Lyric and Dramatic Poetry, 1946-82 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Lyric and Dramatic Poetry, 1946-82 PDF full book. Access full book title Lyric and Dramatic Poetry, 1946-82 by Aimé Césaire. Download full books in PDF and EPUB format.
Author: Aimé Césaire
Publisher: University of Virginia Press
ISBN: 9780813912448
Category : Literary Criticism
Languages : en
Pages : 296
Get Book Here
Book Description
over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.
Author: Aimé Césaire
Publisher: University of Virginia Press
ISBN: 9780813912448
Category : Literary Criticism
Languages : en
Pages : 296
Get Book Here
Book Description
over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.
Author: Edward Hirsch
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151013562
Category : Literary Criticism
Languages : en
Pages : 456
Get Book Here
Book Description
A collection of revised and expanded writings culled from the author's popular Washington Post Book World "Poet's Choice" column demonstrates how poetry responds to world challenges and introduces the work of more than 130 writers.
Author: Emma Lazarus
Publisher:
ISBN:
Category : Jewish poetry
Languages : en
Pages : 364
Get Book Here
Book Description
With biographical sketch by her sister, Josephine Lazarus, originally published in Century magazine, Oct., 1888. cf. Jewish ency. Part of the poems are reprinted from the Century, Lippincott's magazine, the Critic, and the American Hebrew. CONTENTS.- I. Narrative, lyric, and dramatic.- II. Jewish poems: translations.
Author: Jonathan Culler
Publisher: Harvard University Press
ISBN: 0674425804
Category : Literary Criticism
Languages : en
Pages : 406
Get Book Here
Book Description
What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory
Author: Monique R. Morgan
Publisher: Theory Interpretation Narrativ
ISBN:
Category : Literary Criticism
Languages : en
Pages : 262
Get Book Here
Book Description
How did nineteenth-century poets negotiate the complex interplay between two seemingly antithetical modes--lyric and narrative? Narrative Means, Lyric Ends examines the solutions offered by four canonical long poems: William Wordsworth's The Prelude, Lord Byron's Don Juan, Elizabeth Barrett Browning's Aurora Leigh, and Robert Browning's The Ring and the Book. Monique Morgan argues that each of these texts uses narrative techniques to create lyrical effects, effects that manipulate readers' experience of time and shape their intellectual, emotional, and ethical responses. To highlight the productive tension between the modes, Morgan defines narrative as essentially temporal and sequential, and lyric as creating an illusion of simultaneity. The poems reinforce their larger narrative strategies, she suggests, with their figurative language. Through her readings of these texts, Morgan questions lyric's brevity and associability, interrogates retrospection's importance for narrative, examines the gendered implications of several genres, and determines the dramatic monologue's temporal structure. Narrative Means, Lyric Ends offers four case studies of the interactions between broad modes and among specific genres, changes our aesthetic and ideological assumptions about lyric and narrative, expands the domain of narratology, and advocates a renewed formalism.
Author: James Longenbach
Publisher: University of Chicago Press
ISBN: 022671618X
Category : Literary Criticism
Languages : en
Pages : 127
Get Book Here
Book Description
A poet and scholar explores how lyric poetry works by examining the lives and works of thirteen twentieth- and twenty-first–century American poets and musicians. For more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics. Praise for The Lyric Now “Longenbach is a lyric poet, practical critic, and literary scholar. These are distinct roles, and there are vanishingly few people good, let alone so distinguished, in all three. In The Lyric Now, he brings a career’s worth of wisdom to bear while writing with élan and urgency for both the specialist and nonspecialist reader. No one is better at explaining how poems work, how literary history happens, and why we should care about both.” —Langdon Hammer, author of James Merrill: Life and Art “[Longenbach] does prove—with stylistic wit and epigrammatic verve—that close reading can be a literary art in its own right. . . . Taken together, these essays . . . make an implicit case for the importance of syntax to lyric poetry. This is particularly evident in Longenbach’s reading of Moore’s “The Octopus,” and in masterful readings of poems by Jorie Graham and Carl Philips. When he contrasts Patti Smith’s prose and John Ashbery’s poetry with the songs of Bob Dylan, his skill as an expert close reader proves his point about the power of syntax. This volume proves a simple yet fundamental truth: “a lyric works particularly, sentence by sentence, line by line”. . . . Summing Up: Highly recommended.” —Choice
Author: Edward Hirsch
Publisher: HarperCollins
ISBN: 0547543727
Category : Literary Criticism
Languages : en
Pages : 375
Get Book Here
Book Description
From the National Book Critics Circle Award–winning poet and critic: “A lovely book, full of joy and wisdom.” —The Baltimore Sun How to Read a Poem is an unprecedented exploration of poetry, feeling, and human nature. In language at once acute and emotional, Edward Hirsch describes why poetry matters and how we can open up our imaginations so that its message can make a difference. In a marvelous reading of verse from around the world, including work by Pablo Neruda, Elizabeth Bishop, Wallace Stevens, and Sylvia Plath, among many others, Hirsch discovers the true meaning of their words and ideas and brings their sublime message home into our hearts. “Hirsch has gathered an eclectic group of poems from many times and places, with selections as varied as postwar Polish poetry, works by Keats and Christopher Smart, and lyrics from African American work songs . . . Hirsch suggests helpful strategies for understanding and appreciating each poem. The book is scholarly but very readable and incorporates interesting anecdotes from the lives of the poets.” —Library Journal “The answer Hirsch gives to the question of how to read a poem is: Ecstatically.” —Boston Book Review “Hirsch’s magnificent text is supported by an extensive glossary and superb international reading list.” —Booklist “If you are pretty sure you don’t like poetry, this is the book that’s bound to change your mind.” —Charles Simic, Pulitzer Prize–winning author of The World Doesn’t End
Author: Hannah Sullivan
Publisher: Farrar, Straus and Giroux
ISBN: 0374722056
Category : Poetry
Languages : en
Pages : 63
Get Book Here
Book Description
Three Poems, Hannah Sullivan’s debut collection, which won the 2018 T. S. Eliot Prize, reinvents the long poem for a digital age. “You, Very Young in New York” paints the portrait of a great American city, paying close attention to grand designs as well as local details, and coalescing in a wry and tender study of romantic possibility, disappointment, and the obduracy of innocence. “Repeat Until Time” shifts the scene to California and combines a poetic essay on the nature of repetition with an enquiry into pattern-making of a personal as well as a philosophical kind. “The Sandpit After Rain” explores the birth of a child and death of a father with exacting clarity.
Author: Robert Browning
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
Get Book Here
Book Description
Author: Stephen Henry Bradbury
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Get Book Here
Book Description
