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Author: Francisco J. Romero Salvadó
Publisher:
ISBN: 9781802071580
Category : Spain
Languages : en
Pages : 0
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Book Description
Author: Francisco J. Romero Salvadó
Publisher:
ISBN: 9781802071580
Category : Spain
Languages : en
Pages : 0
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Book Description
Author: Julie A. Webber
Publisher: Rowman & Littlefield
ISBN: 1498569854
Category : Political Science
Languages : en
Pages : 345
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Book Description
This edited volume brings together scholars of comedy to assess how political comedy encounters neoliberal themes in contemporary media. Central to this task is the notion of genre; under neoliberal conditions (where market logics motivate most actions) genre becomes “mixed.” Once stable, discreet categories such as comedy, horror, drama and news and entertainment have become blurred so as to be indistinguishable. The classic modern paradigm of comedy/tragedy no longer holds, if it ever did. Moreover, as politics becomes more economic and less moral or normative under neoliberalism, we are able to see new resistance to comedic genres that support neoliberal strategies to hide racial and gender injustice such as unlaughter, ambiguity, and anti-comedy. There is also an increasing interest with comedy as a form of entertainment on the political right following both Brexit in the UK and the election of Trump in the U.S. Several essays confront this conservative comedy and place it in context of the larger humor history of these debates over free speech and political correctness. For comedians too, entry into popular media now follows the familiar neoliberal script of the celebration of self-help with the increasing admonishment of those who fail to win in market terms. Laughter plays an important role in shaming and valorizing (often at the same time!) the precarious subject in the aftermath of global recession. Doubling down on austerity, self-help policies and equivocation in the face of extremist challenges (right and left), politics foils the critical comedian’s attempt to satirize and parody its object. Characterized by ambiguity, mixed genre and the increasing use of anti-humor, political comedy mirrors the social and political world it mocks, parodies and celebrates often with lackluster results suggesting that the joke might be on us, as audiences.
Author: Caty Borum Chattoo
Publisher: University of California Press
ISBN: 0520299779
Category : Social Science
Languages : en
Pages : 295
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Book Description
Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges. Comedians who say something serious about the world while they make us laugh are capable of mobilizing the masses, focusing a critical lens on injustices, and injecting hope and optimism into seemingly hopeless problems. By combining communication and social justice frameworks with contemporary comedy examples, authors Caty Borum Chattoo and Lauren Feldman show us how comedy can help to serve as a vehicle of change. Through rich case studies, audience research, and interviews with comedians and social justice leaders and strategists, A Comedian and an Activist Walk Into a Bar: The Serious Role of Comedy in Social Justice explains how comedy – both in the entertainment marketplace and as cultural strategy – can engage audiences with issues such as global poverty, climate change, immigration, and sexual assault, and how activists work with comedy to reach and empower publics in the networked, participatory digital media age.
Author: Martin Revermann
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
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Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author: Cami Rowe
Publisher: Routledge
ISBN: 1136654259
Category : Political Science
Languages : en
Pages : 174
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Book Description
This book offers a study of post-9/11 anti-war organizations in the United States and their role in domestic foreign policy debates. The moment of the 9/11 terrorist attacks has been much cited in political and cultural scholarship and much attention has been paid to the promotion of "War on Terror" policies. The social mechanisms behind the circumscription and regulation of national ideals attracted critical analyses from scholars across disciplines; yet the prevalence of scholarly concern with the negative political devices of the Bush Administration at times seemed to risk reproducing the hierarchies of power that underpinned the very issue of concern, and even the War on Terror itself. By contrast, this book celebrates the political acts of individuals committed to changing the dominant politics of the Bush era. Drawing on participant observation and interviews with the leaders of prominent anti-war organizations including Code Pink and Iraq Veterans Against the War, the book employs Performance Theory to evaluate the capacity of protest to effect lasting social change. In addition to highlighting an often overlooked aspect of foreign policy formation, this volume demonstrates that Performance Studies can be used as innovative approach to Politics and IR. This book will be of much interest to students of US politics and foreign policy, theatre studies, cultural studies, and critical security and international relations.
Author: Donald Sells
Publisher: Bloomsbury Publishing
ISBN: 1350060526
Category : Literary Collections
Languages : en
Pages : 305
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Book Description
This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.
Author: Arturo Zoffmann Rodriguez
Publisher: Taylor & Francis
ISBN: 1000965317
Category : History
Languages : en
Pages : 307
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Book Description
The Spanish Anarchists and the Russian Revolution, 1917–24 explores the impact of the Russian Revolution on the world’s most powerful anarchist movement, the Spanish National Confederation of Labour. The monograph traces the curve of euphoria followed by scepticism that characterized anarchist reactions to the Soviet experiment in 1917–24. This book unearths the interactions between anarchists and Bolsheviks, and assesses their significance for social conflict in Spain and for the foundation of international communism. The Spanish anarchists are a window to examine the global appeal of the Bolsheviks among diverse, non-Marxist militant groups at a time of cross-fertilization for the left internationally. Through the case study of the Spanish anarchists, this book highlights how identification with the victorious Russian Bolsheviks became a rousing device and a political asset at a time of intense social effervescence, when, in the eyes of many, world revolution seemed imminent. However, for heterodox, non-Marxist forces, such as the Spanish anarchists, the Soviet model had to be negotiated and adapted to local conditions and political traditions. This book later traces the ending of this phase of cross-fertilization at a time of defeat and demoralization for the labour movement in Spain and across Europe.
Author: Philip Scepanski
Publisher: University of Texas Press
ISBN: 147732254X
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Following the most solemn moments in recent American history, comedians have tested the limits of how soon is “too soon” to joke about tragedy. Comics confront the horrifying events and shocking moments that capture national attention and probe the acceptable, or “sayable,” boundaries of expression that shape our cultural memory. In Tragedy Plus Time, Philip Scepanski examines the role of humor, particularly televised comedy, in constructing and policing group identity and memory in the wake of large-scale events. Tragedy Plus Time is the first comprehensive work to investigate tragedy-driven comedy in the aftermaths of such traumas as the JFK assassination and 9/11, as well as during the administration of Donald Trump. Focusing on the mass publicization of television comedy, Scepanski considers issues of censorship and memory construction in the ways comedians negotiate emotions, politics, war, race, and Islamophobia. Amid the media frenzy and conflicting expressions of grief following a public tragedy, comedians provoke or risk controversy to grapple publicly with national traumas that all Americans are trying to understand for themselves.
Author: Robert C. Pirro
Publisher: A&C Black
ISBN: 1441165258
Category : Political Science
Languages : en
Pages : 252
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Book Description
This study of the political significance of theories of tragedy and ordinary language uses of “tragedy” offers a fresh perspective on democracy in contemporary times.
Author: John J. Winkler
Publisher: Princeton University Press
ISBN: 9780691015255
Category : History
Languages : en
Pages : 438
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Book Description
'The more we learn about the original production of tragedies and comedies in Athens the more it seems wrong even to call them plays in the modern sense of the word, ' write the editors in this collection of critically diverse innovative essays aimed at restoring the social context of ancient Greek drama.
