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Languages : en
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Author: Deborah Wofford
Publisher: Xlibris Corporation
ISBN: 9781456807894
Category : Poetry
Languages : en
Pages : 93
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Poetic Drama is the story behind closed doors. Its about refusing to be a victim anymore and claiming whats yours. Its about looking for love in the wrong place. Its about being abused and finding love through Gods grace. Poetic drama is about a woman who found the courage to dream. While looking in the mirror building her self esteem. This woman was a drug addict and codependent at the very least. Dysfunctional relationships and abuse she had no peace. Drugs, rape domestic violence she nearly lost her mind. She decided to take a chance and leave that life behind. This is only a portion of what she been through. She leaves your mind wondering waiting for Part two.
Author: William John Courthope
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 522
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Author: B. A. Khan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 110
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Category :
Languages : en
Pages : 32
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Author: Sarah Bay-Cheng
Publisher: Susquehanna University Press
ISBN: 1575911280
Category : Drama
Languages : en
Pages : 354
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Beginning with Stevens's Three Travelers Watch a Sunrise (1916) as a dynamic introduction to the modernist transformation of poetry into performance, the collection also includes Millay's biting anti-war satire, Aria da Capo (1920) and H.D.'s Hippolytus Temporizes (1927), loosely adapted from the Euripides play. Both plays demonstrate the Greek poets' enduring legacy in modern poetic drama --
Author: Alan Richardson
Publisher: Penn State Press
ISBN: 0271039035
Category : Literary Criticism
Languages : en
Pages : 237
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Certain works of Romantic drama&—Prometheus Unbound, Cain, The Cenci&—have received a good deal of critical attention, by as a whole the genre has been misunderstood and only slightly considered. Alan Richardson redresses a tradition of critical neglect by considering the works of Romantic drama not as failed stage-plays (&"closet drama&") but as constituting a new, distinctively Romantic genre. In turning from the contemporary stage&—which was marked by spectacle, rant, and melodrama&—the Romantic poets developed an altogether new kind of drama, one which they hoped could recapture the intensity of Shakespearean tragedy that Neoclassical writers had scarcely approached. Richardson calls this genre (after Byron) &"mental theater,&" both because its works are concerned with portraying the development of self-consciousness and because it fuses the subjectivity of lyric with the interaction of dramatic poetry. Moreover, these works are addressed directly to the mind of the reader, bypassing the medium of stage representation. This study places Romantic self-consciousness in a fundamentally new light. Far from uncritically pursuing an egoistic stance, the Romantics criticize through their poetic drama the attempt to attain psychic autonomy. The protagonists of Romantic drama are seduced by their antagonists into entering such a condition only to find in it a hollow, deathly isolation. They find in self-consciousness not their promised liberation, but a tormented fate modeled after that of their betrayers. Wordsworth, Byron, and Shelley delineate the limitations of &"Romantic&" self-consciousness in their works of mental theater; Shelley alone envisions their transcendence through his radical transformation of consciousness in the conclusion to Prometheus Unbound. This interpretation of mental theater will lead to a new evaluation of the Romantics as dramatic poets. It brings back to critical attention neglected but challenging works such as Byron's Heaven and Earth and Beddoes's Death's Jest-Book, and provides vital new perspectives on undervalued texts like Wordsworth's The Borderers and Byron's Manfred and Cain. It qualifies decades of critical speculation on &"Romantic individualism&" and &"Romantic consciousness,&" and helps return the ideal of imaginative sympathy to the central position held in the critical writings of the Romantics themselves. Finally, in emphasizing the dramatic quality of mental theater, it challenges the still-prevalent view that Romantic poetry in inherently lyrical in character. Scholars concerned with English Romantic drama, Romantic literature, and the Romantic period as well as English drama will find this work to be an important contribution to their understanding.
Author: Dushiant Kumar Rampal
Publisher: Atlantic Publishers & Dist
ISBN: 9788171565245
Category : English poetry
Languages : en
Pages : 294
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Book Description
This Is A Comprehensive Study Of The Whole Æuvre Of T.S. Eliot, His Poetry, Criticism, Drama And Social Writings From The Pen Of A Penetrating Scholar. The Writings Of Eliot Still Form Major Documents Of Twentieth Century English Literature Presenting Challenges And Problems To The Reader. Using The Tools Of 'Background' And 'Domain' Assumptions, The Author Has Brought Out Eliot'S Philosophical Moorings And Sociological Preoccupations. A Study Of This Book Is A Must If Eliot'S Esoteric Doctrines And Poetry Have To Be Seen As A Systematic Whole.
Author: Mikhail Lermontov: Trans. by Karpovich
Publisher: iUniverse
ISBN: 1475976178
Category : Drama
Languages : en
Pages : 181
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Book Description
The Masquerade, a treasured four-act play by Mikhail Yurievich Lermontov, is a classic work of Russian romanticism. In 1830s St. Petersburg, aristocrat Arbenin and Nina, his wife, attend a masked ball. In a tragic case of mistaken identity, Arbenin convinces himself that his wife is romantically involved with Prince Zvezdich. Arbenin is tragically blinded by jealousy and pride, and then a disaster happens... A celebration and examination of a classic work from the Golden Age of Russian culture, the first poetic translation by Russian American professor Alfred E. Karpovich brings The Masquerade to a new, English-speaking audience. A work of great importance, this drama examines the collision between true love and the societal prejudice of honor and dignity. In translation, it casts an inquisitive eye at the state of human dignity in the twenty-first century. Praise for The Masquerade translation The following is in reference to Dr. Alfred E. Karpovich's translation of the great Russian writer and poet Mikhail Lermontov's play : Masquerade . Thoroughly versed in classical Russian, I am a great admirer of Lermontov's works. I approached the translation with a feeling of skepticism, but was literally knocked over by the translation. Mr. Karpovich's understanding of Lermontov and fine-tuning of the English version are truly amazing. It is my pleasure to give this work the highest possible recommendation (and I hope to see it on stage). Sincerely yours, Nicholas Bobrinskoy GDOOSJ (formerly of Marymount Manhattan College Faculty, NYS; St Peter's College, author of The Golden Age of Russian Literature; Pronounce Russian Correctly and of many articles & Interviews in USA & Russia)
Author: Bimal Narayan Thakur
Publisher: Northern Book Centre
ISBN: 9788172111816
Category : Philosophy
Languages : en
Pages : 232
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Book Description
Sri Aurobindo was the reveler of the Life Divine and prophet of the great epic Savitri. Both the unsurpassed titles bear divine messages but for those who could read them. But his stage-worthy plays teach his philosophical ideas through entertainments. Perhaps he wrote the plays to teach integral philosophy of life to all beings. Present work entitled Poetic Plays of Sri Aurobindo is an exhaustive study of his five blank verse drama maintaining the essential elements of drama and dramaturgy from Oriental to Occidental. In his plays, we could enjoy the dramatic art of Shakespeare and Shaw, Bhasa and Kalidasa. Sri Aurobindo was the deliverer of the whole human life and hence, this book enlightens - - how to deliberate one's own self along with the all. - how to bring hormony in individual, social, national and universal life. - how to attain Universal brotherhood by revealing oneness with all other beings. - how to build children's characters, so that, they can live a manly life, reveal universal friendship and enjoy a life divine on earth.