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Author: Archibald MacLeish
Publisher: Cambridge : Riverside Press, 1961 [c1960]
ISBN:
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Author: Archibald MacLeish
Publisher: Cambridge : Riverside Press, 1961 [c1960]
ISBN:
Category : Literary Criticism
Languages : en
Pages : 222
Get Book Here
Book Description
Author: Philippe Lacoue-Labarthe
Publisher: Stanford University Press
ISBN: 9780804734271
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
An analysis of the historical position of Paul Celan's poetry, this book addresses the question of a lyric language that would not be the expression of subjectivity. Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action, a figure not only of domination but of the extermination of everything other than itself.
Author: Wilhelm Dilthey
Publisher: Princeton University Press
ISBN: 9780691029283
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
This is the fifth volume in a six-volume translation of the major writings of Wilhelm Dilthey (1833-1911), a philosopher and historian of culture who has had a significant, and continuing, influence on twentieth-century Continental philosophy and in a broad range of scholarly disciplines. In addition to his landmark works on the theories of history and the human sciences, Dilthey made important contributions to hermeneutics and phenomenology, aesthetics, psychology, and the methodology of the social sciences. This volume presents Dilthey's principal writings on aesthetics and the philosophical understanding of poetry, as well as representative essays of literary criticism. The essay "The Imagination of the Poet" (also known as his Poetics) is his most sustained attempt to examine the philosophical bearings of literature in relation to psychological and historical theory. Also included are "The Three Epochs of Modern Aesthetics and its Present Task," "Fragments for a Poetics," and two final essays discussing Goethe and Hölderlin. The latter are drawn from Das Erlebnis und die Dichtung, a volume that was acclaimed on publication as a classic of literary criticism and that continues to be a model for the geistesgeschichtliche approach to literary history.
Author: Elise Paschen
Publisher: Sourcebooks MediaFusion
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 120
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Book Description
A collection of 95 remarkable poems by the poets and a few close friends.
Author: Derek Attridge
Publisher: Oxford University Press
ISBN: 0198833156
Category : Literary Criticism
Languages : en
Pages : 462
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Book Description
An account of the performance of poetry from late Antiquity to the Renaissance that explores the role and importance of poetry in western culture.
Author: Archibald MacLeish
Publisher: Cambridge : Riverside Press, 1961 [c1960]
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Author: Ben Lerner
Publisher: Macmillan
ISBN: 0865478201
Category : History
Languages : en
Pages : 97
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Book Description
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Author: Richard Strier
Publisher:
ISBN: 9780226777177
Category : Poetry
Languages : en
Pages : 277
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Book Description
This book changes the way we read one of the greatest masters of the lyric poem in English. Unlike much recent scholarship on George Herbert, Love Known demonstrates the inseparability of Herbert's theology and poetry. Richard Strier argues persuasively for a strongly Protestant Herbert who shared Luther's sense of the primacy of the doctrine of justification by faith. Cutting across traditional lines, the book is the first sustained study of the theological basis of Herbert's poetry, pointing out connections between Herbert and the Protestant "left" of his own and the following era. In each chapter, Strier closely analyzes a coherent group of Herbert's lyrics to reveal the theological motives of their movements and design. When placed in a theological context, the poems come into focus in a remarkable way: many hitherto puzzling or unnoticed details are clarified, some neglected poems emerge into prominence, and familiar poems like "Love" (III) and "The Collar" take on new cogency. The chapters build on one another , moving from the darker implications of "faith alone," the insistence on the pervasiveness of sin and pride, to the comforting implications of the doctrine, the assertion of the possibility of freedom from anxiety, and the defense of individual experience. Love Known thus offers not only a new historical approach to Herbert, but a new appreciation of the relationship between the psychological realism and human appeal of the lyrics and their theological core.
Author: Geoffrey G. O'Brien
Publisher:
ISBN: 9781940696669
Category : Poetry
Languages : en
Pages : 144
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Book Description
Poems that reimagine poetry's ancient dream of collective life from within the nightmare and necessities of our present.
Author: Marc Smith
Publisher: Sourcebooks, Inc.
ISBN: 140224231X
Category : Poetry
Languages : en
Pages : 322
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Book Description
Get on Stage and Perfect Your Performance Have you ever enjoyed a slam or two and thought, "I could do this," but felt apprehensive staring at that empty mic—or worse, you climbed up on stage and struggled? Let Marc Kelly Smith, the founder of Slam Poetry, teach you everything you need to be a confident performer, from writing a powerful poem, to stage techniques, to going on tour (if that's where your muse leads you). Take the Mic is filled with insider tips, backstage advice, and tons of examples of slam poems that wake up an audience. With this book, you'll also be able to link to the PoetrySpeaks.com community to listen to samples, meet poets, and unearth inspirations for your next performance. The Ultimate Guide to Writing and Performing with Power Take the Mic is an essential guide for lifting your poetry from the page to the stage. Marc Kelly Smith (So What!), grand founder of the Slam movement, serves as you personal coach, showing you how to craft stage-worthy verse and deliver a poetry performance that shakes the rafters and sparks thunderous applause. In Take the Mic, you discover how to... Pen poetry that's conducive to on-stage performance Overcome stage fright Practice powerful performance techniques Rehearse like a pro Shape a loose collection of poems into a killer set Connect with your audience — heart and soul Master the art of self-promotion Schedule your own slam poetry tour Transform your hobby into paying gigs Act professional to establish a solid reputation in the Slam community Take the Mic is packed with practical exercises you can do alone or in class to hone your skills and transform your body, mind, voice, verse, and spirit into an engaging stage presence. You'll also find a brief history of slam, the rules and regulations that govern official slam competitions, and a list of PSI (Poetry Slam, Inc.) Certified Slams, so no matter where you are, you always have a place to Take the Mic!
