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Author: Stefanie Kiwi Menrath
Publisher: transcript Verlag
ISBN: 3839442567
Category : Music
Languages : en
Pages : 233
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Book Description
Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity? This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
Author: Stefanie Kiwi Menrath
Publisher: transcript Verlag
ISBN: 3839442567
Category : Music
Languages : en
Pages : 233
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Book Description
Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity? This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
Author: Michael Ahlers
Publisher: Routledge
ISBN: 1317081722
Category : Music
Languages : en
Pages : 331
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Book Description
In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
Author: Mohamed Rhounan
Publisher: GRIN Verlag
ISBN: 3668103887
Category : Literary Collections
Languages : en
Pages : 17
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Book Description
Seminar paper from the year 2015 in the subject American Studies - Miscellaneous, grade: 2.0, University of Wuppertal, language: English, abstract: The thesis of my work is that pop music can be used as a medium of political messages. But what is actually pop music? Can this genre be used to spread a political message? And why is the influence of the media so important in this case? In the following I will introduce the phenomenon of pop music and try to give a definition. Furthermore I will discuss the question whether the lyrics of pop music can be considered as poetry or not. After that we take a closer look on a model that illustrates the relation between pop culture and politics. At the end of my work I will discuss the political role of pop music with the help of the famous song “They don’t really care about us” by Michael Jackson. Everybody knows pop music. It is a genre of popular music that found its way into the Western world during the 1950s and 1960s deriving from rock and roll. Its big influence in the Western world is quit remarkable. It is so remarkable that when it comes to the definition of what music in general is people start to think automatically about Pop music. This genre has become one of the most influential music forms in the world. But still there are songs like “They don’t really care about us” from Michael Jackson that show the political side of Pop music. The pop culture is a voice that communicates within the mainstream of the Western culture. It contains ideas, perspectives and attitudes towards the everyday lives of the society.
Author: John A. Walker
Publisher: Taylor & Francis
ISBN: 1000948498
Category : Music
Languages : en
Pages : 223
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Book Description
This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group’s look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs – between the visual arts and groups, musicians and movements.
Author: Kathrin Dreckmann
Publisher: Bloomsbury Publishing USA
ISBN: 1501381253
Category : Music
Languages : en
Pages : 241
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Book Description
The genre of the video clip has been established for more than thirty years, mainly served by the sub genres of video art and music video. This book explores processes of hybridization between music video, film, and video art by presenting current theoretical discourses and engaging them through interviews with well-known artists and directors, bringing to the surface the crucial questions of art practice. The collection discusses topics including postcolonialism, posthumanism, gender, race and class and addresses questions regarding the hybrid media structure of video, the diffusion between content and form, art and commerce as well as pop culture and counterculture. Through the diversity of the areas and interviews included, the book builds on and moves beyond earlier aesthetics-driven perspectives on music video.
Author: Lello Savonardo
Publisher: EGEA spa
ISBN: 8823819776
Category : Social Science
Languages : en
Pages : 251
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Book Description
In 2016, the Nobel Prize in Literature was awarded to the singer and songwriter Bob Dylan “for having created new poetic expressions within the great American song tradition.” This suggests how important pop music is in the contemporary society, and highlights how blurred are traditional boundaries across all forms of art. Pop music is strictly connected to mass media, mass culture, the youth universe, and its languages. Pop/rock music is the bearer of new trends, while getting influenced by social and cultural events. It is the soundtrack of entire generation, accompanying not only several forms of entertainment but also the social commitment, need to belong, desire for recognition and limelight. Rock reflects the world of youth, its rituals and legends, and it represents an important tool to socialise and get together. Popular culture is the turf where change happens. Pop music is never permanent, it is ever-changing. Starting from the main theories about the sociology of music, the aim of this book is to investigate social changes, youth cultures, media, and pop music. It is a journey from the Beat Revolution (which includes art and culture from the 50s onwards) to the Bit Generation, which is all about digital technologies and software culture.
Author: Gina Arnold
Publisher: Bloomsbury Publishing USA
ISBN: 1501313924
Category : Music
Languages : en
Pages : 329
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Book Description
This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video's dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.
Author: Beate Flath
Publisher: transcript Verlag
ISBN: 3839423481
Category : Architecture
Languages : en
Pages : 233
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Book Description
The cultural field of advertising is a much-debated topic with perspectives focusing on a range of concepts from harassment and the anxiety of influence to notions of desire and affirmation. The aim of this publication is not only to take into account the diversity of topics related to advertising, but more importantly, to develop a dialogue between these divergent viewpoints. With contributions by Barbara Aulinger, Bernadette Collenberg-Plotnikov, Beate Flath, Werner Jauk, Bernhard Kettemann, Eva Klein, Jörg Matthes, Manfred Prisching, Johanna Rolshoven, Nicolas Ruth, Holger Schramm, Charles Spence, Margit Stadlober and Friedrich Weltzien.
Author: Thomas Burkhalter
Publisher: Wesleyan University Press
ISBN: 0819573876
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
The first in-depth study of diverse and radical innovation in Arab music From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of "innovation" within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the "avant-garde"—a term with Eurocentric resonances—this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities. Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the "Arab avant-garde" becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings—practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors.
Author: Thomas Burkhalter
Publisher: Routledge
ISBN: 1135073694
Category : Music
Languages : en
Pages : 307
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Book Description
This book offers the first in-depth study of experimental and popular music scenes in Beirut, looking at musicians working towards a new understanding of musical creativity and music culture in a country that is dominated by mass-mediated pop music, and propaganda. Burkhalter studies the generation of musicians born at the beginning of the Civil War in the Lebanese capital, an urban and cosmopolitan center with a long tradition of cultural activities and exchanges with the Arab world, Europe, the US, and the former Soviet Union. These Lebanese rappers, rockers, death-metal, jazz, and electro-acoustic musicians and free improvisers choose local and transnational forms to express their connection to the broader musical, cultural, social, and political environment. Burkhalter explores how these musicians organize their own small concerts for ‘insider’ audiences, set up music labels, and network with like-minded musicians in Europe, the US, and the Arab world. Several key tracks are analyzed with methods from ethnomusicology, and popular music studies, and contextualized through interviews with the musicians. Discussing key references from belly dance culture (1960s), psychedelic rock in Beirut (1970s), the noises of the Lebanese Civil war (1975-1990), and transnational Pop-Avant-Gardes and World Music 2.0 networks, this book contributes to the study of localization and globalization processes in music in an increasingly digitalized and transnational world. At the core, this music from Beirut challenges "ethnocentric" perceptions of "locality" in music. It attacks both "Orientalist" readings of the Arab world, the Middle East, and Lebanon, and the focus on musical "difference" in Euro-American music and culture markets. On theoretical grounds, this music is a small, but passionate attempt to re-shape the world into a place where "modernity" is not "euro-modernity" or "euro-american modernity," but where possible new configurations of modernity exist next to each other.