Poetry and Music in Medieval France PDF Download
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Author: Ardis Butterfield
Publisher: Cambridge University Press
ISBN: 9780521622196
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
This book, first published in 2003, examines the relationship between poetry and music in medieval France.
Author: Ardis Butterfield
Publisher: Cambridge University Press
ISBN: 9780521622196
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
This book, first published in 2003, examines the relationship between poetry and music in medieval France.
Author: Jennifer Saltzstein
Publisher: DS Brewer
ISBN: 1843843498
Category : Foreign Language Study
Languages : en
Pages : 210
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Book Description
A survey of the use of the refrain in thirteenth and fourteenth-century French music and poetry, showing how it was skilfully deployed to assert the validity of the vernacular. The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques workedto authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goeson to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craftwith the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.
Author: Rebecca Anne Baltzer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
In these essays, five noted scholars draw upon the insights of musicology, philology, linguistics, and metrics to illuminate central aspects of the relationship between poetry and music in the Middle Ages. Rebecca A. Baltzer adds notes on the accompanying musical tape made by the professional ensemble Sequentia, which significantly illustrates the topics under consideration, while offering the experience of listening to superb musical performances.
Author: Julie Singer
Publisher: Boydell & Brewer Ltd
ISBN: 1843842726
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis.
Author: Patrick Mcguinness
Publisher: National Geographic Books
ISBN: 1101907835
Category : Poetry
Languages : en
Pages : 0
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Book Description
A beautifully jacketed hardcover collection of verse by French-speaking poets from cultures across the globe, spanning the ages from medieval to modern. EVERYMAN'S LIBRARY POCKET POETS. From the troubadours of the Middle Ages to the titans of modern poetry, from Rabelais and Ronsard to Aimé Césaire and Yves Bonnefoy, French Poetry offers English-speaking readers a one-volume introduction to a rich and varied tradition. Here are today’s rising stars mingling with the great writers of past centuries: La Fontaine, François Villon, Christine de Pizan, Marguerite de Navarre, Louise Labé, Baudelaire, Rimbaud, Verlaine, Mallarmé, Apollinaire, and many more. Here, too, are representatives of the modern francophone world, encompassing Lebanese, Tunisian, Senegalese, and Belgian poets, including such notable writers as Léopold Senghor, Vénus Khoury-Ghata, and Hédi Kaddour. Finally, this anthology showcases a wide range of the English language’s finest translators—including such renowned poet-translators as Ezra Pound, Marianne Moore, John Ashbery, and Derek Mahon—in a dazzling tribute to the splendors of French poetry.
Author: Uri Smilansky
Publisher: Medieval Institute Publications
ISBN: 1580443907
Category : Literary Criticism
Languages : en
Pages : 625
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Book Description
This volume is the second of the thirteen in preparation that will offer the first complete scholarly edition of the poetry and music of Guillaume de Machaut, the foremost practitioner of these related arts at the end of the Middle Ages in France. It provides a freshly prepared edition based on the most reliable manuscript of two of Machaut's best known dits, the Remede de Fortune (Remedy for Fortune) and the Confort d'ami (Consolation from a Friend), both of which adapt the central ideas of Boethian philosophy to the love poetry tradition. The French texts are accompanied by facing English translations, and the musical passages are presented in situ in a performance-accessible form.
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 9781139827874
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de Roland, the Roman de la Rose, Villon's Testament, Chrétien de Troyes, Machaut, Christine de Pisan and the Tristan romances. Featuring a chronology and suggestions for further reading, this is the ideal companion for students and scholars in other fields wishing to discover the riches of the French medieval tradition.
Author: William Doremus Paden
Publisher: DS Brewer
ISBN: 9781843841296
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 0521877946
Category : Music
Languages : en
Pages : 441
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Book Description
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501704869
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean and creative figures of the late Middle Ages. Rather than focus on a single strand of his remarkable career, Elizabeth Eva Leach gives us a book that encompasses all aspects of his work, illuminating it in a distinctively interdisciplinary light. The author provides a comprehensive picture of Machaut's artistry, reviews the documentary evidence about his life, charts the different agendas pursued by modern scholarly disciplines in their rediscovery and use of specific parts of his output, and delineates Machaut's own poetic and material presentation of his authorial persona. Leach treats Machaut's central poetic themes of hope, fortune, and death, integrating the aspect of Machaut's multimedia art that differentiates him from his contemporaries' treatment of similar thematic issues: music. In restoring the centrality of music in Machaut's poetics, arguing that his words cannot be truly understood or appreciated without the additional layers of meaning created in their musicalization, Leach makes a compelling argument that musico-literary performance occupied a special place in the courts of fourteenth-century France.
