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Author: Arthur Leslie
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
![Politics and Poetry of Hugh Macdiarmid [psued.]. PDF](https://books.google.com/books/content/images/frontcover/H0OSZ7-y2BAC?fife=w80-h100)
Author: Arthur Leslie
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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Author: Robert Burns
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Hugh MacDiarmid
Publisher: New Directions Publishing
ISBN: 9780811217811
Category :
Languages : en
Pages : 324
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Book Description
This volume includes the full texts of In Memoriam James Joyce, Three Hymns to Lenin, and The Kind of Poetry I Want. Included are long poems and intense lyrics.
Author: Hugh MacDiarmid
Publisher: Univ of California Press
ISBN: 0520335740
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Author: Nancy K. Gish
Publisher: Springer
ISBN: 1349056197
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Author: Stephen Cushman
Publisher: Princeton University Press
ISBN: 1400841429
Category : Literary Criticism
Languages : en
Pages : 1678
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Book Description
The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time
Author: John Baglow
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773505711
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Christopher Grieve, writing under the name of Hugh MacDiarmid, was a major modern poet and founder of the Scottish literary Renaissance. In this study of his poetry, John Baglow eliminates what has been a stumbling block for most MacDiarmid scholars by showing the very real thematic and psycological consistency which underlines MacDiarmid's work. He demonstrates the extent to which the work was dominated by a desire to find a faith that could justify his desire to write poetry, a desire continually thwarted by a critical intellect which destroyed whatever faith he was able to construct. This constant search without a successful conclusion is at the heart of the work of many major modernist writers; MacDiarmid's poetry can be seen as embracing this tradition and making it explicit.
Author: Riach Alan Riach
Publisher: Edinburgh University Press
ISBN: 1474471994
Category : LITERARY CRITICISM
Languages : en
Pages : 208
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Book Description
A collection of Hugh McDiarmid's poetry
Author: Hugh MacDiarmid
Publisher: New Directions Publishing
ISBN: 9780811212489
Category : Poetry
Languages : en
Pages : 330
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Book Description
Hugh MacDiarmid's Selected Poetry is an invaluable introduction to the work of a major poet who, despite the enthusiasm of T.S. Eliot and Ezra Pound, remains little known in the United States. MacDiarmid (1892-1978), universally recognized as the greatest Scottish poet since Robert Burns and the man responsible for reviving Scots as a literary language, was also the author of an enormous body of poems in English. As the noted critic and translator Eliot Weinberger writes of MacDiarmid's work in his introduction: "There is nothing like it in modern literature, nothing even close. It is an attempt to return poetry to its original role as repository for all that a culture knows about itself." Edited by Alan Riach and the poet's son Michael Grieve, the Selected Poetry draws generously from fifty years of work, and includes the complete text of MacDiarmid's 1926 masterpiece, "A Drunk Man Looks at the Thistle."
Author: Richie McCaffery
Publisher: BRILL
ISBN: 9004679286
Category : Poetry
Languages : en
Pages : 266
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Book Description
This study is the first exploration of the impact of World War Two on Scottish poets of both the front line and the home front. World War One has always been thought of as a poet’s war, one of horror and futility. The poetry of World War Two, by contrast, has long languished in its shadow, though there was a much greater amount of it written. This book asks whether these poets felt they were grown for war or rather that they grew through war experience, with an emphasis on the possibilities of the future instead of cataloguing the senseless horror of the battlefield. How were the hopes of Scottish poets different from their English counterparts? How was their poetry different, and how did it impact on their later lives?
