life, the environment or digital culture and social media. They also examine the role of valuation in contemporary society and consider the ways it effects social change. This seminal handbook aims at taking stock of the development of the study of valuation with a selection of topics that are important for understanding core perspectives and developments as well as anticipating its future orientation. It will appeal to scholars across the social sciences with interest in the ubiquity of the valuation practices and its effects on social life.
Publisher: Taylor & Francis
ISBN: 1040109721
Category : Social Science
Languages : en
Pages : 388
Book Description
The Routledge International Handbook of Valuation and Society builds on the growing research interest in practices of valuation throughout contemporary society, providing an up-to-date overview of the different facets of research in the sociology of valuation. The handbook is divided into five major sections with attention to the treatment of valuation in major areas of sociological theory, as well as its key concepts, discourses, and approaches: Part I: Theoretical perspectives Part II: Central valuation practices in societal spheres Part III: Cross-cutting valuation practices Part IV: Valuation and societal change Part V: Reflections Together, the chapters in this book characterize distinctive practices of valuation across different societal spheres, such as education and science, arts and culture, economic life, the environment or digital culture and social media. They also examine the role of valuation in contemporary society and consider the ways it effects social change. This seminal handbook aims at taking stock of the development of the study of valuation with a selection of topics that are important for understanding core perspectives and developments as well as anticipating its future orientation. It will appeal to scholars across the social sciences with interest in the ubiquity of the valuation practices and its effects on social life.
The Languages of World Literature
Author: Achim Hermann Hölter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110645033
Category : Literary Criticism
Languages : en
Pages : 764
Book Description
This volume opens the series of papers presented at the Vienna Congress of AILC/ICLA 2016, beginning with eight keynotes. Thirty-four further papers are dedicated to the central theme of the conference: the linguistic side of world literature, under different focal points. The volume further contains five roundtables, the papers of a workshop of the UNESCO memory of the worlds programme, a presentation of the avldigital.de platform, as well as several bibliographically enriched overviews of the special lexicography of comparative literature, up to date versions of the ICLA publications, and an example of multiple translations of a famous modern classic.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110645033
Category : Literary Criticism
Languages : en
Pages : 764
Book Description
This volume opens the series of papers presented at the Vienna Congress of AILC/ICLA 2016, beginning with eight keynotes. Thirty-four further papers are dedicated to the central theme of the conference: the linguistic side of world literature, under different focal points. The volume further contains five roundtables, the papers of a workshop of the UNESCO memory of the worlds programme, a presentation of the avldigital.de platform, as well as several bibliographically enriched overviews of the special lexicography of comparative literature, up to date versions of the ICLA publications, and an example of multiple translations of a famous modern classic.
National Conference on Local Color Literature
Author: Dr.S.Prabahar
Publisher: Shanlax Publications
ISBN: 8119042190
Category : Fiction
Languages : en
Pages : 557
Book Description
Publisher: Shanlax Publications
ISBN: 8119042190
Category : Fiction
Languages : en
Pages : 557
Book Description
A Poetics of Fiction
Author: Tom Jenks
Publisher: Narrative Library
ISBN: 9780985180751
Category :
Languages : en
Pages :
Book Description
Publisher: Narrative Library
ISBN: 9780985180751
Category :
Languages : en
Pages :
Book Description
Epistrophies
Author: Brent Hayes Edwards
Publisher: Harvard University Press
ISBN: 0674979028
Category : Literary Criticism
Languages : en
Pages : 333
Book Description
In 1941 Thelonious Monk and Kenny Clarke copyrighted “Epistrophy,” one of the best-known compositions of the bebop era. The song’s title refers to a literary device—the repetition of a word or phrase at the end of successive clauses—that is echoed in the construction of the melody. Written two decades later, Amiri Baraka’s poem “Epistrophe” alludes slyly to Monk’s tune. Whether it is composers finding formal inspiration in verse or a poet invoking the sound of music, hearing across media is the source of innovation in black art. Epistrophies explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves. From James Weldon Johnson’s vernacular transcriptions to Sun Ra’s liner note poems, from Henry Threadgill’s arresting song titles to Nathaniel Mackey’s “Song of the Andoumboulou,” there is an unending back-and-forth between music that hovers at the edge of language and writing that strives for the propulsive energy and melodic contours of music. At times this results in art that gravitates into multiple media. In Duke Ellington’s “social significance” suites, or in the striking parallels between Louis Armstrong’s inventiveness as a singer and trumpeter on the one hand and his idiosyncratic creativity as a letter writer and collagist on the other, one encounters an aesthetic that takes up both literature and music as components of a unique—and uniquely African American—sphere of art-making and performance.
Publisher: Harvard University Press
ISBN: 0674979028
Category : Literary Criticism
Languages : en
Pages : 333
Book Description
In 1941 Thelonious Monk and Kenny Clarke copyrighted “Epistrophy,” one of the best-known compositions of the bebop era. The song’s title refers to a literary device—the repetition of a word or phrase at the end of successive clauses—that is echoed in the construction of the melody. Written two decades later, Amiri Baraka’s poem “Epistrophe” alludes slyly to Monk’s tune. Whether it is composers finding formal inspiration in verse or a poet invoking the sound of music, hearing across media is the source of innovation in black art. Epistrophies explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves. From James Weldon Johnson’s vernacular transcriptions to Sun Ra’s liner note poems, from Henry Threadgill’s arresting song titles to Nathaniel Mackey’s “Song of the Andoumboulou,” there is an unending back-and-forth between music that hovers at the edge of language and writing that strives for the propulsive energy and melodic contours of music. At times this results in art that gravitates into multiple media. In Duke Ellington’s “social significance” suites, or in the striking parallels between Louis Armstrong’s inventiveness as a singer and trumpeter on the one hand and his idiosyncratic creativity as a letter writer and collagist on the other, one encounters an aesthetic that takes up both literature and music as components of a unique—and uniquely African American—sphere of art-making and performance.
Women in the Spanish Novel Today
Author: Kyra A. Kietrys
Publisher: McFarland
ISBN: 0786453192
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
This collection of new essays examines the representation of the female self in recent novels written by Spanish women. The essays explore the myriad ways in which women's struggle with self-definition and self-fulfillment is contemplated in Spain during a time in which democracy has taken hold and women's rights have taken shape. Authors covered include Carmen Martin Gaite, Josefina Aldecoa, Rosa Montero, Dulce Chacon, Clara Sanchez, Lucia Etxebarria, Care Santos, Eugenia Rico, Espido Freire, and others.
Publisher: McFarland
ISBN: 0786453192
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
This collection of new essays examines the representation of the female self in recent novels written by Spanish women. The essays explore the myriad ways in which women's struggle with self-definition and self-fulfillment is contemplated in Spain during a time in which democracy has taken hold and women's rights have taken shape. Authors covered include Carmen Martin Gaite, Josefina Aldecoa, Rosa Montero, Dulce Chacon, Clara Sanchez, Lucia Etxebarria, Care Santos, Eugenia Rico, Espido Freire, and others.