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Author: Simon Anderson
Publisher: Createspace Independent Publishing Platform
ISBN: 9781723426162
Category :
Languages : en
Pages : 418
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Book Description
Pop Music, U.S.A. is designed to be used in a college-level general music class. It covers popular music in America from pre-Revolutionary War times through the present (2018).
Author: Simon Anderson
Publisher: Createspace Independent Publishing Platform
ISBN: 9781723426162
Category :
Languages : en
Pages : 418
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Book Description
Pop Music, U.S.A. is designed to be used in a college-level general music class. It covers popular music in America from pre-Revolutionary War times through the present (2018).
Author: Bruce Pavitt
Publisher: Bazillion Points LLC
ISBN: 9781935950110
Category : Music
Languages : en
Pages : 0
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Book Description
In 1979, Bruce Pavitt moved from Chicago to Olympia, Washington, and began programming a show called Subterranean Pop on local community radio station KAOS-FM. In 1980, he launched Subterranean Pop magazine, dedicated to the unsung punk, new wave, and experimental regional bands of the Pacific Northwest and Midwest. In 1986, Pavitt put his ideas into practice, launching Sub Pop Records with the historic Sub Pop 100 compilation and Soundgarden's first release, Screaming Life. While the Sub Pop Records legacy is today legendary, his groundwork is collected here for the first time.
Author: Simon Frith
Publisher: Cambridge University Press
ISBN: 9780521556606
Category : Music
Languages : en
Pages : 336
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Book Description
This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
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Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Author: Kristine Weglarz
Publisher: Routledge
ISBN: 1317078705
Category : Music
Languages : en
Pages : 250
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Book Description
Political Rock features luminary figures in rock music that have stood out not only for their performances, but also for their politics. The book opens with a comparative, cultural history of artists who have played important roles in social movements. Individual chapters are devoted to The Clash and Fugazi, Billy Bragg, Bob Dylan, Rage Against the Machine, Pearl Jam, Sinead O'Connor, Peter Gabriel, Ani DiFranco, Bruce Cockburn, Steve Earle and Kim Gordon. These artists have been chosen for their status as rock musicians and connections to political moments, movements, and art. The artists and authors show that rock retains a critical strain, continuing a tradition of rock politics that matters to fans, activists, and movements alike.
Author: Nate Sloan
Publisher:
ISBN: 0190056657
Category : Music
Languages : en
Pages : 225
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Book Description
Based on the critically acclaimed podcast that has broken down hundreds of Top 40 songs, Switched On Pop dives in into eighteen hit songs drawn from pop of the last twenty years--ranging from Britney to Beyoncé, Kelly Clarkson to Kendrick Lamar--uncovering the musical explanations for why and how certain tracks climb to the top of the charts. In the process, authors Charlie Harding and Nate Sloan reveal the timeless techniques that animate music across time and space.
Author: Michaelangelo Matos
Publisher: Hachette Books
ISBN: 0306903350
Category : Music
Languages : en
Pages : 543
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Book Description
A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.
Author: Kelefa Sanneh
Publisher: Penguin
ISBN: 0525559604
Category : Music
Languages : en
Pages : 497
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Book Description
One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.
Author: Reebee Garofalo
Publisher: Pearson
ISBN: 9780134415017
Category : Popular music
Languages : en
Pages : 0
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Book Description
KEY BENEFIT: Rockin' Out: Popular Music In the U.S.A. analyzes the music and business of rock 'n' roll. Covering topics such as the rise of television idols, the proliferation of alternative sounds, and the influence of digital production techniques, this comprehensive, introductory text takes readers from the invention of the phonograph to the promise of the Internet. Joining longtime author Reebee Garofalo for the Sixth Edition, co-author Steve Waksman -- professor at Smith College and heavily published rock scholar -- has thoroughly revised each chapter to include new research and more current literature. KEY TOPICS: Introduction: Definitions, Themes, and Issues; Constructing Tin Pan Alley: From Minstrelsy to Mass Culture; Blues, Jazz, and Country: The Segregation of Popular Music; "Good Rockin' Tonight": The Rise of Rhythm and Blues; Crossing Cultures: The Eruption of Rock 'n' Roll; The Empire Strikes Back: The Reaction to Rock 'n' Roll; Popular Music and Political Culture: The Sixties; Music Versus Markets: The Fragmentation of Pop; Punk and Disco: The Poles of Pop; Are We the World?: Music Videos, Superstars, and Mega-Events; Rap and Metal: The Voices of Youth Culture; Repackaging Pop: The Changing Mainstream; Changing Channels: Music and Media in the New Millennium MARKET: For readers seeking an up-to-date overview of the music and business of rock 'n' roll
Author: Jill Gutowitz
Publisher: Simon and Schuster
ISBN: 1982158506
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
A "collection of personal essays exploring the intersection of queerness, relationships, pop culture, the Internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz's life--for better and worse--has always been on a collision course with pop culture, [including] ... the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill's own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture"--
