Author: Ping Zhu
Publisher: Syracuse University Press
ISBN: 0815655266
Category : Social Science
Languages : en
Pages : 393
Book Description
The year 1995, when the Fourth World Conference on Women was held in Beijing, marks a historical milestone in the development of the Chinese feminist movement. In the decades that followed, three distinct trends emerged: first, there was a rise in feminist NGOs in mainland China and a surfacing of LGBTQ movements; second, social and economic developments nurtured new female agency, creating a vibrant, women-oriented cultural milieu in China; third, in response to ethnocentric Western feminism, some Chinese feminist scholars and activists recuperated the legacies of socialist China’s state feminism and gender policies in a new millennium. These trends have brought Chinese women unprecedented choices, resources, opportunities, pitfalls, challenges, and even crises. In this timely volume, Zhu and Xiao offer an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural “feminisms” with “Chinese characteristics,” they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and, stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. The twelve chapters in this interdisciplinary collection address the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization.
Feminisms with Chinese Characteristics
Author: Ping Zhu
Publisher: Syracuse University Press
ISBN: 0815655266
Category : Social Science
Languages : en
Pages : 393
Book Description
The year 1995, when the Fourth World Conference on Women was held in Beijing, marks a historical milestone in the development of the Chinese feminist movement. In the decades that followed, three distinct trends emerged: first, there was a rise in feminist NGOs in mainland China and a surfacing of LGBTQ movements; second, social and economic developments nurtured new female agency, creating a vibrant, women-oriented cultural milieu in China; third, in response to ethnocentric Western feminism, some Chinese feminist scholars and activists recuperated the legacies of socialist China’s state feminism and gender policies in a new millennium. These trends have brought Chinese women unprecedented choices, resources, opportunities, pitfalls, challenges, and even crises. In this timely volume, Zhu and Xiao offer an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural “feminisms” with “Chinese characteristics,” they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and, stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. The twelve chapters in this interdisciplinary collection address the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization.
Publisher: Syracuse University Press
ISBN: 0815655266
Category : Social Science
Languages : en
Pages : 393
Book Description
The year 1995, when the Fourth World Conference on Women was held in Beijing, marks a historical milestone in the development of the Chinese feminist movement. In the decades that followed, three distinct trends emerged: first, there was a rise in feminist NGOs in mainland China and a surfacing of LGBTQ movements; second, social and economic developments nurtured new female agency, creating a vibrant, women-oriented cultural milieu in China; third, in response to ethnocentric Western feminism, some Chinese feminist scholars and activists recuperated the legacies of socialist China’s state feminism and gender policies in a new millennium. These trends have brought Chinese women unprecedented choices, resources, opportunities, pitfalls, challenges, and even crises. In this timely volume, Zhu and Xiao offer an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural “feminisms” with “Chinese characteristics,” they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and, stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. The twelve chapters in this interdisciplinary collection address the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization.
Rethinking Japanese Feminisms
Author: Julia C. Bullock
Publisher: University of Hawaii Press
ISBN: 0824878388
Category : Social Science
Languages : en
Pages : 314
Book Description
Rethinking Japanese Feminisms offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation. The volume is organized into sections focused on activism and activists, employment and education, literature and the arts, and boundary crossing. Some chapters shed light on ideas and practices that resonate with feminist thought but find expression through the work of writers, artists, activists, and laborers who have not typically been considered feminist; others revisit specific moments in the history of Japanese feminisms in order to complicate or challenge the dominant scholarly and popular understandings of specific activists, practices, and beliefs. The chapters are contextualized by an introduction that offers historical background on feminisms in Japan, and a forward-looking conclusion that considers what it means to rethink Japanese feminism at this historical juncture. Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on women’s history, Rethinking Japanese Feminisms offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. Written in language accessible to students and non-experts, it will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly.
Publisher: University of Hawaii Press
ISBN: 0824878388
Category : Social Science
Languages : en
Pages : 314
Book Description
Rethinking Japanese Feminisms offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation. The volume is organized into sections focused on activism and activists, employment and education, literature and the arts, and boundary crossing. Some chapters shed light on ideas and practices that resonate with feminist thought but find expression through the work of writers, artists, activists, and laborers who have not typically been considered feminist; others revisit specific moments in the history of Japanese feminisms in order to complicate or challenge the dominant scholarly and popular understandings of specific activists, practices, and beliefs. The chapters are contextualized by an introduction that offers historical background on feminisms in Japan, and a forward-looking conclusion that considers what it means to rethink Japanese feminism at this historical juncture. Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on women’s history, Rethinking Japanese Feminisms offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. Written in language accessible to students and non-experts, it will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly.
New Time
Author: Apsara DiQuinzio
Publisher:
ISBN: 9780983881377
Category : Art, Modern
Languages : en
Pages : 336
Book Description
"In 1980 Lucy Lippard argued that feminist art is "neither a style nor a movement" but rather "a value system, a revolutionary strategy, a way of life." New Time: Art and Feminisms in the Twenty-First Century takes Lippard's statement as a point of departure, examining the values, strategies, and ways of life reflected in recent feminist art. Although artworks made since 2000 are the primary focus, the objects and installations discussed span several generations, mediums, geographies, and political sensibilities, conveying the heterogeneous, intergenerational, and gender-fluid nature of feminist practices. In keeping with Griselda Pollock's observation that "feminism is a historical project and thus is itself constantly shaped and remodelled in relation to the living process of women's struggles," New Time argues that feminist art in the twenty-first century encompasses myriad issues and perspectives and therefore cannot be reduced to a single subject, style, or agenda. It further reflects the forms of resistance that are constantly emerging in response to developments in politics and society. This richly illustrated volume presents works by more than seventy artists and collectives, including Laura Aguilar, Louise Bourgeois, Andrea Bowers, Judy Chicago, Ellen Gallagher, Luchita Hurtado, Lynn Hershman Leeson, Kalup Linzy, Goshka Macuga, Mai-Thu Perret, Carol Rama, Kiki Smith, Sturtevant, and Kara Walker. It examines their work though themes such as the problematic stereotypes associated with hysteria; the gendered gaze; the revisitation of historical subjects through a feminist lens; fragmented representations of the female body; shifting categories of gender; activism, domesticity, and labor; female anger; and feminist utopias"--
Publisher:
ISBN: 9780983881377
Category : Art, Modern
Languages : en
Pages : 336
Book Description
"In 1980 Lucy Lippard argued that feminist art is "neither a style nor a movement" but rather "a value system, a revolutionary strategy, a way of life." New Time: Art and Feminisms in the Twenty-First Century takes Lippard's statement as a point of departure, examining the values, strategies, and ways of life reflected in recent feminist art. Although artworks made since 2000 are the primary focus, the objects and installations discussed span several generations, mediums, geographies, and political sensibilities, conveying the heterogeneous, intergenerational, and gender-fluid nature of feminist practices. In keeping with Griselda Pollock's observation that "feminism is a historical project and thus is itself constantly shaped and remodelled in relation to the living process of women's struggles," New Time argues that feminist art in the twenty-first century encompasses myriad issues and perspectives and therefore cannot be reduced to a single subject, style, or agenda. It further reflects the forms of resistance that are constantly emerging in response to developments in politics and society. This richly illustrated volume presents works by more than seventy artists and collectives, including Laura Aguilar, Louise Bourgeois, Andrea Bowers, Judy Chicago, Ellen Gallagher, Luchita Hurtado, Lynn Hershman Leeson, Kalup Linzy, Goshka Macuga, Mai-Thu Perret, Carol Rama, Kiki Smith, Sturtevant, and Kara Walker. It examines their work though themes such as the problematic stereotypes associated with hysteria; the gendered gaze; the revisitation of historical subjects through a feminist lens; fragmented representations of the female body; shifting categories of gender; activism, domesticity, and labor; female anger; and feminist utopias"--
Feminisms Matter
Author: Victoria L. Bromley
Publisher: University of Toronto Press
ISBN: 1442605006
Category : Social Science
Languages : en
Pages : 273
Book Description
Feminisms Matter confronts the major reasons people offer for not being feminists by breaking apart stereotypes of feminists, unraveling myths about women's history, and challenging assumptions about feminists and feminisms.
Publisher: University of Toronto Press
ISBN: 1442605006
Category : Social Science
Languages : en
Pages : 273
Book Description
Feminisms Matter confronts the major reasons people offer for not being feminists by breaking apart stereotypes of feminists, unraveling myths about women's history, and challenging assumptions about feminists and feminisms.
Routledge International Handbook of Feminisms and Gender Studies
Author: Anália Torres
Publisher: Taylor & Francis
ISBN: 1003852033
Category : Social Science
Languages : en
Pages : 557
Book Description
This Handbook is an important contribution to the recent history of and contemporary debates on feminist, gender, and women’s studies seen in a global perspective. It tackles current developments in the area by examining their multiple configurations in different countries across the world and taking stock of the tensions and controversies that have recently emerged against and within the field. The volume brings together essays from renowned feminist and gender studies academics from the Global North and Global South, together with early stage, emerging scholars. The diversity of the geopolitical and disciplinary locations and the quality of their reflections provide rich, wide-ranging, and interdisciplinary discussions that are rarely found in similar collections, making this an essential resource for advanced students and academics in the field.
Publisher: Taylor & Francis
ISBN: 1003852033
Category : Social Science
Languages : en
Pages : 557
Book Description
This Handbook is an important contribution to the recent history of and contemporary debates on feminist, gender, and women’s studies seen in a global perspective. It tackles current developments in the area by examining their multiple configurations in different countries across the world and taking stock of the tensions and controversies that have recently emerged against and within the field. The volume brings together essays from renowned feminist and gender studies academics from the Global North and Global South, together with early stage, emerging scholars. The diversity of the geopolitical and disciplinary locations and the quality of their reflections provide rich, wide-ranging, and interdisciplinary discussions that are rarely found in similar collections, making this an essential resource for advanced students and academics in the field.
A Feminist Glossary of Human Geography
Author: Linda McDowell
Publisher: Routledge
ISBN: 1317858891
Category : Science
Languages : en
Pages : 383
Book Description
A Feminist Glossary of Human Geography is the first guide to the main theories, concepts and terms commonly used in geographical debates about gender relations. Written by key contributors to feminist theory, it contains over 400 lively and accessible definitions of the terms found in feminist debates which students of geography need to know. Four levels of entry are used - from 50 to 1500 words - taking account of the varying degrees of complexity of the terms covered. From 'AIDS' to 'witch', from 'abortion' to 'whiteness', this 'Glossary' is cross-referenced throughout and includes a comprehensive bibliography. It is an invaluable reference for anyone studying geography and gender, enabling them to approach the terminology of feminist theory and ideas with confidence.
Publisher: Routledge
ISBN: 1317858891
Category : Science
Languages : en
Pages : 383
Book Description
A Feminist Glossary of Human Geography is the first guide to the main theories, concepts and terms commonly used in geographical debates about gender relations. Written by key contributors to feminist theory, it contains over 400 lively and accessible definitions of the terms found in feminist debates which students of geography need to know. Four levels of entry are used - from 50 to 1500 words - taking account of the varying degrees of complexity of the terms covered. From 'AIDS' to 'witch', from 'abortion' to 'whiteness', this 'Glossary' is cross-referenced throughout and includes a comprehensive bibliography. It is an invaluable reference for anyone studying geography and gender, enabling them to approach the terminology of feminist theory and ideas with confidence.
Feminist Art Activisms and Artivisms
Author: Katy Deepwell
Publisher:
ISBN: 9789492095725
Category : Art
Languages : en
Pages : 448
Book Description
The first volume in the new ?Plural? series, this publication seeks to critically dissect the term ?activism?, which today seems to have become a catchword for any woman?s empowerment through the arts, and reveal the diversity of practices and realities that it comprises. Presenting a range of critical insights, perspectives, and practices from artists, activists, and academics, it reflects on the role of feminist interventions in the field of contemporary art, the public sphere, and politics. In the process, it touches upon broader questions of cultural difference, history, class, economic standing, ecological issues, and sexual orientation, as well as the ways in which these intersect.
Publisher:
ISBN: 9789492095725
Category : Art
Languages : en
Pages : 448
Book Description
The first volume in the new ?Plural? series, this publication seeks to critically dissect the term ?activism?, which today seems to have become a catchword for any woman?s empowerment through the arts, and reveal the diversity of practices and realities that it comprises. Presenting a range of critical insights, perspectives, and practices from artists, activists, and academics, it reflects on the role of feminist interventions in the field of contemporary art, the public sphere, and politics. In the process, it touches upon broader questions of cultural difference, history, class, economic standing, ecological issues, and sexual orientation, as well as the ways in which these intersect.
The Future of Asian Feminisms
Author: Nursyahbani Katjasungkana
Publisher: Cambridge Scholars Publishing
ISBN: 1443834696
Category : Social Science
Languages : en
Pages : 485
Book Description
This book on the future of Asian feminisms, confronting fundamentalisms, conflicts, and neo-liberalism is a critical contribution to the rising voices of Asian women’s studies scholars and activists. It is based on the ongoing research and advocacy work of the Kartini Asia Network, founded in 2003 in Manila. The five overlapping themes of the network are women/gender studies, fundamentalisms, conflicts, livelihood and sexuality. Considering that the economic and political weight of the region is growing fast, and that the 21st century has been named the “Asian century,” Asia is increasingly recognised as the continent to which economic, if not political power, will shift in the coming decades. The chapters brought together in this volume demonstrate the great diversity of the “transversal cultural flow” that women’s movements within Asia provide. Members of the Kartini network stimulate the articulation of a particular “Asian voice” in women’s studies and in the global women’s movement. Considering the existing patriarchal structures all over the continent, a continuum of oppressions enfolds, from the global sphere of market exchange to emerging fundamentalisms and to bitter conflicts and struggles around sexualities. The present volume provides elements for the critical dialogues that are needed between women in the region, between women and men, between people in all sorts of strategic positions, and between theoreticians in the Global South and the Global North to create a world in which human dignity is not eroded by predatory economic processes and in which democracy, diversity, pluralism, and inclusivity are the guiding principles of governance.
Publisher: Cambridge Scholars Publishing
ISBN: 1443834696
Category : Social Science
Languages : en
Pages : 485
Book Description
This book on the future of Asian feminisms, confronting fundamentalisms, conflicts, and neo-liberalism is a critical contribution to the rising voices of Asian women’s studies scholars and activists. It is based on the ongoing research and advocacy work of the Kartini Asia Network, founded in 2003 in Manila. The five overlapping themes of the network are women/gender studies, fundamentalisms, conflicts, livelihood and sexuality. Considering that the economic and political weight of the region is growing fast, and that the 21st century has been named the “Asian century,” Asia is increasingly recognised as the continent to which economic, if not political power, will shift in the coming decades. The chapters brought together in this volume demonstrate the great diversity of the “transversal cultural flow” that women’s movements within Asia provide. Members of the Kartini network stimulate the articulation of a particular “Asian voice” in women’s studies and in the global women’s movement. Considering the existing patriarchal structures all over the continent, a continuum of oppressions enfolds, from the global sphere of market exchange to emerging fundamentalisms and to bitter conflicts and struggles around sexualities. The present volume provides elements for the critical dialogues that are needed between women in the region, between women and men, between people in all sorts of strategic positions, and between theoreticians in the Global South and the Global North to create a world in which human dignity is not eroded by predatory economic processes and in which democracy, diversity, pluralism, and inclusivity are the guiding principles of governance.
Adapting Gender
Author: Ilana Dann Luna
Publisher: State University of New York Press
ISBN: 1438468288
Category : Performing Arts
Languages : en
Pages : 314
Book Description
Adapting Gender offers a cogent introduction to Mexico's film industry, the history of women's filmmaking in Mexico, a new approach to adaptation as a potential feminist strategy, and a cultural history of generational changes in Mexico. Ilana Dann Luna examines how adapted films have the potential to subvert not only the intentions of the source text, but how they can also interrupt the hegemony of gender stereotypes in a broader socio-political context. Luna follows the industrial shifts that began with Salinas de Gortari's presidency, which made the long 1990s the precise moment in which subversive filmmakers, particularly women, were able to participate more fully in the industry and portrayed the lived experiences of women and non-gender-conforming men. The analysis focuses on Busi Cortés's El secreto de Romelia (1988), an adaptation of Rosario Castellanos's short novel El viudo Román (1964); Sabina Berman and Isabelle Tardán's Entre Pancho Villa y una mujer desnuda (1996), an adaptation of Berman's own play, Entre Villa y una mujer desnuda (1992); Guita Schyfter's Novia que te vea (1993), an adaptation of Rosa Nissán's eponymous novel (1992); and Jaime Humberto Hermosillo's De noche vienes, Esmeralda (1997), an adaptation of Elena Poniatowska's short story "De noche vienes" (1979). These adapted texts established a significant alternative to monolithic notions of national (gendered) identity, while critiquing, updating, and even queering, notions of feminism in the Mexican context.
Publisher: State University of New York Press
ISBN: 1438468288
Category : Performing Arts
Languages : en
Pages : 314
Book Description
Adapting Gender offers a cogent introduction to Mexico's film industry, the history of women's filmmaking in Mexico, a new approach to adaptation as a potential feminist strategy, and a cultural history of generational changes in Mexico. Ilana Dann Luna examines how adapted films have the potential to subvert not only the intentions of the source text, but how they can also interrupt the hegemony of gender stereotypes in a broader socio-political context. Luna follows the industrial shifts that began with Salinas de Gortari's presidency, which made the long 1990s the precise moment in which subversive filmmakers, particularly women, were able to participate more fully in the industry and portrayed the lived experiences of women and non-gender-conforming men. The analysis focuses on Busi Cortés's El secreto de Romelia (1988), an adaptation of Rosario Castellanos's short novel El viudo Román (1964); Sabina Berman and Isabelle Tardán's Entre Pancho Villa y una mujer desnuda (1996), an adaptation of Berman's own play, Entre Villa y una mujer desnuda (1992); Guita Schyfter's Novia que te vea (1993), an adaptation of Rosa Nissán's eponymous novel (1992); and Jaime Humberto Hermosillo's De noche vienes, Esmeralda (1997), an adaptation of Elena Poniatowska's short story "De noche vienes" (1979). These adapted texts established a significant alternative to monolithic notions of national (gendered) identity, while critiquing, updating, and even queering, notions of feminism in the Mexican context.
A Companion to Art Theory
Author: Paul Smith
Publisher: John Wiley & Sons
ISBN: 0470998423
Category : Art
Languages : en
Pages : 552
Book Description
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.
Publisher: John Wiley & Sons
ISBN: 0470998423
Category : Art
Languages : en
Pages : 552
Book Description
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.