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Author: Matthew G. Jenkins
Publisher: University of Iowa Press
ISBN: 1587297280
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Since at least the time of Plato’s Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the “new” ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship. American experimental poetry is usually read in either political or moral terms. Poetic Obligation, by contrast, considers the poems of Louis Zukofsky, Charles Reznikoff, George Oppen, Edward Dorn, Robert Duncan, Susan Howe, and Lyn Hejinian in terms of the philosophical notion of ethical obligation to the Other in language. Jenkins's historical trajectory enables him to consider the full breadth of ethical topics that have driven theoretical debate since the end of World War II. This original approach establishes an ethical lineage in the works of twentieth-century experimental poets, creating a way to reconcile the breach between poetry and the issue of ethics in literature at large. With implications for a host of social issues, including ethnicity and immigration, economic inequities, and human rights, Jenkins's imaginative reconciliation of poetry and ethics will provide stimulating reading for teachers and scholars of American literature as well as advocates and devotees of poetry in general. Poetic Obligation marshals ample evidence that poetry matters and continues to speak to the important issues of our day.
Author: Matthew G. Jenkins
Publisher: University of Iowa Press
ISBN: 1587297280
Category : Literary Criticism
Languages : en
Pages : 283
Get Book Here
Book Description
Since at least the time of Plato’s Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the “new” ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship. American experimental poetry is usually read in either political or moral terms. Poetic Obligation, by contrast, considers the poems of Louis Zukofsky, Charles Reznikoff, George Oppen, Edward Dorn, Robert Duncan, Susan Howe, and Lyn Hejinian in terms of the philosophical notion of ethical obligation to the Other in language. Jenkins's historical trajectory enables him to consider the full breadth of ethical topics that have driven theoretical debate since the end of World War II. This original approach establishes an ethical lineage in the works of twentieth-century experimental poets, creating a way to reconcile the breach between poetry and the issue of ethics in literature at large. With implications for a host of social issues, including ethnicity and immigration, economic inequities, and human rights, Jenkins's imaginative reconciliation of poetry and ethics will provide stimulating reading for teachers and scholars of American literature as well as advocates and devotees of poetry in general. Poetic Obligation marshals ample evidence that poetry matters and continues to speak to the important issues of our day.
Author: John Koethe
Publisher: Bloomsbury Publishing
ISBN: 1350262463
Category : Philosophy
Languages : en
Pages : 211
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Book Description
Addressing objective and subjective views of the self and the world in philosophy and poetry, this collection brings together a chronology of John Koethe's thoughts on the connections between the two forms and makes a significant contribution to unsettling the oppositions that separate them. The essays traverse the philosophical conception of the self in modern poetry and locate connections between poets including William Wordsworth, Wallace Stevens, and John Ashbery alongside philosophers including Kant, Schopenhauer, and Wittgenstein. Koethe pays special attention to romantic poetry and notions of the sublime, which he maps onto subjective individual experience and the objective perspective on the natural world. Koethe further explores this theme in a new essay on romanticism and the sublime in relation to the mind-body problem. Using an associative and impressionistic style to write philosophically about poetry, Koethe defends his own approach that such writing cannot and should not aim for the rigor of philosophical argumentation.
Author: Neil Corcoran
Publisher: Oxford University Press
ISBN: 178138035X
Category : History
Languages : en
Pages : 229
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Book Description
This book considers the kinds of responsibility which modern lyric poetry takes on, or to which it makes itself subject - social, cultural, political, aesthetic and personal.
Author: Jeffrey L.B-Izzaak
Publisher: AuthorHouse
ISBN: 1481704664
Category : Literary Collections
Languages : en
Pages : 261
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Book Description
Occasionally, one gets the opportunity to witness mastery at work, as well as the work of mastery. Such was presented to me by Izzaak in his Poetic Duty I- Coming from Carriacou. The poems and the writings represent his views and reflections particular of life on the island of Carriacou, rich in tradition and culture. Each item shows an unparalleled deep insight on matters that others may take lightly. The reader should therefore expect that thought is essential if full and proper absorption of the written word is to be interpreted. It is not surprising, to me, that the term Kayak is used with pride, even though it was originally meant as in a derogatory sense equivalent to country-bookie for rural Grenadians to express what the city folks thought of Carraicouans. Indeed, when one first entered the city we did not know how to eat with knife and fork and we spoke funny. But not only did one overcome this, but presented to the world some most notable individuals. Read slowly of life in general, of persons who influenced Izzaak, and some of his own experiences. I thoroughly enjoyed the readings of the anthology and recommend it highly, not only to fellow Carriacouans, but to Grenadians, West Indians and the wider world. Dr. Alfred Braithwaite, Freeport, Bahamas.
Author: Jeffrey B-Izzaak
Publisher: AuthorHouse
ISBN: 1496931971
Category : Literary Collections
Languages : en
Pages : 139
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Book Description
Assorted Definitions: An astute observer; a writer whose mind is not limited by location; but wherever he travels physically, mentally or emotionally his pictorial vision of life is documented, as in this second book in two years. Jeffrey has done it again! Putting life into the lifeless, giving vision to the blind; aspects of life and living vividly portrayed that will make this book, one that is difficult to put down, once started. The writer continues to bring Carriacou, its people, its culture and traditions at home and abroad, alive to its readers. Interesting. Prolific writing! Very good poetry. Serious and funny. Izzaak is coming from a different place, but still rooted in Carriacou.
Author: Grant Matthew Jenkins
Publisher: Springer Nature
ISBN: 3031713672
Category :
Languages : en
Pages : 352
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Book Description
Author: J. Robinson
Publisher: Springer
ISBN: 140398283X
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This book calls attention to the pervasive but largely unacknowledged poetics of the 'Fancy' evident in poetry written during the British Romantic period. These poetics, Robinson demonstrates, are an early nineteenth-century version of what will become the visionary, experimental, open-form poetics of the twentieth-century.
Author: Hassan Blasim
Publisher: Comma Press
ISBN:
Category : Fiction
Languages : en
Pages : 113
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Book Description
**Long-Listed for the 2010 Independent Foreign Fiction Prize** From hostage-video makers in Baghdad, to human trafficking in the forests of Serbia, institutionalised paranoia in the Saddam years, to the nightmares of an exile trying to embrace a new life in Amsterdam... Blasim’s stories present an uncompromising view of the West's relationship with Iraq, spanning over twenty years and taking in everything from the Iran-Iraq War through to the Occupation, as well as offering a haunting critique of the post-war refugee experience. Blending allegory with historical realism, and subverting readers’ expectations in an unflinching comedy of the macabre, these stories manage to be both phantasmagoric and shockingly real, light in touch yet steeped in personal nightmare. For all their despair and darkness, though, what lingers more than the haunting images of war, or the insanity of those who would benefit from it, is the spirit of defiance, the indefatigable courage of those few characters keeping faith with what remains of human intelligence. Together these stories represent the first major literary work about the war from an Iraqi perspective. 'Perhaps the best writer of Arabic fiction alive...' – The Guardian, 12 Jun 10.
Author: Elina Siltanen
Publisher: John Benjamins Publishing Company
ISBN: 9027266395
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
The poems of John Ashbery, Lyn Hejinian and Ron Silliman may seem to offer endless small details of expression, observation, thought and narrative which fail to hang together even from one line to the next. But as Elina Siltanen shows here, this extraordinary flow of uncoordinated detail can stimulate readers to join the poets in a delightful exploration of ordinary language. When readers take a poem in this spirit, they actually begin to read as members of a community: the community not only of themselves and other readers, but also including the poet and other poets, plus all the speakers of the language in which the poem is written. For all these different parties, that language is indeed a shared resource, and the way for readers to get started is simply by recalling or imagining some of the numerous kinds of context in which the given poem’s words-phrases-sentences could, or could not, be successfully used. The rewards for such proactive readers are on the one hand a heightened sense of the subtle interweavings of language and life, and on the other hand a freshly empowered self-confidence. The point being that, within the community of contemporary experimental poetry, poets have no more authority than readers. Rejecting older cultural hierarchies, they present themselves as teasing out the idiomatic serendipities of their own poems together with their readers.
Author: Gerald L Bruns
Publisher: University of Iowa Press
ISBN: 1609380800
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Conceptions and practices of poetry change not only from time to time and from place to place but also from poet to poet. This has never been more the case than in recent years. Gerald Bruns’s magisterial What Are Poets For? explores typographical experiments that distribute letters randomly across a printed page, sound tracks made of vocal and buccal noises, and holographic poems that recompose themselves as one travels through their digital space. Bruns surveys one-word poems, found texts, and book-length assemblies of disconnected phrases; he even includes descriptions of poems that no one could possibly write, but which are no less interesting (or no less poetic) for all of that. The purpose of the book is to illuminate this strange poetic landscape, spotlighting and describing such oddities as they appear, anomalies that most contemporary poetry criticism ignores. Naturally this breadth raises numerous philosophical questions that Bruns also addresses—for example, whether poetry should be responsible (semantically, ethically, politically) to anything outside itself, whether it can be reduced to categories, distinctions, and the rule of identity, and whether a particular poem can seem odd or strange when everything is an anomaly. Perhaps our task is simply to learn, like anthropologists, how to inhabit such an anarchic world. The poets taken up for study are among the most important and innovative in the late twentieth and early twenty-first centuries: John Ashbery, Charles Bernstein, Paul Celan, Kenneth Goldsmith, Lyn Hejinian, Susan Howe, Karen Mac Cormack, Steve McCaffery, John Matthias, J. H. Prynne, and Tom Raworth.What Are Poets For? is nothing less than a lucid, detailed study of some of the most intractable writings in contemporary poetry.
