Author: Ralph Gibson
Publisher: Lustrum Press
ISBN: 9781477309940
Category : Photography
Languages : en
Pages : 0
Book Description
Political Abstraction is the name of a recent series of color and black-and-white photographic diptychs by acclaimed fine art photographer Ralph Gibson. In these works, the viewer experiences several simultaneous visual motions dealing with the migration of color and shape across seemingly simple imagery. The series is born out of a response to the search for visual identity in a digital age. Gibson has devoted his pursuit to the idea that the viewer of the work is the actual subject of the piece itself. Thus, the photographs are relative but not restricted to the intention of the subject or the photographer. These works have been made during travels in eight countries, yet they remain remarkably unified in their perception. In this way, Gibson's visual signature remains intact throughout the entire series.
Political Abstraction
Author: Ralph Gibson
Publisher: Lustrum Press
ISBN: 9781477309940
Category : Photography
Languages : en
Pages : 0
Book Description
Political Abstraction is the name of a recent series of color and black-and-white photographic diptychs by acclaimed fine art photographer Ralph Gibson. In these works, the viewer experiences several simultaneous visual motions dealing with the migration of color and shape across seemingly simple imagery. The series is born out of a response to the search for visual identity in a digital age. Gibson has devoted his pursuit to the idea that the viewer of the work is the actual subject of the piece itself. Thus, the photographs are relative but not restricted to the intention of the subject or the photographer. These works have been made during travels in eight countries, yet they remain remarkably unified in their perception. In this way, Gibson's visual signature remains intact throughout the entire series.
Publisher: Lustrum Press
ISBN: 9781477309940
Category : Photography
Languages : en
Pages : 0
Book Description
Political Abstraction is the name of a recent series of color and black-and-white photographic diptychs by acclaimed fine art photographer Ralph Gibson. In these works, the viewer experiences several simultaneous visual motions dealing with the migration of color and shape across seemingly simple imagery. The series is born out of a response to the search for visual identity in a digital age. Gibson has devoted his pursuit to the idea that the viewer of the work is the actual subject of the piece itself. Thus, the photographs are relative but not restricted to the intention of the subject or the photographer. These works have been made during travels in eight countries, yet they remain remarkably unified in their perception. In this way, Gibson's visual signature remains intact throughout the entire series.
Marx and the Politics of Abstraction
Author: Paul Paolucci
Publisher: BRILL
ISBN: 9004201378
Category : Political Science
Languages : en
Pages : 252
Book Description
Through examining Marx's methods of critique and abstraction, this book presents a series of problems in conventional social thought and the alternatives Marx's approach poses. It demonstrates how sound social science abstraction cannot but have political, often radical, implications.
Publisher: BRILL
ISBN: 9004201378
Category : Political Science
Languages : en
Pages : 252
Book Description
Through examining Marx's methods of critique and abstraction, this book presents a series of problems in conventional social thought and the alternatives Marx's approach poses. It demonstrates how sound social science abstraction cannot but have political, often radical, implications.
In the Mind But Not From There
Author: Gean Moreno
Publisher: Verso Books
ISBN: 1788730690
Category : Art
Languages : en
Pages : 337
Book Description
Artists and critics explore the concept of Real Abstraction to help understand contemporary cultural production In the Mind, But Not From There: Real Abstraction and Contemporary Art considers how the Marxian concept of Real Abstraction--originally developed by Alfred Sohn Rethel, and recently updated by Alberto Toscano--might help to define the economic, social, political, and cultural complexities of our contemporary moment. In doing so, this volume brings together noted contemporary artists, literary critics, curators, historians, and social theorists who connect the concept of Real Abstraction with contemporary cultural production. Theoretical and artistic contributions from Benjamin Noys, Paul Chan, Joao Enxuto and Erica Love, Marina Vishmidt, Sven Lütticken, and many others help to map out the relationship between political economy and artistic production in the realm of contemporary, globalized cultural exchange. This anthology places economic and social analyses alongside creative projects and visual essays to consider the many angles of contemporary art, and how inquiry into the the production of abstraction through material and social processes can be used to better understand, and hopefully change, the conditions under which art is made, seen, and circulated today. Published in collaboration with [NAME] publications.
Publisher: Verso Books
ISBN: 1788730690
Category : Art
Languages : en
Pages : 337
Book Description
Artists and critics explore the concept of Real Abstraction to help understand contemporary cultural production In the Mind, But Not From There: Real Abstraction and Contemporary Art considers how the Marxian concept of Real Abstraction--originally developed by Alfred Sohn Rethel, and recently updated by Alberto Toscano--might help to define the economic, social, political, and cultural complexities of our contemporary moment. In doing so, this volume brings together noted contemporary artists, literary critics, curators, historians, and social theorists who connect the concept of Real Abstraction with contemporary cultural production. Theoretical and artistic contributions from Benjamin Noys, Paul Chan, Joao Enxuto and Erica Love, Marina Vishmidt, Sven Lütticken, and many others help to map out the relationship between political economy and artistic production in the realm of contemporary, globalized cultural exchange. This anthology places economic and social analyses alongside creative projects and visual essays to consider the many angles of contemporary art, and how inquiry into the the production of abstraction through material and social processes can be used to better understand, and hopefully change, the conditions under which art is made, seen, and circulated today. Published in collaboration with [NAME] publications.
Dragging Away
Author: Lex Morgan Lancaster
Publisher: Duke University Press
ISBN: 1478023295
Category : Art
Languages : en
Pages : 125
Book Description
In Dragging Away Lex Morgan Lancaster traces the formal and material innovations of contemporary queer and feminist artists, showing how they use abstraction as a queering tactic for social and political ends. Through a process Lancaster theorizes as a drag—dragging past aesthetics into the present and reworking them while pulling their work away from direct representation—these artists reimagine midcentury forms of abstraction and expose the violence of the tendency to reduce abstract form to a bodily sign or biographical symbolism. Lancaster outlines how the geometric enamel objects, grid paintings, vibrant color, and expansive installations of artists ranging from Ulrike Müller, Nancy Brooks Brody, and Lorna Simpson to Linda Besemer, Sheila Pepe, and Shinique Smith offer direct challenges to representational and categorical legibility. In so doing, Lancaster demonstrates that abstraction is not apolitical, neutral, or universal; it is a form of social praxis that actively contributes to queer, feminist, critical race, trans, and crip politics.
Publisher: Duke University Press
ISBN: 1478023295
Category : Art
Languages : en
Pages : 125
Book Description
In Dragging Away Lex Morgan Lancaster traces the formal and material innovations of contemporary queer and feminist artists, showing how they use abstraction as a queering tactic for social and political ends. Through a process Lancaster theorizes as a drag—dragging past aesthetics into the present and reworking them while pulling their work away from direct representation—these artists reimagine midcentury forms of abstraction and expose the violence of the tendency to reduce abstract form to a bodily sign or biographical symbolism. Lancaster outlines how the geometric enamel objects, grid paintings, vibrant color, and expansive installations of artists ranging from Ulrike Müller, Nancy Brooks Brody, and Lorna Simpson to Linda Besemer, Sheila Pepe, and Shinique Smith offer direct challenges to representational and categorical legibility. In so doing, Lancaster demonstrates that abstraction is not apolitical, neutral, or universal; it is a form of social praxis that actively contributes to queer, feminist, critical race, trans, and crip politics.
Comic Abstraction
Author: Roxana Marcoci
Publisher: The Museum of Modern Art
ISBN: 9780870707094
Category : Architecture
Languages : en
Pages : 168
Book Description
Foreword by Glenn D. Lowry. Text by Roxana Marcoci.
Publisher: The Museum of Modern Art
ISBN: 9780870707094
Category : Architecture
Languages : en
Pages : 168
Book Description
Foreword by Glenn D. Lowry. Text by Roxana Marcoci.
Endless Andness
Author: Mieke Bal
Publisher: A&C Black
ISBN: 1472528182
Category : Philosophy
Languages : en
Pages : 335
Book Description
In Endless Andness, Mieke Bal pioneers a new understanding of the political potential of abstract art which does not passively yield its meaning to the viewer but creates it anew - an art perceived not only through the retina but experienced viscerally. In this book, the third of her companion volumes on art's political agency, Bal explores perception through an intense engagement with the work of Belgian sculptor Ann Veronica Janssens. In a series of vividly-recalled encounters with Janssen's practice over a number of years, Balpresents a new conception of embodied perception - art experienced in a body conjured into participation and transformed by the experience. From Janssens' 'mist room' works and the CorpsNoir sculptures through to the fugitive, porous Aerogel, Bal traces an art which eludes the subject-object distinction to alter our ideas about the potential of political art in abstract and figurative forms. Enticing us simultaneously to lose ourselves and to come home, the tenuous materiality of installation art empowers those who live in the permanently lost and migratoryc ondition that characterizes contemporary experience. In celebrating and interrogating the work of this prolific and innovative artist, Mieke Baltransforms our understanding of non-representational art to create a new awareness of perception and performance in the shared spaces of our world.
Publisher: A&C Black
ISBN: 1472528182
Category : Philosophy
Languages : en
Pages : 335
Book Description
In Endless Andness, Mieke Bal pioneers a new understanding of the political potential of abstract art which does not passively yield its meaning to the viewer but creates it anew - an art perceived not only through the retina but experienced viscerally. In this book, the third of her companion volumes on art's political agency, Bal explores perception through an intense engagement with the work of Belgian sculptor Ann Veronica Janssens. In a series of vividly-recalled encounters with Janssen's practice over a number of years, Balpresents a new conception of embodied perception - art experienced in a body conjured into participation and transformed by the experience. From Janssens' 'mist room' works and the CorpsNoir sculptures through to the fugitive, porous Aerogel, Bal traces an art which eludes the subject-object distinction to alter our ideas about the potential of political art in abstract and figurative forms. Enticing us simultaneously to lose ourselves and to come home, the tenuous materiality of installation art empowers those who live in the permanently lost and migratoryc ondition that characterizes contemporary experience. In celebrating and interrogating the work of this prolific and innovative artist, Mieke Baltransforms our understanding of non-representational art to create a new awareness of perception and performance in the shared spaces of our world.
Forming Abstraction
Author: Adele Nelson
Publisher: Univ of California Press
ISBN: 0520379845
Category : Art
Languages : en
Pages : 389
Book Description
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
Publisher: Univ of California Press
ISBN: 0520379845
Category : Art
Languages : en
Pages : 389
Book Description
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
The Politics of Precarity
Author: Gediminas Lesutis
Publisher: Routledge
ISBN: 1000521109
Category : Political Science
Languages : en
Pages : 197
Book Description
Based on critical theory and ethnographic research, this book explores how intensifying geographies of extractive capitalism shape human lives and transformative politics in marginal areas of the global economy. Engaging the work of Judith Butler, Henri Lefebvre, and Jacques Rancière with ethnographic research on social and political effects of mining-induced dispossession in Mozambique, in the book, Lesutis theorises how precarity unfolds as a spatially constituted condition of everyday life given over to the violence of capital. Going beyond labour relations, or governance of life in liberal democracies, that are typically explored in the literature on precarity, the book shows how dispossessed people are subjected to structural, symbolic, and direct modalities of violence; this simultaneously constitutes their suffering and ceaseless desire, however implausible, to be included into abstract space of extractivism. As a result, despite the multifarious violence that it engenders, extractive capital accumulation is sustained even in the margins, historically excluded from contingently lived imaginaries of a "good life" promised by capitalism. Presenting this theorisation of precarity as a framework on, and a critique of, the contemporary politics of (un)liveability, the book speaks to key debates about precarity, dispossession, resistance, extractivism, and development in several disciplines, especially political geography, IPE, global politics, and critical theory. It will also be of interest to scholars in development studies, critical political economy, and African politics.
Publisher: Routledge
ISBN: 1000521109
Category : Political Science
Languages : en
Pages : 197
Book Description
Based on critical theory and ethnographic research, this book explores how intensifying geographies of extractive capitalism shape human lives and transformative politics in marginal areas of the global economy. Engaging the work of Judith Butler, Henri Lefebvre, and Jacques Rancière with ethnographic research on social and political effects of mining-induced dispossession in Mozambique, in the book, Lesutis theorises how precarity unfolds as a spatially constituted condition of everyday life given over to the violence of capital. Going beyond labour relations, or governance of life in liberal democracies, that are typically explored in the literature on precarity, the book shows how dispossessed people are subjected to structural, symbolic, and direct modalities of violence; this simultaneously constitutes their suffering and ceaseless desire, however implausible, to be included into abstract space of extractivism. As a result, despite the multifarious violence that it engenders, extractive capital accumulation is sustained even in the margins, historically excluded from contingently lived imaginaries of a "good life" promised by capitalism. Presenting this theorisation of precarity as a framework on, and a critique of, the contemporary politics of (un)liveability, the book speaks to key debates about precarity, dispossession, resistance, extractivism, and development in several disciplines, especially political geography, IPE, global politics, and critical theory. It will also be of interest to scholars in development studies, critical political economy, and African politics.
The Two Faces of Political Apathy
Author: Tom DeLuca
Publisher: Temple University Press
ISBN: 9781566393157
Category : Political Science
Languages : en
Pages : 308
Book Description
This inclusive study examines the extraordinarily high rates of political nonparticipation in the United States and the political, historical, institutional, and philosophical roots of such widespread apathy. To explain why individuals become committed to political apathy as a political role, Tom DeLuca begins by defining "the two faces of political apathy." The first, rooted in free will, properly places responsibility for nonparticipation in the political process on individuals. Political scientists and journalists, however, too often overlook a second, more insidious face of apathy--a condition created by institutional practices and social and cultural structures that limit participation and political awareness. The public blames our most disenfranchised citizens for their own disenfranchisement. Apathetic citizens blame themselves. DeLuca examines classic and representative explanations of non-participation by political analysts across a range of methodologies and schools of thought. Focusing on their views on the concepts of political power and political participation, he assesses current proposals for reform. He argues that overcoming the second face of apathy requires a strategy of "real political equality," which includes greater equality in the availability of political resources, in setting the political agenda, in clarifying political issues, and in developing a public sphere for more genuine democratic politics. Author note: Tom DeLuca is Assistant Professor of Political Science at Fordham College at Lincoln Center. He has been a long-time activist on local and national issues, especially nuclear arms control, and his op-ed pieces on politics have appeared in The New York Times, New York Newsday, The Nation, and The Progressive.
Publisher: Temple University Press
ISBN: 9781566393157
Category : Political Science
Languages : en
Pages : 308
Book Description
This inclusive study examines the extraordinarily high rates of political nonparticipation in the United States and the political, historical, institutional, and philosophical roots of such widespread apathy. To explain why individuals become committed to political apathy as a political role, Tom DeLuca begins by defining "the two faces of political apathy." The first, rooted in free will, properly places responsibility for nonparticipation in the political process on individuals. Political scientists and journalists, however, too often overlook a second, more insidious face of apathy--a condition created by institutional practices and social and cultural structures that limit participation and political awareness. The public blames our most disenfranchised citizens for their own disenfranchisement. Apathetic citizens blame themselves. DeLuca examines classic and representative explanations of non-participation by political analysts across a range of methodologies and schools of thought. Focusing on their views on the concepts of political power and political participation, he assesses current proposals for reform. He argues that overcoming the second face of apathy requires a strategy of "real political equality," which includes greater equality in the availability of political resources, in setting the political agenda, in clarifying political issues, and in developing a public sphere for more genuine democratic politics. Author note: Tom DeLuca is Assistant Professor of Political Science at Fordham College at Lincoln Center. He has been a long-time activist on local and national issues, especially nuclear arms control, and his op-ed pieces on politics have appeared in The New York Times, New York Newsday, The Nation, and The Progressive.
Benton, Pollock, and the Politics of Modernism
Author: Erika Doss
Publisher: University of Chicago Press
ISBN: 0226159434
Category : Art
Languages : en
Pages : 465
Book Description
expressionism.
Publisher: University of Chicago Press
ISBN: 0226159434
Category : Art
Languages : en
Pages : 465
Book Description
expressionism.