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Author: Fred M. Grandinetti
Publisher:
ISBN: 9781629338507
Category :
Languages : en
Pages : 0
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Book Description
Following the surprising popularity of the theatrical Popeye cartoons on television in the mid-1950s, King Features Syndicate quickly went into production on new made-for-TV cartoons to capitalize on that success. Under the supervision of Producer Al Brodax, 220 new cartoons were created by six different animation studios, including one overseen by former Disney animator Jack Kinney, and Paramount Cartoon Studios (whose staff had worked on the theatrical Popeye cartoons). They appeared on television beginning in 1960. Many of these cartoons featured excellent (though limited) animation, imaginative storytelling, and even occasional self-referential humor. Several stories were adapted from E.C. Segar's Thimble Theatre newspaper comics, and characters that had first appeared there (such as The Sea Hag, and Alice the Goon) would make their animation debut. The best-known voice artists from the theatrical Popeye cartoons - Jack Mercer, Mae Questel, and Jackson Beck (now playing Brutus, instead of Bluto) - each reprised their roles. However, several of these cartoons were poorly animated, with errors and inconsistent character designs, and too reliant on reused animation. This has given the series a reputation - perhaps unfairly - of poor quality. While casting a critical eye, this book will encourage appreciation of the better films of the series. These new made-for-TV Popeye cartoons were a terrific success and continued to appear on television for more than 30 years. They remain a beloved memory of childhood TV viewing.
Author: Fred M. Grandinetti
Publisher:
ISBN: 9781629338507
Category :
Languages : en
Pages : 0
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Book Description
Following the surprising popularity of the theatrical Popeye cartoons on television in the mid-1950s, King Features Syndicate quickly went into production on new made-for-TV cartoons to capitalize on that success. Under the supervision of Producer Al Brodax, 220 new cartoons were created by six different animation studios, including one overseen by former Disney animator Jack Kinney, and Paramount Cartoon Studios (whose staff had worked on the theatrical Popeye cartoons). They appeared on television beginning in 1960. Many of these cartoons featured excellent (though limited) animation, imaginative storytelling, and even occasional self-referential humor. Several stories were adapted from E.C. Segar's Thimble Theatre newspaper comics, and characters that had first appeared there (such as The Sea Hag, and Alice the Goon) would make their animation debut. The best-known voice artists from the theatrical Popeye cartoons - Jack Mercer, Mae Questel, and Jackson Beck (now playing Brutus, instead of Bluto) - each reprised their roles. However, several of these cartoons were poorly animated, with errors and inconsistent character designs, and too reliant on reused animation. This has given the series a reputation - perhaps unfairly - of poor quality. While casting a critical eye, this book will encourage appreciation of the better films of the series. These new made-for-TV Popeye cartoons were a terrific success and continued to appear on television for more than 30 years. They remain a beloved memory of childhood TV viewing.
Author: Fred M Grandinetti
Publisher:
ISBN: 9781629338514
Category :
Languages : en
Pages : 230
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Book Description
Following the surprising popularity of the theatrical Popeye cartoons on television in the mid-1950s, King Features Syndicate quickly went into production on new made-for-TV cartoons to capitalize on that success. Under the supervision of Producer Al Brodax, 220 new cartoons were created by six different animation studios, including one overseen by former Disney animator Jack Kinney, and Paramount Cartoon Studios (whose staff had worked on the theatrical Popeye cartoons). They appeared on television beginning in 1960. Many of these cartoons featured excellent (though limited) animation, imaginative storytelling, and even occasional self-referential humor. Several stories were adapted from E.C. Segar's Thimble Theatre newspaper comics, and characters that had first appeared there (such as The Sea Hag, and Alice the Goon) would make their animation debut. The best-known voice artists from the theatrical Popeye cartoons - Jack Mercer, Mae Questel, and Jackson Beck (now playing Brutus, instead of Bluto) - each reprised their roles. However, several of these cartoons were poorly animated, with errors and inconsistent character designs, and too reliant on reused animation. This has given the series a reputation - perhaps unfairly - of poor quality. While casting a critical eye, this book will encourage appreciation of the better films of the series. These new made-for-TV Popeye cartoons were a terrific success and continued to appear on television for more than 30 years. They remain a beloved memory of childhood TV viewing.
Author: Steve R. Bierly
Publisher: Bearmanor Media
ISBN: 9781593935023
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Author: Bud Sagendorf
Publisher: IDW Publishing
ISBN: 9781613775578
Category : Comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Re-presenting the classic Popeye comic book series that debuted in 1948 by Bud Sagendorf, the long-time assistant to creator E.C. Segar! Carefully reproduced from the original comic books and lovingly restored, Volume 1 contains issues #1-4, with stories such as "That's What I Yam," "Ghost Island," and "Dead Valley." Also includes all of Sagendorf's gloriously funny one-pagers.
Author: Hal Erickson
Publisher: McFarland
ISBN:
Category : Animated television programs
Languages : en
Pages : 536
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Book Description
"This reference to TV cartoon shows covers some 75 years. In the ten-year period from 1993 through 2003, nearly 450 new cartoon series have premiered in the U.S" -- Provided by publisher.
Author: Bud Sagendorf
Publisher:
ISBN: 9780207141997
Category : Comic books, strips, etc
Languages : en
Pages : 142
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Book Description
Author: Fred M. Grandinetti
Publisher: McFarland
ISBN: 078641605X
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
It's a rare comic character who can make audiences laugh for well over half a century--but then again, it's a pretty rare cartoon hero who can boast of forearms thicker than his waist, who can down a can of spinach in a single gulp, or who generally faces the world with one eye squinted completely shut. When E.C. Segar's gruff but lovable sailor man first tooted his pipe to the public on January 7, 1929, it was not in the animated cartoon format for which he is best known today (and which would become the longest running series in film history). Instead it was on the comics page of the New York Journal, as Segar's Thimble Theatre strip. Over the decades to come, Popeye was to appear on radio, television, stage, and even in a live-action feature film. This comprehensive and lavishly illustrated history is a thoroughly updated and revised edition of the highly acclaimed 1994 work. Animated series and films are examined, noting the different directions each studio took and the changing character designs of the Popeye family. Popeye in other media--comics, books, radio, and a stage play--is thoroughly covered, as are Robert Altman's 1980 live-action film, and Popeye memorabilia.
Author: Tim Hollis
Publisher: Univ. Press of Mississippi
ISBN: 9781604738193
Category : Performing Arts
Languages : en
Pages :
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Book Description
Author: E. C. Segar
Publisher: E. C. Segar Popeye Sundays
ISBN: 9781683964629
Category : Comics & Graphic Novels
Languages : en
Pages : 120
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Book Description
Well, blow me down! This new four-volume series collects the complete run of the original Popeye Sunday newspaper page adventures in an accessible and affordable slipcased paperback format!
Author: Reid Mitenbuler
Publisher: Atlantic Monthly Press
ISBN: 0802147054
Category : Performing Arts
Languages : en
Pages : 445
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Book Description
“A thoroughly captivating behind-the-scenes history of classic American animation . . . A must-read for all fans of the medium.” —Matt Groening In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip “Little Nemo in Slumberland,” itself inspired by Freud’s recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.’ Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations—from Felix the Cat to Bugs Bunny to feature films such as Fantasia—which became an integral part and reflection of American culture over the next five decades. Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often “little hand grenades of social and political satire.” Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. During WWII, animation also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals. Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman. “A quintessentially American story of daring ambition, personal reinvention and the eternal tug-of-war of between art and business . . . a gem for anyone wanting to understand animation’s origin story.” —NPR
