Politics and Romance in Shakespeare’s Four Great Tragedies PDF Download
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Author: Kenneth Usongo
Publisher: Cambridge Scholars Publishing
ISBN: 1443893323
Category : Law
Languages : en
Pages : 155
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Book Description
This study of the political and romantic impulses of Shakespeare's tragic characters - including Macbeth, King Lear, Hamlet, Othello, and Iago, among others - discusses the overblown ambition of these characters as they embrace cunning and evil in order to acquire power and romance. The excessive ambition shown by these characters fuels action in the plays and significantly contributes to their downfall. In other words, the book interrogates, in a pluralist critical frame, the forces behind the quest for power and romance by Shakespeare's protagonists, and explores how these forces propel the.
Author: Kenneth Usongo
Publisher: Cambridge Scholars Publishing
ISBN: 1443893323
Category : Law
Languages : en
Pages : 155
Get Book Here
Book Description
This study of the political and romantic impulses of Shakespeare's tragic characters - including Macbeth, King Lear, Hamlet, Othello, and Iago, among others - discusses the overblown ambition of these characters as they embrace cunning and evil in order to acquire power and romance. The excessive ambition shown by these characters fuels action in the plays and significantly contributes to their downfall. In other words, the book interrogates, in a pluralist critical frame, the forces behind the quest for power and romance by Shakespeare's protagonists, and explores how these forces propel the.
Author: William Shakespeare
Publisher:
ISBN: 9780671601058
Category : English drama (Tragedy)
Languages : en
Pages : 0
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Book Description
Contains Hamlet, Othello, King Lear and Macbeth. Copyright © Libri GmbH. All rights reserved.
Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307420604
Category : Drama
Languages : en
Pages : 978
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Book Description
Hamlet One of the most famous plays of all time, the compelling tragedy of the young prince of Denmark who must reconcile his longing for oblivion with his duty to avenge his father’s murder is one of Shakespeare’s greatest works. The ghost, Ophelia’s death and burial, the play within a play, and the breathtaking swordplay are just some of the elements that make Hamlet a masterpiece of the theater. Othello This great tragedy of unsurpassed intensity and emotion is played out against Renaissance splendor. The doomed marriage of Desdemona to the Moor Othello is the focus of a storm of tension, incited by the consummately evil villain Iago, that culminates in one of the most deeply moving scenes in theatrical history. King Lear Here is the famous and moving tragedy of a king who foolishly divides his kingdom between his two wicked daughters and estranges himself from the young daughter who loves him–a theatrical spectacle of outstanding proportions. Macbeth No dramatist has ever seen with more frightening clarity into the heart and mind of a murderer than has Shakespeare in this brilliant and bloody tragedy of evil. Taunted into asserting his “masculinity” by his ambitious wife, Macbeth chooses to embrace the Weird Sisters’ prophecy and kill his king–and thus, seals his own doom. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography
Author: Claire McEachern
Publisher: Cambridge University Press
ISBN: 110701977X
Category : Drama
Languages : en
Pages : 325
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Book Description
This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.
Author: Allan Bloom
Publisher: University of Chicago Press
ISBN: 0226060411
Category : Drama
Languages : en
Pages : 161
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Book Description
Taking the classical view that the political shapes man's consciousness, Allan Bloom considers Shakespeare as a profoundly political Renaissance dramatist. He aims to recover Shakespeare's ideas and beliefs and to make his work once again a recognized source for the serious study of moral and political problems. In essays looking at Julius Caesar, Othello, and The Merchant of Venice, Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author. Also included is an essay by Harry V. Jaffa on the limits of politics in King Lear. "A very good book indeed . . . one which can be recommended to all who are interested in Shakespeare." —G. P. V. Akrigg "This series of essays reminded me of the scope and depth of Shakespeare's original vision. One is left with the impression that Shakespeare really had figured out the answers to some important questions many of us no longer even know to ask."-Peter A. Thiel, CEO, PayPal, Wall Street Journal Allan Bloom was the John U. Nef Distinguished Service Professor on the Committee on Social Thought and the co-director of the John M. Olin Center for Inquiry into the Theory and Practice of Democracy at the University of Chicago. Harry V. Jaffa is professor emeritus at Claremont McKenna College and Claremont Graduate School.
Author: Gwyn Daniel
Publisher: Routledge
ISBN: 0429812396
Category : Psychology
Languages : en
Pages : 388
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Book Description
Most of Shakespeare’s tragedies have a family drama at their heart. This book brings these relationships to life, offering a radical new perspective on the tragic heroes and their dilemmas. Family Dramas: Intimacy, Power and Systems in Shakespeare's Tragedies focusses on the interactions and dialogues between people on stage, linking their intimate emotional worlds to wider social and political contexts. Since family relationships absorb and enact social ideologies, their conflicts often expose the conflicts that all ideologies contain. The complexities, contradictions and ambiguities of Shakespeare’s portrayals of individuals and their relationships are brought to life, while wider power structures and social discourses are shown to reach into the heart of intimate relationships and personal identity. Surveying relevant literature from Shakespeare studies, the book introduces the ideas behind the family systems approach to literary criticism. Explorations of gender relationships feature particularly strongly in the analysis since it is within gender that intimacy and power most compellingly intersect and frequently collide. For Shakespeare lovers and psychotherapists alike, this application of systemic theory opens a new perspective on familiar literary territory.
Author: William Shakespeare
Publisher: Wordsworth Editions
ISBN: 9781853267994
Category : English drama (Tragedy)
Languages : en
Pages : 0
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Book Description
A volume of five of Shakespeare's most enduring works of tragedies, offering perennial insights into human emotion as well as telling inscriptions of the particular concerns of Shakespeare's own day.
Author: Kenneth Usongo
Publisher:
ISBN: 9781443851855
Category : Ambition in literature
Languages : en
Pages : 145
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Book Description
This study of the political and romantic impulses of Shakespeare's tragic characters - including Macbeth, King Lear, Hamlet, Othello, and Iago, among others - discusses the overblown ambition of these characters as they embrace cunning and evil in order to acquire power and romance. The excessive ambition shown by these characters fuels action in the plays and significantly contributes to their downfall. In other words, the book interrogates, in a pluralist critical frame, the forces behind the quest for power and romance by Shakespeare's protagonists, and explores how these forces propel the demise or fall of the heroes and heroines. While Edmund in King Lear, for example, is analysed as a crafty villain who exploits any opportunity to politically aggrandise himself, Claudius in Hamlet is portrayed as a diabolical schemer who acts mostly independently in his bid to secure the Danish throne. On the other hand, Macbeth's killing of Duncan is considerably invigorated by the ambition of Lady Macbeth to become queen and the prophecy of the witches that Macbeth shall be king. However, Iago is seen to display the scheming and ruthlessness of a traditional stage villain in his mission to unseat Cassio and overthrow Othello. The study contends that most of the politically and romantically driven characters of Shakespeare in the Four Great Tragedies are avaricious, artful and callous. As a result, the actions of Macbeth, Lady Macbeth, Claudius, Edmund, Iago, for instance, are activated by their excessive political and romantic cravings, which subvert the norms of Elizabethan and Jacobean England. In depicting these characters, Shakespeare decries unorthodox methods of realising one's dreams, and demonstrates attempts to challenge Elizabethan and Jacobean orthodoxy.
Author: Alisa Manninen
Publisher: Cambridge Scholars Publishing
ISBN: 1443884383
Category : Drama
Languages : en
Pages : 350
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Book Description
William Shakespeare explores political survival as a question of interaction at court in King Lear, Macbeth, and Antony and Cleopatra. Through a discussion of authority as an element that is distinct from power, this book offers a new perspective on the importance of acts of persuasion and the contribution the late tragedies make to Shakespeare’s portrayal of monarchy. It argues that the most productive uses of the material power to judge or reward are those that reinforce royal authority and establish the monarch at the centre of the web of noble relationships. In the late tragedies, rulership is exercised at court. It acquires a nature of its own as the interaction of powerful and potentially powerful individuals among the nobility. The persuasive exercise of authority complements the tangible power that is founded on the monarch’s material resources, so that consent to the monarch’s supremacy is obtained through various discourses of justification and the performance of the monarch’s social role. Shakespeare’s combination of emotional intimacy with political concerns becomes central to the tragedies of these three plays when the failure to establish control over power and authority leads to the breakdown of established values and political traditions.
Author: Kenneth Usongo
Publisher: Routledge
ISBN: 1000349608
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Through mainly a New Historicist critical approach, this book explores how Shakespeare and Achebe employ supernatural devices such as prophecies, dreams, gods/goddesses, beliefs, and divinations to create complex characters. Even though these features indicate the preponderance of the belief in the supernatural by some people of the Elizabethan, Jacobean, and traditional Igbo societies, Shakespeare and Achebe primarily use the supernatural to represent the states of mind of their protagonists. Both writers appropriate supernatural features to mirror tragic flaws such as ambition, arrogance, impulsiveness, and fear that contribute to the downfall of Macbeth, Lear, Okonkwo, and Ezeulu. We relate to some of these characters because they project our inner minds, principal drives that may be hidden within us. Therefore, Shakespeare and Achebe’s preoccupation with the supernatural adds subtlety to their characterization and enhances their readability by situating their art beyond time, place, or particularity.
