Polk's New Orleans (Orleans Parish, La.) City Directory ... PDF Download
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Author:
Publisher:
ISBN:
Category : New Orleans (La.)
Languages : en
Pages : 956
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Book Description
Author:
Publisher:
ISBN:
Category : New Orleans (La.)
Languages : en
Pages : 956
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Book Description
Author:
Publisher: Pelican Publishing
ISBN: 145561310X
Category :
Languages : en
Pages : 201
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1140
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category :
Languages : en
Pages : 836
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Book Description
Includes Part 1, Books, Group 1 (1946)
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 854
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 848
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1220
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 624
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Book Description
![Catalog of Copyright Entries. Part 1. [B] Group 2. Pamphlets, Etc. New Series PDF](https://books.google.com/books/content/images/frontcover/Z1tbAAAAIAAJ?fife=w80-h100)
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 1114
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Book Description
Author: Rachel Carrico
Publisher: University of Illinois Press
ISBN: 025204715X
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
On many Sundays, Black New Orleanians dance through city streets in Second Lines. These processions invite would-be spectators to join in, grooving to an ambulatory brass band for several hours. Though an increasingly popular attraction for tourists, parading provides the second liners themselves with a potent public expression of Black resistance. Rachel Carrico examines the parading bodies in motion as a form of negotiating and understanding power. Seeing pleasure as a bodily experience, Carrico reveals how second liners’ moves link joy and liberation, self and communal identities, play and dissent, and reclamations of place. As she shows, dancers’ choices allow them to access the pleasure of reclaiming self and city through motion and rhythm while expanding a sense of the possible in the present and for the future. In-depth and empathetic, Dancing the Politics of Pleasure at the New Orleans Second Line blends analysis with a chorus of Black voices to reveal an indelible facet of Black culture in the Crescent City.
